■Conferences/Symposiums  Nichibunken Evening Seminar

2020

2019

2018

2018-5-10
The 227th Nichibunken Evening Seminar
The Interrelation of Academic and Artistic Approaches to the Reconstruction of Japanese Court Music: From Historiographies to Historiophonies

2017

2016

2016-9-8
The 210th Nichibunken Evening Seminar
Looking for ‘Correct’ Knowledge in Early Edo Japan: Baba Nobutake’s Critic and Defense of Various Theories (Shosetsu bendan 諸説辨断, 1715) and Its Context

2015

2015-2-5
The 194th Nichibunken Evening Seminar
The Circuits of Production,Distribution,and Consumption as a Possible Narrative within Japanese Art History:Some Preliminary Considerations

2014

2013

2013-9-5
The 180th Nichibunken Evening Seminar
The Birth of Mutual Recognition: European and Japanese Visual Images of Each Other during the Edo Period and the Quest for Generalization

2012

2011

2011-4-7
The 156th Nichibunken Evening Seminar
When Did the Japanese Start Writing Books on Japan in English? The Strengths and Weaknesses of the First Generation of Native Japan Interpreters

2010

2009

2008

2008-12-4
The 133rd Nichibunken Evening Seminar
The Adaptation of Western Genres in Japanese Popular Music: Evolution of Musical Style and Text Setting in Children's Songs and Hip-Hop

2007

2006

2006-9-7
The 112th Nichibunken Evening Seminar
What Language Do You Expect from the Stage in Japan? Kinoshita Junji's Shigosen no matsuri -- Requiem on the GreatMeridian (with video clips)

2005

2004

2003

2002

2001

2001-4-5
The 59th Nichibunken Evening Seminar
Collecting Japan's Treasures and Monuments- Colonialism,Nationalism and the History of Cultural Properties Managementin the Korean Peninsula (1911-1943)

2000

1999

1998

1997

1997-11-13
The 26th Nichibunken Evening Seminar
The Hero's Journey in Shiga Naoya's A DarkNight's Passing and Murakami Haruki's TheHard- Boiled Wonderland and the End of the World

1996

1995