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Faculty

Project Research Fellows

ANDO Chihoko Research Division
Specialized Field(s) History of early Japanese photography
Current Research Themes Acceptance of photography in the middle of 19th century Japan
Keywords for Research International comparison of photographic histories, relationship of photographies and paintings, daguerréotype, calotype, collodion process

Education

2024
Completed the doctoral program without a doctoral degree of doctoral program, Graduate School of Science and Technology,  Kyoto Institute of Technology

Professional Experience

2022
Part-time lecturer, Kyoto University of the Arts
2023
Part-time librarian, Kyoto Institute, Library and Archives
2024
Project Research Fellow, International Research Center for Japanese Studies

Degree(s)

2019
M.E., Kyoto Institute of Technology

Achievements

Articles
  • ・ 「写真と絵図による城郭像の検討-カロタイプネガ「鶴丸城内の藩主居館」の日本写真史上の位置づけに関する試論-」, 『鹿島美術研究年報』第40号別冊, 鹿島美術財団, 東京, 2023年, pp.294-306
  • ・ 「幕末・明治期における写真の複製性にたいする一考察」, 『DNP文化振興財団学術研究助成紀要』第5号, DNP文化振興財団, 東京, 2023年, pp.10-23
    ( A Study on the Reproducibility of Photography in 19th-Century Japan, The Bulletin of Graphic Culture Research Grants Vol.5, DNP Foundation for Cultural Promotion, Tokyo, 2023 )
  • ・ 「幕末・明治期におけるアンブロタイプへの愛着を支えた「もの」-木箱・ガラス・無彩色-」, 『美学』第74巻1号, 美学会, 京都, 2023年, pp.49-60
    ( The ‘Things’ that Captivated the Japanese in the Late 19th Century: Wooden Boxes, Glass Plates and Achromatic Images of Ambrotypes, Aesthetics 74(1), The Japanese Society for Aesthetics, Kyoto, 2023 )
  • ・ Foreseeing the Future: Ambrotype Portrait Photos as a Symbol of Life and Death in the 19th Century Japan, Don't Press Print: De/Re-Constructing the Collodion Process: Proceedings of a conference held online on 1-2 October 2020 Edited by Michael Pritchard, Centre for Fine Print Research, University of the West of England : The Royal Photographic Society, Bristol, 2021, pp.60-69
  • ・ 「薩摩藩主島津斉彬が取り組んだダゲレオタイプとカロタイプに関する一試論 : 実践動機の文献的再考」, 『日本写真芸術学会誌 』第28巻2号, 日本写真芸術学会, 東京, 2019年, pp.5-15
    ( A Study on Acceptance of Photographic Practice by Shimadzu Nariakira at the Dawn of Japanese Photography, Bulletin of the Japan Society for Arts and History of Photography 28(2), The Japan Society for Arts and History of Photography, Tokyo, 2019 )
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