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2016-2020Nichibunken IRCJS/Professor ɮֱꥹ

2016ǯ 2017ǯ 2018ǯ 2019ǯ 2020ǯ

2018ǯ

No
1ѻˤζȤγضࡡNHKǡ2018ǯ320233ɽ
 

2018ǯʸ

Noʸ
1Ѥˤ٥꡼סؤ238桡2018ǯ220 26-35PDF
2֥Х벽ˤּҲ߷סס Social Design ̤ˤऱơץɥ롼ɥȯܤءݥȡּ줿20ǯפΥǥå١ʸƲ2018ǯ228 263-292PDF
3ܲҤѻˤ̤롧ޥ塼顼󥰤Ρإѥ󡦥ꥢ롦ܲҡʸȯɽסؤ239桡2018ǯ420 34-38PDF
4Genèse et préhistoire des écosystèmes : « l'être vers la vie » géologique et « le milieu » proto-biologique,La mésologie, un autre paradigme pour l'anthropocène?(autour et en présence d'Augustin Berque), Paris : Hermann, 2018, pp.265-273,380PDF
5A.K.ޥ饹ߤλӤ饢ƹͤʾˡåȡߥå DAS 2018 2018ǯ28-10ˤ˾Ԥơסؤ240桡2018ǯ620 10-14PDF
6Word and Imageزˤ륢 = ޥ꡼ꥹμ㴳ɲݤȤˤ ץޥꥢ̡ = ԡإƥȤȥ᡼ = ޥ꡼ꥹؤΥޡ١ҡ2018ǯ620 257263
7A.K.ޥ饹ߤλӤ饢ƹͤʲˡåȡߥå DAS 2018 2018ǯ28-10ˤ˾Ԥơסؤ241桡2018ǯ720 26-35PDF
8ƣĻ̼Ρ׺ƹ͡ˡˤλסѼġ1070桡2018ǯ82018ǯ830 102-107PDF
9ֳ±˴ѡزžƲڸסGA JAPAN 154SEP-OCT 20182018ǯ91ȯ 126-131ǡhttp://www.ga-ada.co.jp/japanese/ga_japan/gaj154.htmlPDF
10֥她ȵסؿ޽9桡ȽŹ2018ǯ9ȯ 2-7PDF
 

2018ǯԤ¾μɮư

No
1ڽɾֻۡ֡δƧबפη衽׽ȤܿΡ­ספˡܸʸءפŸ򸫤׳إꥷ󤤤ܸʸء¿¿ʸήʥ(нŹˡؿ޽ʹ3336桡2018ǯ127PDF
2ֳۤëפʸؤˤऱơDistant reading Distance readingءʸŪץβǽסؿ޽ʹ3338Ϣ182) 2018ǯ210 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3338&syosekino=11165PDF
3ڽɾۡļҤ顼ݻƻͺĤʷΰüָʿʹؼ̤ɤࡡݻƻͺ(ƣŹˡؤVol.41ʿ޼ҡ2018ǯ220154157PDF
4ӤߤƤΡȸʿȤסؿ޽ʹ3341Ϣ183) 2018ǯ33 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3341&syosekino=11241PDF
5ڽɾ֤ۡλϲФλФβϲФʤΤֵ⤯¤פؤΤ餿ĩ׻ĵ̤إ̤ϼءȡȥ뻳ؤƻڼҡؿ޽ʹ3346 2018ǯ47PDF
6֡ˤ˳ؤ֡ȡˤؤ̵֡ϤȤˤĤơݻƻͺ쥯١ƣŹ˴Եǰݥסؿ޽ʹ3347Ϣ184) 2018ǯ414PDF
7ְޡǯΡֿפ˺ˡפΩ夬롧ءֿˡ״طʹΰյ䤦ס¼̱Ϻʹꡦˡؿ޽ʹ١3349 2018ǯ428PDF
8ڽɾּۡΧؤ¤Ħ׳ǰΰʸ໤μȤˡֶΩ¤Ԥˤȼ̤ס潤ضĦˡ١ʹ񴩹Բˡؽɽ͡2018ǯ68PDF
9֥ߥťϤʤߥʥ˼μ򰮤餻ΤظŻ١ֹפȯù¤ˤȯεȺάסؿ޽ʹ١3354 2018ǯ69http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3354&syosekino=11540PDF
10֥ǥ󡦥ɥ󤫤ŰءĤˤ̴žνиסؿ޽ʹ١3357 2018ǯ630http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3357&syosekino=11612PDF
11ַθŽ괶סؤߤϤ޹絤ƻ2018ǯǡ20桡ع絤ƻOB2018ǯ84PDF

 

2018ǯԼҲŪư

No
1ʸMatthew LarkingThe Pan Real Art Association as an Early Postwar Avant-Garde of Nihonga׹ʸ楻󥿡2018ǯ21
2ȯɽۡA.K.Coomaraswamy: A Tentative Overview, Symposia:The Sunwise Turn, Dhaka Art Summit, Shilpakala Academy, Bangladesh, Febrary 9-10 https://www.dhakaartsummit.org/the-sunwise-turn/
3ȯɽۡA.K.Coomaraswamy:ˤơװɶƱ񡡹ʸ楻󥿡2018ǯ421-22
4ڴĴֱۡPirates View of the World Art: proposal for an alternative to the current system of Knowledge Production, Utsuwa Utsushi symposium, Chelsea College of Arts, London, 4th May 2018 http://events.arts.ac.uk/event/2018/5/4/-Utsuwa-Utsushi-symposium/program
guest list
5ɽ۽ҡѻˤζȤγ١ء2018ˡʸز񡡹ʸ楻󥿡2018ǯ71415
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6ȯɽۡReevaluating Asian Arts and Crafts under the Colonial Rules in 1910s and 20s: A.K. Coomaraswamy and Yanagi Muneyoshi, between India and Korea Rethinking Cultural HeritageIndo-Japanese Dialogue in a Globalising World Order, 16 and 17 August 2018abstract
schedule list
 

2017ǯ

No
1ۡس±˴ѤߤˤκƹۡפȾή̤θߤ䤤ľٻʸս 2017ǯ3 852 ʸս ʹ ʹ ʹ
ʸݳ±԰٤ȥѥη礱ԡ i-xvPDF
ײ褪ӷаޡ3-13PDF
ֳ±˴Ѥߤ׻ˡ 護ҳ׺ƹ͡ݳ±γˤˬ롡309-333PDF
ָŪѤ˴ؤ륳ץ饤󥹸פỾ롡 譹±νءݰȤȸ̡776-784PDF
Ȥݤ餿ʳ±ؤФˤऱơ809-814PDF
2ۡA Pirate's View of World HistoryA Reversed Perception of the Order of Things from a Global Perspective The 50th International Research Symposium 50ݸ潸International Research Center for Japanese Studies ʸ楻󥿡, 2017ǯ831ȯ 174, Preface A Pirate's View of World History: A Reversed Perception of the Order of Things From a Global Perspective pp.7-8 Introduction Piracy and the Jigsaw Puzzle Without a Piecepp.9-18 Chapter12 A Pirate's View of the History of Art Commerce: Beyond an Oceanic View of Civilizations pp.107-125 Concluding Remarks Preparing for a New Pirate Studies to Set Sail?pp.163-167HP
 

2017ǯʸ

Noʸ
1֥ʥࡦ󡦥ѥʩۡ׸10ǯ2020ǯФäƤΤï+ᡩŸסؤ231桡2017ǯ120 2-14PDF
2ůϺڡΩλȲϩŪŪɬȤθ򺹤ˤơ׶ܽزϩʸϤɤ߲򤯡١ĵݼҡ2017ǯ127 183-217PDF
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3ʸ:¤麽Ѥˤ׹ݥݥܤˤѡפǰκƹۡ׵ϿԽѰԡءѡ׳ǰκƹ: ʬλפνˡ١֥å2017ǯ127 297-321PDF
4ѻˤ岽뤫?: λ餹ȽŪסܸ54ʸ楻󥿡2017ǯ131 105-128PDF
5ܤˤӡסؤ232桡2017ǯ420 19-26PDF
6ֲ⡡ůؤȤƤΡԢˡ١ΡֻۡפΡ֤Ĥפȡ֤Ĥס̴Ԣˡ١2017ǯ59 899-903PDF
7ֹܸ֡פθȲꡧؤȤƤʸαĤȤδϢǡסܸ55ʸ楻󥿡2017ǯ53173-83PDF
8Crossing the Borders between the Living and the Dead: An Insight into Knowledge Transfer and Issues of Post-War Reconciliation ԡܸ桡2017Ūܸ١ʸ楻󥿡2017ǯ530348-358PDF
9֥åեɡҥץ:˹ԵӤФȱѹʲơסؤ234桡2017ǯ820 28-31PDF
10Chapter12 A Pirate's View of the History of Art Commerce: Beyond an Oceanic View of Civilizations pp.107-125, Shigemi Inaga ed., The 50th International Research Symposium: A Pirate's View of World HistoryA Reversed Perception of the Order of Things From a Global Perspective , 50ݸ潸International Research Center for Japanese Studies ʸ楻󥿡, 2017ǯ831ȯ 174PDF
11֡ڴƬŷҳлȸޱꥹޥý;ˡסʸظ103桡ʸ2017ǯ9251-6PDF
12Western Modern Masters Measured on the East-Asian Literati Template: Hashimoto Kansetsu and Kyoto School Sinology Pauline Bachmann, Melanie Klein, Tomoko Mamine, Georg Vasold eds., Art/Histories in Transcultural Dynamics: Narratives, Concepts, and Practices at Work, 20th and 21st Centuries , Wilhelm Fink, 2017, pp.31-46PDF
13Kuki Shūzō and the Idea of Metempsychosis: Recontextualizing Kuki's Lecture on Time in the Intellectual Milieu Between the Two World Wars, Japan Review, No.31, International Research Center for Japanese Studies, 2017, pp.105-122.PDF
14ֹżͷƢβ̤Ƥˡ57ͥĥӥʡ͸סؤ236桡2017ǯ1120 16-25PDF
15ںƷǺܡָۡΤءݵ̴̴Ȥסݵ̴زδȤ˴󤻤ơݵ̴󸦵ݵ̴ز񡡳زϴ桡2017ǯ1226 27-31 (֤Τߤä̡ͷϢ114סؤ225 2016ǯ4 Ͽ)PDF
 

2017ǯԤ¾μɮư

No
1ڽɾۡѤռȩδؤˤऱơƫʸƤη׺ʹƫݤΥݥ˥(̾ŲؽDzˡؿ޽ʹ3285桡2017ǯ11PDF
2ײTokyonization ζ̤Ǥιݥǥ˸ز񤫤2ˡסؿ޽ʹ3286Ϣ1692017ǯ114http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3286&syosekino=10055PDF
3ֻʢκ⤫κءסظΤȤС١صԿʹͼ7̡2017ǯ116PDF
4򴹤θۤ齤Ūˡκء̥ĤλҲ𤫤סؿ޽ʹ3287Ϣ1702017ǯ121http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3287&syosekino=10077PDF
5ָ奢ѥȳ͡ʸܸۤκ:̤ιݥǥ˳ز񤫤סؿ޽ʹ3288Ϣ1712017ǯ128http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3288&syosekino=10107PDF
6ڥ̴ۡʸء̴Ȥáη٤ǡ󡦰׹ڹԡ̴ɽݡ̲Ȥʸˡ101-105ǡ2017ǯ130PDF
7ɤǿ˭ˡϤƤΡܡ١סطδ֡229-37ǡ2017ǯ21 *켹ɮƤΤȤɤƤΤ36-37ǤΡ֥٥ȣפʬΤߡȤԽɮǡʸդǤϤޤPDF
8ȤƤѤβǽ:μѡŪǽ١Ľǡ2016ˡסؿ޽ʹ3289Ϣ1722017ǯ24 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3289&syosekino=10128PDF
9֤θȷ֤Ȥ˰ޤָ:ɾȥεסذɤν٤ԡ㡼ɡդˤʤǡסؿ޽ʹ3290Ϣ173) 2017ǯ211 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3290&syosekino=10152PDF
10ϡοŷΡޤ֤ϤȤʤסإꥤ3桡׽ý 80-88ǡ2017ǯ227PDF
11ֹ顦δŪסظΤȤС Կʹͼ 7̡2017ǯ31PDF
12ڽɾ֤ۡ롦ĤࡦĤ롧Ҷθ鶵ƹͤ׾ػҶҶ¤ٻҡؿ޽ʹ3294桡2017ǯ311PDF
13ų:ܤߤ̱Ĥκɾסؿ޽ʹ3299Ϣ174) 2017ǯ415 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3299&syosekino=10335PDF
14ؤκΩäȤơסظΤȤС Կʹͼ 1̡2017ǯ426PDF
15ݻƻͺɤࡧ΢鿿ʿʹԡݻƻͺ쥯󭷡ι͡ƣŹ 2017ǯ510553-564PDF
16ŲȵơŪϤθߡסظΤȤС Կʹͼ 1̡2017ǯ61PDF
17ڽɾֲۡ֡˿ʡפζֵ롢Ū硼鿨ؤžء׹¼ؿ뤳ȤΥ˥ƥ󥹡ƥåġ٥ߥ󡢥ݥƥ١ʰʸҡˡؿ޽ʹ3305 2017ǯ63PDF
18֥ϥå󥰤鵶֥ɤޤǡֳ±׿õסس±˴ѤߤˤκƹۡٵԿʹī 8̡2017ǯ65PDF
19ֳ֡±˴ѡפȤɼʤθˡסʰĹ鶦ƱˡΤõԤʹͼ 2̡2017ǯ68PDF
20ܤι顦ؽѸκפϤɤʤäƤ椯ΤΩ°ꡦ󥿡Ĺġ525-26ˤ˵İơסؿ޽ʹ3307Ϣ175) 2017ǯ617 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3307&syosekino=10514PDF
21ְ֡ջŪΤˤǤפȤҵɬװ:ư֡פҲκ䤤ľʾˡסؿ޽ʹ3308Ϣ176) 2017ǯ624http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3308&syosekino=10537PDF
22ְ֡ջŪΤˤǤפȤҵɬװ:ư֡פҲκ䤤ľʲˡסؿ޽ʹ3309Ϣ177) 2017ǯ71 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3309&syosekino=10543PDF
23ֿ뤳ȡ뤳ȡڶ뤳:ư֡פҲκ䤤ľʣˡˡסؿ޽ʹ3314Ϣ178) 2017ǯ85 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3314&syosekino=10651PDF
24֤դӡϤȴ׷θŤˤĤơסؤߤϤ޹絤ƻ2017ǯǡ19桡ع絤ƻOB2017ǯ84PDF
25ʤΤܤˤΤդζΤɤζ֤Ω£Ϳסؿ޽ʹ3329Ϣ179) 2017ǯ122 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3329&syosekino=10966PDF
26βʤĹʡȳ鸫ʸΤȤƤܡסؿ޽ʹ3330Ϣ180) 2017ǯ129 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3330&syosekino=10988PDF
27ֲ֡СסʹϺˤɾ줿ʸؼԤλŻʻ롧ĶܿʸؤΡֲˡס٤ɤסؿ޽ʹ3331Ϣ181) 2017ǯ1216 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3331&syosekino=11014PDF
28Ϥȴȡ춵ηθŤΤνŪʳФ񤭡סƻʿ29ǯ١58桡ع絤ƻ絤ƻ2017ǯ121655-57PDF
 

2017ǯԼҲŪư

No
1ȯɽۡHeritage Management as an Act of Compensation :A new Insight into Knowledge Transfer, International & Transdisciplinary Symposium on Advanced Future Studies (̤عݸ˥åȡݥݥ), Beyond Boundaries : Exploring the Creative Evolution of Transdisciplinary Studies, Kyoto University, Feb.8, 2017.http://www2.yukawa.kyoto-u.ac.jp/~future/news/20170208-1.htmlPROGRAM
2ڼۡڥѥͥꥹȡֳۡθʸβͤȳѤͤ롼30ʸݥࡡ彣ץ饶2017ǯ63PDF
3ȯɽۡGenèse et préhistoire de l'écosystème: autour de l'imagination géologique et de la métaphore météorologique, Colloque International: La mésologie, un autre paradigme pour l'anthropocène?(autour d'Augustin Berque), Centre Culturel International de Cerisy-la-Salle, Dimanche 3 Septembre, 2017.ȻȻȻ
4ȯɽۡJapanese Critical Perception of the Idea of Europe: A Preliminary Reflection toward a Pirate's Revision of World History, The International Conference The Idea of Europe: The Clash of Projections, University of Vienna, Saturday 9 September, 2017.
5ڥȡۡҷݽѤȸŵ1880ǯ1945ǯAvant-garde Art and Classicism from 1880 to 1945ס̾Ųؿʸ仺ƥȳظ楻󥿡ťݥࡡ̾Ųʸ7ե󥹥ۡ롡2017ǯ923-24PDF
6ڻʲ۾ε޻ ︦θߡסʸزΩ̿ء2017ǯ930http://hikakukansaishibu.blogspot.jp/2017/09/blog-post.htmlPDF
7мȡۡɽΰù֣׵ر2017ǯٸ)
8ڥơʸեࡡ󥳥顦եַΥܤʥ˥ˡˤοäʸץϡȥԥԡ2017ǯ1114 http://events.nichibun.ac.jp/ja/archives/cal/2017/11/14/index.htmlPDF
9ڻʲ۹ݥݥˤʸήäʸءʸڴۡ2017ǯ1117-19http://jarsa.jp/event/a06/pref29/7661/PDF PDF PROGRAM
10ڥǥ͡ۥݥֺʤݻƻͺΡ֥٥ꥹȡפ顢ؤ֤ΤȤϲʡݻƻͺ쥯4뵭ǰݥˡץ륫ǥԥë2017ǯ1128PDF
11ڼšۥݥ1950-60ǯžΥ뱿ưΰꡧֿˡס֥¼סˡפʤɤ˴Ϣơ׹ʸ楻󥿡2017ǯ122-3
12ۡۤҳءʩסåס֥ʩҳء׿ҳظ۸šζëܳؼˡؿʸʳظꡡ2017ǯ129-10
 

2016ǯ

No
1ñۡܿ¤: 줢¤̾ŲؽDz 484ǡ2016ǯ229̾ŲؽDz
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2016ǯʸ

Noʸ
1APirates' Viewof Art History Review of Japanese Culture and Society, vol. XXVI, Josai University, December 2014, pp.65-79.PDF
2Ƥ̴Υȡܤӥϰˤ륰Х롦Ȥȥǥݥ顦ȡפ()סؤ222桡2016ǯ12024-29PDF
3Ƥ̴Υȡܤӥϰˤ륰Х롦Ȥȥǥݥ顦ȡפ()סؤ223桡2016ǯ22037-44PDF
4ְܤ椯Ĥ̿ܤܤޤơסʸܤȥե󥹡֥롼Ĥȥ롼ġáǡ2016ǯ22933,121-142,162,382PDF
5ܼ̣̣ءؤηȶԻʸδռסԻԤζ岽ȸʸ֥饸롦ܤä٥ɥ쥢ꡦե쥹륷/ ϥ롦ӥåޥ/ǥΡԡCIAS Discussion Paper No.61ϰ踦󥻥󥿡2016ǯ329-35ǡPDF
6ѤˤǯΩդޤ뤳ˡסؤ224桡2016ǯ32026-31PDF
7ŪγФ䤤ľ˥ƥ򿶤֤äƺǥ벽줿Х٥ǥס2żԤˤѥͥǥåסѴۤϤ˥ХˤʤΤHow Global Can Museums Be?CIMAM(Ѵ۲)ǯ¹԰Ѱ(̳ɡѴۡˡ2016ǯ32590-107ǡ145-166ǡPDF
8֥ݥ˥ɡƹ֤͡Ĥפȡ֤Ĥפδ顧륤󥹡ޥ륯ߡ롦졢ɡͤμաӵݡδͺǷԡʸѽ12: ʸᴤ롧ȥ󥳥쥯ɤ߲ɤ¸ޤ ٢Japonisme et École Rimpa: autour de Louis Gonse, Théodore Duret, Ninagawa Noritane, S. Bing, Roger Marx et Claude Monet Édo retrouvée : La collection Tronquois, miroir des arts du Japon, de Rinpa à Mizoguchiʸսǡ2016ǯ331 123-153ǡ311-331PDF
9ָΤءݵ̴̴Ȥ졧ݵ̴زδȤ˴󤻤ơסؤ225桡2016ǯ420 10-17ǡPDF
10ͩ򤤤ˤƤߤ餻뤫ŪγФ䤤ľ˥ƥ򿶤֤äƺǥ벽줿Х٥ǥˡסؤ226桡2016ǯ520 18-27PDF
11֥ݥ˥ࡧΰȸˡ׻꿮ԡ̺ۡȥåΥݥ˥ʿ޼ҡ2016ǯ7105-9PDF
12ѻˤ岽뤫ԡإ󣳡æѡ2016ǯ715169-186PDF
13ͩ򤤤ˤƤߤ餻뤫ŪγФ䤤ľ˥ƥ򿶤֤äƺǥ벽줿Х٥ǥʸ)סؤ227桡2016ǯ720 14-21PDF
15ֵǽֻزžˤϲǽǻٷ¬ءæѤ˴ؤŪʳнˡסؤ228桡2016ǯ920 22-26PDF
16ֵǽֻزžˤϲǽǻٷ¬ءæѤ˴ؤŪʳнʸˡסؤ229桡2016ǯ1020 23-29PDF
17֤Ρȡͤžᤰäơסʸ32桡2016ǯ11 4-19PDF
18֤֡Ĥߡפȡ֤ĤߡסʸѾȺԤؤεס強ǯȼαĤߡסؿ16桡ܹݿƻʸꡡ2016ǯ113 3-18PDF
19Ķ視ʸŪ봴ΡſʪŪ˰̲ŪϷHaptic Sensations Beyond Visual Culture: Redefining Modernityin Museology so as to Readjust the Digitized Global Scale ModelסظѡMODERNARTôTAIPEI BIENNAL 2016 183桡̱Ԣ105ǯ12ǡ̻ΩѴȯԡ2016ǯ12 62-75PDF
 

2016ǯԤ¾μɮư

No
1Spirituality ȤդˤĤ:äγǰŪäŤΤˡסؿ޽ʹ3239Ϣ158ˡ2016ǯ123 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3239&syosekino=9012PDF
2ֹ褤Τʤ:ŷܡٺƹ͡­סؿ޽ʹ3243Ϣ159ˡ2016ǯ220 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3243&syosekino=9107PDF
3֥ܥåƥ΢բ䡧Ϻ˽ɤ:幬ͺʬ̿εšסؿ޽ʹ3244Ϣ160ˡ2016ǯ227 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3244&syosekino=9124PDF
4ɲȤο͡ˤޤĤŪ:Ƣסؿ޽ʹ3246Ϣ161ˡ2016ǯ312 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3246&syosekino=9170PDF
5٤þܡμɷ⤹ֳ±˴ѡס¼̱Ϻ뵭ǰʸԤˤ褻ơסؿ޽ʹ3247Ϣ162ˡ2016ǯ319 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3247&syosekino=9193PDF
6֥ޥȥθꡧ٥ȡλפСסؿ޽ʹ3248Ϣ163ˡ2016ǯ326 http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3248&syosekino=9215PDF
7ڽɾۡ֡ҤĤ(ǡ̡ܡ)ȡҤĤӤηؤˤऱơŪȲ忨дȤůŪ׻ȤĤҤ뤬ޤޡӤˤĤƤλ׺(ν˼, 2016ǯˡؿ޽ʹ3249桡2016ǯ42PDF
8ֻ֡פȡ֤錄פв񤦤Ȥ뤤лҤͩزžʣסعΩѴۥ˥塼214 ΩѴۡ2016ǯ61 2-3PDF
9ֹδˡᤰƮ볫ιݴطˤҸѹݴطӤȤۡפᤰäơסؿ޽ʹ3259Ϣ1642016ǯ618 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3259&syosekino=9422PDF
10ֱPart 1, Part 2ס49SGRAեࡡܸοѥơ١SGRAݡȡNo.00742016ǯ62057-58,75-76PDF
11ֿͤˤʤʤͤסظΤȤС١صԿʹͼ7̡2016ǯ76PDF
12The Way is in the Passage rather than the Pathܡ٤Ϥ˥ݡ롦饹ƻС٤Ρƻפɤؤסؿ޽ʹ3262Ϣ1652016ǯ79 http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3262&syosekino=9505PDF
13ڲĤǤȯۡMAM Documents 002ܤӥϰˤ륰Х롦Ȥȥǥݥ顦ȡʿѴۡ˥塼衼إХ롦ȡ󥸡IHSץඦťݥ൭Ͽˡ١Ѵۡ2016ǯ730181-186289-291PDF
14Ϥɤ褷ɤؽɤꡢɤؤȯĤΤ¤ȤƤɸ졦ޤȤƤλסؿ޽ʹ3266Ϣ1662016ǯ86http://www.toshoshimbun.com/books_newspaper/week_description.php?shinbunno=3266&syosekino=9588PDF
15ڽɾְۡŪϤǡ̤ƧβŸãȤͭ̾ʷʤտޤβ줿ӿؽãβء֢٤Ϥʤ򤤤Τ(ʸ, 2016ǯˡؿ޽ʹ3267桡2016ǯ813PDF
16֥μ¤ƻˡסظΤȤС١صԿʹͼ7̡2016ǯ823PDF
17Ϥȴȡ춵ηθŤΤνŪʳФ񤭡סؤߤϤ޹絤ƻ2016ǯǡ18桡ع絤ƻOB2015ǯ84-7PDF
18֥ȥɥȥեǥϡҤʤ:ꥪܡǰֱܥݥǤλ ؿ޽ʹ3272桡2016ǯ924http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3272&syosekino=9706PDF
19ƬǾŷӤŪסʿʹΤȤСǡ2016ǯ10PDF
20ִ˾οϲסظΤȤС١صԿʹͼ7̡2016ǯ111PDF
21ڽɾְۡʪʬ¤ϩõ롧ͤͤ᤿ϣ¤׹ۤ͡ȤƩŰդη׶ܿǷ¤ŪѳסǺࡦΡ¤׹͡١ؽǡˡؿ޽ʹ3282桡2016ǯ1210PDF
22ڥ󥿥ӥ塼ֳۡ±˴Ѥ򸫤סإեŻ7桡2016ǯ12 2-11ǡhttp://www.fujixerox.co.jp/company/public/graphication/PDF
23֥󥿡ͥåŪƱ Nichibunken Interactive Alumni Network ߤˤऱƤθĿŪסʸ˥塼쥿94桡2016ǯ121-2PDF
24֥ѥꥨʹ̤Ǥιݥǥ˸زǤθʣˡסؿ޽ʹ3283Ϣ1682016ǯ1217http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=3283&syosekino=9990PDF
25Endorsement (wrapper text), Michael Lucken, Imitation and Creativity in Japanese Arts, Columbia University Press, New York, 2016.PDF
 

2016ǯԼҲŪư

Noʸ
1ڹֵ֥ۡݥ˥ɡƹ ֤Ĥפȡ֤Ĥפδ 륤󥹡ޥ륯 ߡ롦졢ɡͤμ:ˤʸΰ֡NHKʸ󥿡ؿȤơȤãͤˤʤ뤿ˡNHKʸ󥿡Զ2016ǯ18 https://www.nhk-cul.co.jp/programs/program_461762.html
2ڻʲʸزƱּء2016ǯ19
3ʸӵһžˤʩʸĻˡ1890-1920ǯˡեѹˤߤѴѤ濴ˡء2016ǯ130
4ڥơ۲ʸƱܤˤѡ׳ǰκƹۡפ礷ơԸѴۡ2016ǯ131PDF
5ڥݥ೫šֳۡ±±±Ϣ⡧̵ˡoutlawμҲˤˤऱ:¼̱Ϻ򻲾Ȥơסʸ楻󥿡2016ǯ212-13PROGRAM
6ڥơۡԵظ̸չݥݥ̵ʸ仺ηѾˤ إƥåѹơ١׹Ω̱²ʪۡ2016ǯ311-13 http://www.minpaku.ac.jp/english/research/activity/news/corp/20160311-13 http://www.minpaku.ac.jp/research/activity/news/corp/20160311-13PDF
7ʸ۾ε޻γء2016ǯ314
8ڥȡInternational Symposium: Thinking Takehisa Yumeji: Toward a New Perspective̴ݥݥࡧݵ̴󸦵θߡ˸ơסظ޽ǯǰ۶ۡ롡2016ǯ321PDF
9ڥѥͥꥹȡۡ֡PAT in Kyoto鸫ƤΡ:Dzˤɾξ 2PATinkyotoDzȥꥨʡ쥷ݥ ԻѴ 2016ǯ326 http://patinkyoto.com/?lang=jaPDF
10ڴĴֱۡPassage, Rahmenlosigkeit, Blotting Effect: Reflections on the « Japanese-ness » in Artɡ(ƻ̵ߡѤˤŪʤΡפᤰʻ) ֹݥ᡼إݥࡦեܥȡ졼׹ͼʤʸݤȤƤΥ᡼ӡ֥륯鵻Ū᡼԰٤ޤǡ 2016ǯ49-10 http://bildwissenschaft.jp/PDF PPTPDF
11ڹݸ潸񳫺š50th International Research Symposium, Pirate's View of World History toward Possible Re-orientations International Research Center for Japanese Studies50ݸ潸ֳ±˴Ѥߤˤκƹۡ ʸ楻󥿡2016ǯ427-29http://publications.nichibun.ac.jp/ja/item/kosh/2017-08-31/pubPDF
12ڥѥͥꥹȡۡľϺݥݥѤ19ɥĤܡ׿ΩѴջۡ2016ǯ58 http://www.moma.pref.kanagawa.jp/museum/exhibitions/2016/harada/TXTPPT
13ڥơۡ300ʸեֻ񤬤Ĥʤ쥢ץϡȥԥԡ2016ǯ510PDF
14ڽɾۡ ܿ¤١̾ŲؽDz2016ˤᤰäơ227ʸ˥ߥʡʸ楻󥿡2016ǯ526
15ȯɽۡƻ̵ߡؤˤҤӡסװɶƱ2016ǯ2󸦵񡡹ʸ楻󥿡2016ǯ528-29
16ڹֱֳۡ±˴ѤߤԡʸκƸƤܤΥǥϲᤶΤǥʡ񡡥ե塦ʥå2016ǯ611
17ڸȯɽʲ78ʸزء2016ǯ618-19PDF
18Chair of the SessionۡAmateurism and the Art of Calligraphy in Postwar Japan AAS-in-Asia Congress, Doshisha University June 24-27, 2016
19ڹֱֲ̡ۡڥ륽ʡͩ23Ѳ˶زݽء2016ǯ716PDF PROGRAM
20ڹֱֹۡȿ¼پˤѤȤκԡ̤ ˡ٤ˤɮפˤͻνȯ Seals and Repetitions: Representations of World Art and Artists in the Works of Yasumasa Morimura and Handwriting and History in Kyuyo Ishikawas History of Chinese CalligraphyѡХٱȡֹܳص׹ݥݥ ʸԤȤƤΡҺԡӡRethinking the Author as an Agent of Cultural Production, Waseda University Top Global University Project: Global Japanese Studies International Symposium ء2016ǯ726PPT PDF PHOTO
21ڹֱۡŷҳл38󥲡Ƥβܤ̤󤯤褹ʵˤơܤζ岽Ƴ͡λۤȹưθȱƤɤʸפˡʸפۤʪPartݽѡʬˡ ݹꡡ2016ǯ818PDF PROGRAM
22ڴĴֱۡHaptic Sensations Beyond the Visual Culture: Redefining Modernity in Museology so as to Readjust the Digitalized Global Scale Model ̥ӥʡ졡̻ΩѴۡ2016ǯ911PDF
23ƤԡۡںĹ10SGRA㥤ʡե쥢ʸˤλߡ ̶彣ݲľ졢̶彣Ωѥ 2016ǯ929101PROGRAM Ƥ Ĺ
24мȡۡɽΰù֣׵ر2016ǯٸ)
25ڹֱ֥ۡʥॸ󡦥ѥʩۡץ勵ꥦѴۡ2016ǯ107PDFPDF
26ڹֱֳۡ±˴Ѥߤ500ǯʸγλ˴ѡ٤΢¦ 9ʸϥϢȥե ʸۡ2016ǯ1014 HP PDF
27ʸ̱ܤʸȡɾ٥롼μͤαʸɮư֥ɥˤݽѹŸ1935-36)ᤰäơסء2016ǯ1015
28ڴĴֱۡToward a Social Design in the Era of globalization: A New Task of the Design History,Discussant , RoundtableICDHS (The International Conference on Design History and Design Studies), Department of Industrial and Commercial Design , National Taiwan University of Science and Technology , Taipei , Taiwan , October 26-28,2016 http://www.transnational.org.uk/posts/136-international-conferences-on-design-history-and-studies-icdhs.htmlPDFPPT
29Commentator The 23rd Nichibunkan International Synposium, Otago , New Zealand, November 24-25,2016HP PDF
30ڹֱ "L'Ecole Rimpa, son évaluation en Europe, 1876-1918 : aotour de Théodore Duret, Louis Gonse, Ninagawa Noritane, S. Bing et Roger Marx," (衼åѤˤɤμơ1876ǯ1918ǯƥɡ롦ǥ졢륤󥹡ߥ奨롦ӥ󥰡ޥ륯) Workshop: Les discours sur l'art aux XIXe et XXe siècle :un genre littéraire complexe (19-20Ѥᤰ ̾Ųʸۡ2016ǯ1218