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7¡Ê´Ú¹ñ¸ì¡Ë¡Ö°Ûʸ²½Íý²ò¤ÎÏÀÍý¤Ë¤à¤±¤Æ¡×¡Ø다문화와 평화¡ÙÂè3½´1¹æ, 성결대학교 다문화평화연구소, 2009ǯ, pp.115-146.¡Ö°Ûʸ²½Íý²ò¤ÎÏÀÍý¤Ë¤à¤±¤Æ¡×¡ØÂ¿Ê¸²½¤ÈʿϡÙÂ裳½´£±¹æ¡¢À»·éÂç³Ø¹»¡¦Â¿Ê¸²½Ê¿Ï¸¦µæ½ê¡¢2009ǯ6·î¡¢115-146ÊÇPDF
8¡ÊÃæ¹ñ¸ì¡Ë¡Ö°ÏåÀ̾ºîϵð¾¢Ç§ÃÎÌäÂêŪǧ¼±¾åŪóòó÷¡×³ÚÂã±À¡¢ÌÒ²ÚÊÔ¡ØÂ¿¸µÅªÈþ:Èæ³Óʸ³Ø¹ñºÝ³Ø½Ñ¸¡Æ¤²ñ¡ÙEsthétique du Divers¡ÊË̵þÂç³ØÈæ³Óʸ³Ø³Ø½ÑÏÀÃÅ¡ËË̵þÂç³Ø½ÐÈǼҡ¢2009ǯ6·î¡¢114-123ÊÇ
9¡Ö¥Õ¥é¥ó¥¹³¨²è¤Î19À¤µª¡¡Å¸Í÷²ñ¸ø¼°¥Ö¥í¥° ¡Ø¥Õ¥é¥ó¥¹³¨²è¤Î19À¤µª¡Ù¤Ë´ó¤»¤Æ¡×ŸÍ÷²ñ¸ø¼°¥Ö¥í¥°¡¡(Á°¹à²þÄêÈÇ¡¦ºÆ·Ç)
10¡Ö¸½Âå¤Ë¤ª¤¤¤Æ¡Ö¥Ç¥Ã¥µ¥ó¡×¤È¤Ï¡Öµ»Ë¡¡×¤Ê¤Î¤«¡©¡§¤½¤¦¤Ç¤Ê¤¤¤Ê¤é¡¢¡Ö¥Ç¥Ã¥µ¥ó¡×¤Ë¤Ï¡¢¤¤¤«¤Ê¤ë²ÄǽÀ­¤¬¤¢¤ë¤Î¤À¤í¤¦¤«¡©¡×¡¢¡Ø¤¢¤¤¤À¡Ù162¹æ¡¢2009ǯ7·î20Æü¡¢33¡Ý39ÊÇPDF
11¡Ö¥¨¥ß¡¼¥ë¡¦¥¬¥ì¤ÈËü¹ñÇîÍ÷²ñ¡§½½¶åÀ¤µªËö¥¬¥é¥¹»º¶È¤Î¼Ò²ñŪǧÃÎÆ®Áè¤Ë¤Þ¤Ä¤ï¤ëÈ÷˺Ͽ¥á¥â¡×¡Ø¤¢¤¤¤À¡Ù164¹æ¡¡2009ǯ9·î20Æü¡¢22¡Ý28ÊÇPDF
12¡ÈThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945) : Rabindranath Tagore, Arai Kanpô and Nandalal Bose,¡ÉJapan Review, No. 21, International Research Center for Japanese Studies, 2009, pp.149-181.PDF
13¡ÖÏÀË­»Òúª¡ÔÃæ¹ñÈþ½Ñºß¸½Âå·Ý½Ñ¾å¾¡Íø¡ÕÍ¿ÆüÌõºîÉʺßÀܼõÀ¾Êý»×ÁÛ»þŪÇÞ²ðºîÍѡסʲ¦¿¶Ê¿Ìõ¡Ë¡¢²¦¶ÇÊ¿(¼çÊÔ)¡ØÅì°¡»í³ØÍ¿Ê¸²½¸ßÆÉ¡ÙÀîËÜâ«»ÌÀèÀ¸ ¸Åµ©µ­Ç° ÏÀʸ½¸¡¡2009ǯ10·î´©¡¢pp.342¡¾354PDF
14¡ÖÇòƬ»³¡¦¾µÆÁ¡¦¥Ï¥ë¥Ï²ÏÈÊ¡§µ¶Ëþ½£¹ñ¤Îʸ²½¾Ýħ¤È¤½¤Îɽ¾Ý¡×ŸÍ÷²ñ¿ÞÏ¿¡Ø¶áÂå¤ÎÅ쥢¥¸¥¢¡¦¥¤¥á¡¼¥¸¡ÙË­ÅÄ»ÔÈþ½Ñ´Û¡¡(ŸÍ÷²ñ²ñ´ü¡¡2009ǯ10·î1Æü¡¾2009ǯ12·î27Æü)¡¡pp.10¡¾14PDF
15¡Ö麽ѤȤ¤¤¦Ì¾¤Î¡ÖÏÈÁȤߡפòÌ䤤ľ¤¹¡§¸Ý¾ïÎÉRahmenlosigkeit ºÆ¹Í¡×¡Ø¤¢¤¤¤À¡Ù165¹æ¡ÊÏ¢ºÜÂè70²ó¡Ë2009ǯ10·î20Æü¡¡pp.34¡¾40PDF
16¡ÈKegon / Huayan ²Ú¸· View and Contemporary East Asian Art: A Methodological Proposal,¡É (¥Ï¥ó¥°¥ëÈÇ)¡¡¹¿Á±¼ÝÀèÀ¸¸¦µæ»°½½¼þǯµ­Ç°ÏÀ¡¡홍선표 편¡Ø 동아시아 미술의 근대와 근대성/Å쥢¥¸¥¢Èþ½Ñ¤Î¥â¥À¥ó¤È¥â¥À¥Ë¥Æ¥£¡¼/ Åì°¡Èþ½ÑŪ¶áÂå϶áÂåÀ­¡Ùp.221-250.PDF
17«La Naissance de la Médiance à l¡Çétat Embryonnaire ou l¡Çorigine de l¡Çécoumène entre utérus et fœtus: À la marge d'un ouvrage de Miki Shigeo», Ebisu Études japonaises, No.40Ž¥41, Maison franco-japonaise, Automne 2008-Été 2009, pp.189-204.PDF
18¡Ö¥Ö¥¨¥Î¥¹¥¢¥¤¥ì¥¹¤ÎÀã½®¡¦¥µ¥ó¥Ñ¥¦¥í¤ÎÇξ֡¡Åçºêƣ¼¤Î¹ñºÝ¥Ú¥ó¥¯¥é¥Ö»²²Ã¤È¡ÖºÇ¤âÆüËÜŪ¤Ê¤ë¤â¤Î¡×¡Ê1936¡Ë¤ò¤á¤°¤ë¹Ö±é¤Î¼þÊÕ¡×Edited by James C. Baxter, Hosokawa Shuhei and Junko Ota, Cultural Exchange between Brazil and Japan ¡ÊÆüËÜ¡¦¥Ö¥é¥¸¥ëʸ²½¸òή¡Ë¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¡2009ǯ11·î30Æü¡¡pp.111-126PDF
 

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1Æü·Ï¥Ö¥é¥¸¥ë¿Í¿Â»ÎÏ¿¤«¤é¤Î°ìÊÇ¡¡¡¡ÎëÌÚÀµ°ÒÃø¡ØÎëÌÚÄð°ì¡¡¥Ö¥é¥¸¥ëÆü·Ï¼Ò²ñ¤ËÀ¸¤­¤¿µ´ºÍ¤ÎÀ¸³¶¡Ù¡¢¡Ø¿Þ½ñ¿·Ê¹¡Ù2907¹æ¡¢2009ǯ2·î28Æühttp://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2907&syosekino=1429PDF
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12¡ÖÃÎÀ­¤ÎºÆÄêµÁ¤Ë¸þ¤±¤Æ¡§ÍýÏÀŪ´Ô¸µ¤Î¸Â³¦¤È¡¢Á´ÂÎÏÀŪÇİ®¤Ø¤ÎͶÏǤΤϤ¶¤Þ¤Ç¡×¡Ø»ë³Ð¤Î¸½¾ì¡§»Íµ¨¤Îþ¤Ó¡ÙVol.2¡¢Âé¸ï½ñ˼¡¢2009ǯ8·î21Æü¡¢35¡Ý37ÊÇPDF
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15¡Ö±£Ê䵤줿°Õ¿Þ¤È¤½¤Î²òÌÀ¡¼¥À¥ê¥ª¡¦¥¬¥ó¥Ü¡¼¥Ë¡ØÀøºßŪ¥¤¥á¡¼¥¸¡Ù¤Ë½É¤ëÀøºßŪ²ÄǽÀ­¡¦¾å¡×¡¢¡Ø¿Þ½ñ¿·Ê¹¡Ù2932¹æ¡¢2009ǯ9·î5Æühttp://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2932&syosekino=1987PDF
16¡Ö±£Ê䵤줿°Õ¿Þ¤È¤½¤Î²òÌÀ¡¼¥À¥ê¥ª¡¦¥¬¥ó¥Ü¡¼¥Ë¡ØÀøºßŪ¥¤¥á¡¼¥¸¡Ù¤Ë½É¤ëÀøºßŪ²ÄǽÀ­¡¦²¼¡×¡¢¡Ø¿Þ½ñ¿·Ê¹¡Ù2933¹æ¡¢2009ǯ9·î12Æühttp://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2933&syosekino=2009PDF
17¡Ö²¤½£¡¦Çì¹ñÀ»½£¹Ô¾õÈ÷˺Ͽ¡§2008ǯ²Æµ¨¤è¤ê½©µ¨¤Ë¤¤¤¿¤ë¡×¡ØÆüʸ¸¦¡Ù43¹æ¡¡Æüʸ¸¦¡¡2009ǯ9·î30Æü¡¡37¡Ý52ÊÇPDF
18Endorsement (wrapper text), Jason Kuo ed., Stones from other Mountains: Chinese Painting Studies in Postwar America, New Academia Publishing, LLC, 2009.PDF
19¡Ö¡ÖÆüËܰõ¾ÝÇɤΤޤì¤Ê¤ë³¨²è¡¢¥»¥ó¥»¡¼¥·¥ç¥Ê¥ë¤Êȯ¸«¡×¡¾¸¶ÅÄľ¼¡ÏºÂÚ²¤½é´ü¤ÎÂçºîÉ÷·Ê²è¤Ï¡¢Î¤µ¢¤ê¤Ë¤ÏÃͤ·¤Ê¤¤¤Î¤«¡©¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù¡ÊÏ¢ºÜ109²ó¡Ë2944¹æ¡¡2009ǯ¡¡12·î5ÆüPDF
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10¡Ú¥³¥á¥ó¥È¡Û¡ÈResistance to Western Modernity and Temptation of Oriental Absorption: Commentaries on the papers by Gauri Viswanathan and Hent de Vries,¡É¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥à¡ØµþÅÔ³ØÇɤȡֶáÂå¤Î͹î¡×¡§¶áÂåÀ­¡¢Äë¹ñ¡¢ÉáÊ×À­¡ÙThe Kyoto School and ¡ÆOvercoming Modernity¡Ç: Modernity, Empire and Universality,¡¡¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¢2009ǯ5·î23Æü¡¢24Æü
11¡Ú¥³¥á¥ó¥È¡Û¡ÈHow one feel «Je est un autre» ? –concluding remarks,¡É Devenir l'autre: Expérience et récit du changement de culture entre Orient et Occident, ¡¡¥³¥ë¥Þ¡¼¥ë¡¦¥·¥ó¥Ý¥¸¥¦¥à¡¡¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¢2009ǯ6·î2Æü¡¢3Æü
12¡Ú»Ê²ñ¡¦¥·¥ó¥Ý¥¸¥¦¥àºÂĹ¡Û¡Ö¤Ò¤È¤Ä¤ÎµþÅԳء¦Èþ½Ñ¡¦¹©·Ý¡¦·úÃÛ¡¦ÅԻԡס¢µþÅÔ¹ñΩ¶áÂåÈþ½Ñ´Û¡¢2009ǯ6·î20Æü
13¡Úȯɽ¡Û¡Ö·§Æï¤«¤é¤ß¤ë¸½ÂåÅ쥢¥¸¥¢¤ÎÈþ½Ñ¡×¥â¥Î³Ø¡¦´¶³Ð²ÁÃ͸¦µæ²ñ¡¡2009ǯÅÙ¥â¥Î³Ø¡¦´¶³Ð²ÁÃ͸¦µæ²ñÂ裲²ó¸¦µæ²ñ¡¢µþÅÔ¤·Á·Ý½ÑÂç³Ø¡¡¿Í´Ö´Û£´³¬ 409¶µ¼¼¡¢2009ǯ6·î21ÆüPDF
14¡Ú¼çºÅ¡¦»Ê²ñ¡Û¡ÖÆüËÜÈþ³Ø¤È»ë³ÐÀ­¤ÎÌäÂê¡×Japanese Aesthetics and the Visuality in Question¡¢¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¢2009ǯ7·î6Æü-7Æü
15¡Ú»Ê²ñ¡Û¡¡¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥à¡ÖÃΤé¤ì¤¶¤ë±Ñ¸ì·÷¤Î¥¸¥ã¥Ý¥Ë¥¹¥à¡×¡¡¼çºÅ¡¦¥¸¥ã¥Ý¥Ë¥º¥à³Ø²ñ¡¢¥í¥ó¥É¥ó·Ý½ÑÂç³Ø¡¦¥È¥é¥ó¥¹¡¦¥Ê¥·¥ç¥Ê¥ë¡¦¥¢¡¼¥È¸¦µæ½ê¡ÊTrAIN¡Ë¡¢Ê¸²½½÷»ÒÂçÂç³Ø¡¦Ê¸²½¥Õ¥¡¥Ã¥·¥ç¥ó¸¦µæµ¡¹½¡¢±÷ʸ²½½÷»ÒÂç³Ø¹ñºÝ²ñµÄ¼¼¡¢2009ǯ£··î11Æü
16¡Ú¹Ö±é¡Û¡ÖÅ쥢¥¸¥¢Ê¸²½¸¦µæ¤Ø¤Î¤¢¤é¤¿¤ÊŸ˾¡§±äÊÕÀïÁ°¶µ°é»Ë¤Î»ëÅÀ¤«¤é¡½Î¶°æ½÷»Ò¹ṉ̃¹âÅù³Ø¹»½éÂ幻ŤÎÀ¸³¶¤È­Àפ˾Ȥ餷¤Æ¡½¡×±äÊÕÂç³Ø³°¹ñ¸ì³Ø±¡¡¦¸À¸ìʸ²½¸¦µæ½ê¡¢2009ǯ8·î6Æü
17¡ÚÍý»ö²ñ½ÐÀʡۡÖICLA¡¡¹ñºÝÈæ³Óʸ³Ø²ñÍý»ö²ñ¡×Université Libre de Bruxelles August 24-25, 2009.
18¡Úȯɽ¡ÛICLA ¹ñºÝÈæ³Óʸ³Ø²ñ¡¡¡ÈDistance Reading-Migration of Meaning and Metempsychosis throughTranslation,¡É Old Margins and New Centers/Anciennes frontières et nouveau centres: The Legacy of European Literatures in a Global Age/L'héritage littéraire européen dans une ère de globalisation, Université Libre de Bruxelles August 26, 2009.
19¡ÚÇî»ÎÏÀʸ¿³ºº¡ÛË٤ޤɤ«¡¡¡ØÌî¸ýÊÆ¼¡Ïº¡§¡ÖÆó½Å¹ñÀÒ¡×»í¿Í¤ÎÀ¸³¶¤ÈºîÉÊÀ¤³¦¡Ù¡¢¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¢2009ǯ9·î2Æü
20¡ÚºÂĹ¡Û¡Ö¥¸¥ã¥ó=¥¯¥í¡¼¥É¡¦¥ì¡¼¥Ù¥ó¥·¥å¥Æ¥¤¥ó¶µ¼ø¡¡ÍèÆüµ­Ç°¥·¥ó¥Ý¥¸¥¦¥à¡§¥Õ¥é¥ó¥¹¶á¸½ÂåÈþ½Ñ»Ë¸¦µæ¤Î²ÄǽÀ­¡×¡¢µþÅÔ¹©·ÝÁ¡°ÝÂç³Ø¾¾¥öºê¥­¥ã¥ó¥Ñ¥¹¡¢2009ǯ9·î5ÆüPDF
21¡Úȯɽ¡Û¡ÖÇòƬ»³¡¦¾µÆÁ¡¦¥Ï¥ë¥Ï²ÏÈÊ¡§µ¶Ëþ½£¹ñ¤Îʸ²½¾Ýħ¤È¤½¤Îɽ¾Ý¡×¹ñºÝ¸¦µæÆ¤ÏÀ²ñ¡ØÅìËÌ¥¢¥¸¥¢Ê¸²½»Ë¤ÎºÆ¹½ÃÛ¡ÙÒýÕõÉÍ(¥Ï¥ë¥Ô¥ó)»Ô¡¦¹õζ¹¾Âç³Ø¡¢2009ǯ9·î13Æü
22¡Ú¸ø³«¹Ö±é¡Û¡ÖÂçÏ¢´«¶ÈÇîÍ÷²ñ¤«¤é¹ÄµªÆóÏ»¡»¡»Ç¯µ­Ç°¡¦Åì°¡²ñµÄ¤Þ¤Ç¡§¤¢¤ë̵̾ÆüËܿͶµ°é¼Ô¤Î¥é¥¤¥Õ¡¦¥Ò¥¹¥È¥ê¡¼¤Ë±è¤Ã¤Æ¡×ÒýÕõÉÍ(¥Ï¥ë¥Ô¥ó)»Ô¡¦¹õζ¹¾Âç³Ø¡¢2009ǯ9·î13Æü
23¡Ú¼Ì¿¿·ÇºÜ¡Û¡Êɽ»æ¼Ì¿¿»£±Æ¡Ë¡ÖÆàÎɸ©±§Â˻ԡ¡Î¶Ìç¿¿¸À½¡¡¡Â碻û¡×¡Ø¤¢¤¤¤À¡Ù163¹æ¡¢2009ǯ8·î20Æü´©
24¡Ú½¸Ãæ¹ÖµÁ¡Ûʼ¸Ë¶µ°éÂç³Ø¡ÖÆüËÜʸ²½ÏÀ¡×½¸Ãæ¹ÖµÁ¡¢Ê¼¸Ë¶µ°éÂç³ØÂçºå¥µ¥Æ¥é¥¤¥È¶µ¼¼¡¢2009ǯ9·î24Æü
25¡Úȯɽ¡Û¡Ö¾®¾¾À¶¡¦ÌÚ²¼ÌÝÂÀϺ¤È¥ô¥§¥È¥Ê¥à¡×Japanese Studies in Southeast Asia : The Past, Present and Future: Second International Conference of the Japanese Studies Association in Southeast Asia, 22-23, October 2009, Vietnam Academy of Social Science, Hanoi, Vietnam. http://www.jsa-asean.info/PPT
26¡Úȯɽ¡Û¡ÈThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945) : Rabindranath Tagore, Arai Kanpô, and Nandalal Bose,¡É¡Ö¥í¥Ó¥ó¥É¥é¥Ê¡¼¥È¡¦¥¿¥´¡¼¥ë¡¢¹Ó°æ´²Êý¡¢¥Î¥ó¥É¥é¥ë¡¦¥Ü¡¼¥¹¡§20À¤µªÁ°È¾¤Î¥Ù¥ó¥¬¥ë¤ÈÆüËܤȤÎÈþ½Ñ¸òή¤Î°ì¶ð¤«¤é¡×Æüʸ¸¦Âè16²ó³¤³°¥·¥ó¥Ý¥¸¥¦¥à ¡Ø¥¢¥¸¥¢¿·»þÂå¤ÎÆî¥¢¥¸¥¢¤Ë¤±¤ëÆüËÜÁü¡¾¥¤¥ó¥É¡¦SAARC½ô¹ñ¤Ë¤ª¤±¤ëÆüËܸ¦µæ¤Î¸½¾õ¤ÈɬÍ×À­¡ÙJawaharlal Nehru University, New Delhi, India, November 3-4, 2009.
27¡Úȯɽ¡Û¡Ö¥¿¥´¡¼¥ë¡¢¥Ü¡¼¥¹¡¢¹Ó°æ´²Êý¤È¥·¥ã¥ó¥Á¥Ë¥±¥¿¥ó¡×¥¿¥´¡¼¥ëÂç³Ø¡¡¥·¥ã¥ó¥Á¥Ë¥±¥¿¥ó¡¡Santiniketan¡¡2009ǯ11·î6Æü
28¡Úȯɽ¡Û¡Ø동아시아 미술의 근대와 근대성/Å쥢¥¸¥¢Èþ½Ñ¤Î¥â¥À¥ó¤È¥â¥À¥Ë¥Æ¥£¡¼/ Åì°¡Èþ½ÑŪ¶áÂå϶áÂåÀ­¡Ù(³Ø²ñͽ¹Æ½¸)¡¡2009ǯ11·î7Æü¡¢pp.219¡¾250
29¡Úȯɽ¡Û¡Ö¡Ø´ÖÅç¡Ù¶¨ÌóÌäÂê¤È¤½¤Î¼þÊÕ¡¡±äÊÕÄ«Á¯Â²¼«¼£¶è¤Î°ì»ËÅªÇØ·Ê¡¡¼ÄÅļ£ºö¡ØÇòƬ»³Äê¶­Èê¡Ù¡Ê°ì¶å»°È¬¡ËºÆ¹Í¡×¿Í´Öʸ²½¸¦µæÅý¹ç¿ä¿Ê»ö¶È¡¡Ê¿À®21ǯÅÙ¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥à¡ÖÆó¡»À¤µªÅ쥢¥¸¥¢¤Ë¤ª¤±¤ëÃÎŪ¥·¥¹¥Æ¥à¤Î¸¦µæ¡×¡Ø¡Ö̱²¡¦¹ñ²È¡¦Ì±Â²¼çµÁ¡×¤Ë´Ø¤¹¤ë½ô³µÇ°¡Ê¤½¤Î·ÁÀ®¡¦ÄêÃ塦ÊÑÁ«¡Ë¡ÙÃæ¹ñ¡¦¹­½£¡¡Ã滳Âç³Ø¡¡2009ǯ11·î25Æü¡¾27Æü
30¡Úȯɽ¡Û¡Ö¥×¥ê¥ß¥Æ¥£¥ô¥£¥º¥àºÆ¹Í¡×Âè113²óÆüÊ©Èþ½Ñ³Ø²ñÎã²ñ¡Ø20À¤µª¤Î¥×¥ê¥ß¥Æ¥£¥ô¥£¥º¥à¡ÙµþÅÔÂç³ØÊ¸³ØÉô¿·´ÛÆó³¬¡¦ÂèÏ»¹ÖµÁ¼¼¡¡2009ǯ12·î12ÆüPDF
 

 

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2Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 1, Hiroshige (1921), Hiroshige and Japanese Landscapes (1934), Korin (1922), Utamaro (1925), Hokusai (1925)''', Edition Synapse, 2008, ca.296 pp.
3Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 2, Harunobu (1927), Kiyonaga (1932), Shiraku (1932), Eidition Synapse, 2008, ca. 318.pp.
4Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 3, The Ukiyoe Primitives (1933), Emperor Shoumu and the Shosoin (1941), Edition Synapse, ca.420.pp.
 

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3¥È¥Ý¥í¥¸¡¼¶õ´Ö¤Î¤Ê¤«¤Î21À¤µªÀ¤³¦Èþ½Ñ»Ë¡§¹ñºÝÈþ½Ñ»Ë³Ø²ñ¤ÎºÇ¿·Æ°¸þÊ͸«¡Ê2¡Ë¥á¥ë¥Ü¥ë¥ó¤Ë¤ª¤±¤ëÂè32²óÂç²ñ¡Öʸ²½¤ò²£Àڤäơ§³ëÆ£¡¦ÅϤꡦ¼ýÚ̡פ«¤é¡×¡¢¡Ø¤¢¤¤¤À¡Ù146¹æ¡¢2008ǯ3·î20Æü¡¢24-30ÊÇPDF
4« Yagi Kazuo entre tradition japonaise et avant-garde occidentale : ou la fissure entre poterie et sculpture », La Rencontre du Japon et de l¡ÇEurope, Image d¡Çune découverte, Actes du troisième colloque d¡Çétudes japonaises de l¡ÇUniversité Marc Bloch, Publications Orientalistes de France, (le 18 avril, 2007), 2008, pp.134 -146.PDF
5¡ÈBetween Asian Nationalism and Western Internationalism : Shimazaki Tôson¡Çs Participation in the International PEN Club in Buenos Aires in 1936¡É, Kamigaito, Ken'ichi ed, The Proceedings of the East Asian-South American Comparative Literature Workshop 2007: 18th Congress of the International Comparative Association, Institute for International Understanding, Tezukayama Gakuin University, March, 2008, p.57-71.PDF »²¹Í»ñÎÁ
6¡ÖƱ»þÂå¤ÎÀ¤³¦Èþ½Ñ»Ë¤ËÂÐÖµ¤¹¤ëȬÌÚ°ìÉסס¢ÈõÅÄ˭Ϻ¡¦°ð²ìÈËÈþÊÔÃø ¡Ø½ª¤ï¤ê¤­¤ì¤Ê¤¤¡Ö¶áÂå¡×ȬÌÚ°ìÉפȥª¥Ö¥¸¥§¾Æ¡ÙÈþ³Ø½ÐÈÇ¡¢2008ǯ4·î10Æü¡¢69¡Ý118ÊÇ.PDF
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8¡ÈJapanese Encounters with Latin America and Iberian Catholicism (1549-1973): Some Thoughts on Language, Imperialism, Identity Formation, and Comparative Research,¡ÉThe Comparatist, May, 2008, pp.27-35.PDF
9¡Ö¡ÖÆüËܤÎÈþ³Ø¡×¡§¤½¤Î´ÙãפȲÄǽÀ­¤È¡×¡¢¡Ø»×ÁÛ¡Ù5·î¹æ¡¢´äÇȽñŹ¡¢2008ǯ5·î5Æü¡¢29-62ÊÇPDF
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18¡ÈSesshû em Buenos Aires, Bashô em São Paulo: A Partiscipação de Shimazaki Tôson no Pen Clube Internacional e a Conferência Sobre ¡ÈO Mais Típico do Japão,¡É¡É Etudos Japoneses, N. 28, Centro de Estudos Japoneses da Universidade de São Paulo, 2008, p.149-168.PDF
 

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14Ž¢´Øº¬¿­Éס԰ÌÁ꡽ÂçÃÏ¡Õ40ǯ¡§ÇÔÀï¸åÆüËܤòÂåɽ¤¹¤ëÁ°±Ò麽Ѥε­Ç°Èê¤ò¡¢¸½»þÅÀ¤«¤éºÆ¸¡Æ¤¤¹¤ë¡¦²¼Ž£¡¢¡Ø¿Þ½ñ¿·Ê¹¡Ù2896¹æ¡¢2008ǯ11·î26Æühttp://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2896&syosekino=1196PDF
15Ž¢¤¤¤Ä¤«À¾ÍÎÈþ½Ñ»Ë¤«¤é±ó¤¯Î¥¤ì¤Æ¡§¼õ¾Þ¤Ë¤Þ¤Ä¤ï¤ë²È·Ï¿ÞŪ¼«Í³Ï¢ÁÛ¤ÎÃÇÊÒŽ£ ¡¢¡ØÎѲíÈþ½Ñ¾©Îå¾Þ¤Î20ǯ¡Ù¸ø±×¿®Â÷ÎѲíÈþ½Ñ¾©Îå´ð¶â¡¢2008ǯ12·î10Æü¡¢28ÊÇPDF
16¡Ú½ñɾ¡Û¡ÖËÝÌõÀ®¸ù¤ÎÈë̩õ¤ë¡×Ê¿ÀîÍ´¹°Ãø¡Ø¥¢¡¼¥µ¡¼Ž¥¥¦¥§¥¤¥ê¡¼¡Ö¸»»áʪ¸ì¡×¤ÎËÝÌõ¼Ô¡Ù(Çò¿å¼Ò¡Ë¡¢ËÌÆüËÜ¿·Ê¹¡¢2008ǯ12·î21ÆüPDF
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18¥¨¥Ã¥»¥¤¡Ö¥¹¥Ú¥¤¥ó¤ÎÀÞ¤ê»æ¡×¡¢¡Ø¥¸¥ã¥Ý¥Ë¥¹¥à¸¦µæ¡ÙÂè28¹æ¡¢2008ǯ¡¢64¡Ý65ÊÇPDF
 

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1¡Úȯɽ¡Û¡ÖÅ쥢¥¸¥¢¶áÂåʸ²½»Ë¤ÎÌ䤤ľ¤·¤Ë¤à¤±¤Æ¡§ËÌÊÆÂںߵ¢Ä«Êó¹ð¡×Æüʸ¸¦ÌÚÍË¥»¥ß¥Ê¡¼¡¡¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¡2008ǯ1·î24Æü
2¡Ú¹Ö±é¡Û¡ÖÀ¤³¦Èþ½Ñ»Ë¤Ï²Äǽ¤«¡©³ØÌäʬÌÈãɾ¡¦ÁϺ¡¢Ê¿À®19ǯÅÙ Áí¸¦Âçʸ²½³Ø½Ñ¥Õ¥©¡¼¥é¥à¡¢¥¢¥é¥ó¥ô¥§¡¼¥ë¥Û¥Æ¥ëµþÅÔ¡¢2008ǯ2·î22-23Æü
3¡ÚÊÔ½¸»²Í¿¡Û°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裶´¬¡ØÆüµ­Ê¸³Ø¤È¡ØËíÁð»Ò¡Ù¤Îõµá¡Ù¡¢³Þ´Ö½ñ±¡¡¢Ê¿À®20ǯ2·î29Æü¡¢514ÊÇ
4¡Ú¹Ö±é¡ÛŽ¢Åçºêƣ¼¤Î¥Ö¥¨¥Î¥¹¥¢¥¤¥ì¥¹¹ñºÝPEN¥¯¥é¥Ö»²²Ã(1936ǯ)¡½¡½À㽮ɾ²Á¤Î¹ñºÝ´Ä¶­Ž£¡¢Æüʸ¸¦³¤³°¸¦µæ¸òή¥·¥ó¥Ý¥¸¥¦¥à ¡Ø¶áÂåÆüËܤÎÈþ¤È»×ÁÛ¡Ù CEEJA ¥Õ¥é¥ó¥¹¡¦¥³¥ë¥Þ¡¼¥ë¡¢ 2008ǯ2·î29Æü¡Ý3·î2Æü
5¡Ú¹Ö±é¡Û ¡ÈThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945):¡¡Rabindronath Tagore, Arai Kanpô, and Nandalal Bose,¡ÉRethinking Nandalal: Asian Modernism and Nationalist Discourse, San Diego Museum of Art, April 4-6, 2008.PPT
6¡Ú¹Ö±é¡Û¡Ö¡ÖÅìÍÎÈþ³Ø¡×¤ÎÍô뼤Ⱦ㳲¡×¡Ô¡ÖÅìÍÎÈþ³ØŽ¥ÅìÍÎŪ»×°Ô¡×¤òÌ䤦¡§¼«¸Êǧ¼±¤Îʹ¤­¤È¾­Íè¤Ø¤Î²ÝÂê¡Õ¡¢¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¶¦Æ±¸¦µæ²ñ¡¢2008ǯ4·î26Æü
7¡Ú¹Ö±é¡Û¡Ö¥³¥ë¥Þ¡¼¥ë(Ê©)¡¦¥»¥ß¥Ê¡¼¡Ê2008ǯ3·î¡Ë¤ò¿¶¤êÊ֤äơס¢Æüʸ¸¦¡¦ÌÚÍË¥»¥ß¥Ê¡¼¡¡ ¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¡¢2008ǯ5·î22Æü
8¡Ú¹Ö±é¡Û Ž¢²¬Áҳл°¡¦A.K.¥¯¡¼¥Þ¥é¥¹¥ï¡¼¥ß¡¦Ìø½¡±Ù¡§¥Ü¥¹¥È¥ó¤Ë¤«¤«¤ï¤Ã¤¿ÅìÍÎÈþ½Ñ¤Î»×º÷¼Ô¤¿¤ÁŽ£¡¢µþÅԥܥ¹¥È¥ó¸òή¤Î²ñ,Ʊ»Ö¼ÒÂç³Ø¡¦¿·Åç²ñ´Û¡¢2008ǯǯ6·î7ÆüPPT
9¡Ú¥³¥á¥ó¥Æ¡¼¥¿¡¼¡Û¥Õ¥ì¥Ç¥ê¥Ã¥¯¡¦¥¸¥é¡¼¥ë¡Ê¥Õ¥é¥ó¥¹¶ËÅì³Ø±¡¶µ¼ø¡¦Æüʸ¸¦³°¹ñ¿Í¸¦µæ°÷¡ËŽ¢°ì¥è¡¼¥í¥Ã¥Ñ¿Í¤ÎÆüËܽ¡¶µ¤Ø¤Î¥¢¥×¥í¡¼¥Á¡§¥¨¥ß¡¼¥ë¡¦¥®¥á¤ÈÆüËܤÎÁÎη¿À¼ç¤È¤ÎÌäÅúŽ£¡¢Âè214²óÆüʸ¸¦¥Õ¥©¡¼¥é¥à¡¢¥­¥ã¥ó¥Ñ¥¹¥×¥é¥¶µþÅÔ¡¢2008ǯ6·î11Æü
10¡Ú¹Ö±é¡Û¡¡¡ÈStanding on the border,¡É Narratives of Migration and Diaspora in the Age of Global Capitalism, June 13, 2008 Kyung Hee University, ´Ú¹ñ¡¦¿å¸¶¡¡·ÄßæÂç³ØGlobal Campus Central Library, June 13, 2008.
11¡Ú¹Ö±é¡Û¥·¥ó¥Ý¥¸¥¦¥àŽ¢º£¡ÔÀ¤³¦Ê¸³Ø¡Õ¤Ï²Äǽ¤«¡©¥°¥í¡¼¥Ð¥ê¥¼¡¼¥·¥ç¥ó¤Î¤Ê¤«¤Ç21À¤µªÈæ³Óʸ³Ø¤Î¸½ºß¤òÌ䤦ޣ ¡¢ÆüËÜÈæ³Óʸ³Ø²ñÁÏΩ60¼þǯµ­Ç°¡¡Âè70²óÁ´¹ñÂç²ñ¡¢»Ê²ñ¡¢ÂçºÊ½÷»ÒÂç³Ø ¿Ë๻¼Ë¡¢2008ǯ6·î21Æü-22Æü
12¡Ú¹Ö±é¡Û¡Ö¡ÖÅìÍΡ×Áü¤Îºþ¿·¡§¶áÂ奤¥ó¥É¤ÈÆüËܤηݽÑŪ¸òή:¥¿¥´¡¼¥ë¡¦¹Ó°æ´²Êý¡¦¥Î¥ó¥É¥í¥ëŽ¥¥Ü¡¼¥¹¡×¡¢¡Ô¡ÖÅìÍÎÈþ³ØŽ¥ÅìÍÎŪ»×°Ô¡×¤òÌ䤦¡§¼«¸Êǧ¼±¤Îʹ¤­¤È¾­Íè¤Ø¤Î²ÝÂê¡Õ ¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼¶¦Æ±¸¦µæ²ñ¡¢2008ǯ6·î27Æü
13¡Öʸ²½Ë໤¤Î¸½¾ì¡×¡¢¡ØµþÅÔ¿·Ê¹¡Ù2008ǯ7·î2ÆüPDF
14¡Ú¹ÖµÁ¡Û¡ÖÆüËÜʸ²½ÏÀ¡×½¸Ãæ¹ÖµÁ¡¢Ê¼¸Ë¶µ°éÂç³Ø¡¢7·î28Æü
15¡Ú¹Ö±é¡ÛInternational Comparative Literature Association (ICLA) Executive Bureau Meeting, August 4-5 2008
16¡Ú¹Ö±é¡Û¡ÈCrime, Literature and Religious Mysticism: The Case of Japanese Translator of Salman Rushdie¡Çs Satanic Verses, Further Reflections on Literature and Religion,¡ÉICLA International colloquium : From Ritual to Romance, Jacobs University, Bremen, Germany August 6-7, 2008.
17¡Ú¹Ö±é¡Û¡ÈExamining Modern and Contemporary Art History from Kegon/Huayan View Point,¡ÉThe Second International Huayan Symposium, Paris-Bereba, France, août 7-10, 2008.PPT
18¡Ú¹Ö±é¡Û¡ÈThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the 20th Century (1901-1945): Rabindranath Tagore, Arai Kanpô, and Nandalal Bose,¡ÉSummer School of the Graduate School of Asian Studies, Jyvaskyla University, Finland, August 14-16, 2008.
19¡Ú¹Ö±é¡Û«La Naissance de la médiance à l¡Çétat embryonnaire ou l¡Çorigine de l¡Çécoumène entre utérus et fœtus », Être vers la vie, Colloque à Cerisy-la-Salle, France, août 23-30, 2008¡¥
20¡Ú¹ÖµÁ¡Û¡ÈHistory of Modern Japanese Culture: The Visual Culture Development amidst International Concepts¡ÉVisiting Professor position to Japanese Language, Literature and Culture, Graduate Studies Program, Universidade de São Paulo (USP), September 1- October 9, 2008.
21¡Ú¹Ö±é¡Û¡ÈEncontros japoneses com a América Latina e o Catolicismo libérico (1549–1973): Algumas ideas sobre língua, imperialismo, formação de identidade e pesquisa comparada,¡Éo Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontífica Universidade Católica de São Paulo (PUC-SP), September 23, 2008.
22¡ÚAdvisory Board¡ÛCultura & Social History, The Journal of the Social History Society
23¡Ú¹Ö±é¡Û¡ÈVan Gogh¡Çs Japan and Japan¡Çs Van Gogh,¡ÉUniversidade de São Paulo (USP), Oct. 2, 2008.
24¡Úȯɽ¡Û¡ÈFrom Japonisme to Medievalism: The Formation of Oriental Aesthetics and the Crisis of Modern Urban Culture,¡ÉSimpόsio Internacional Brasil-Japão, Modernizacão Urbana e Cultura Contemporânea, Fundação Memorial da América Latina, 10-11 de outubro, 2008.
25¡Úȯɽ¡Û¡ÈEntre Nacíonalismo Asiático e o Internacionalismo Ocidental : a participação de Tôson Shimazaki no Clube Internacional P.E. N. em Buenos Aires em 1936,¡ÉIntercâmbio Cultural entre o Brasil e o Japáo, Simposio Internacional Comemorativo ao Centenário da Imigração, Centro de Estudos Japoneses da Unversidade de São Paulo, 14 a 16 de outubro de 2008.
26¡Úȯɽ¡ÛI Encontro Cultural entre Brasil e Japão na UFRJ, Universidade Federal do Rio de Janeiro, Oct. 21, 2008.
27¡Úȯɽ¡Û¡ÖÀïÁ°´üÆüËܥڥ󥯥é¥Ö¤ò¤á¤°¤ë½ôÌäÂê¡×¡¢ÆüËܶáÂåʸ³Ø²ñ½©µ¨Âç²ñ¡¢ÅìËÌÂç³Ø¡¢2008ǯ10·î25ÆüPDF
28¡Ú¹Ö±é¡Û¡ÖÆ«¼§´ï¤Î¥¸¥ã¥Ý¥Ë¥¹¥à¡×¡¢¡ÖÆüÊ©¸òή150¼þǯµ­Ç°ÆÃÊÌŸ¡¡»§Ëà¾Æ¡×ºæ»ÔΩÇîʪ´Û¡¢2008ǯ11·î3Æü
29¡Úȯɽ¡Û« Arts et métiers traditionnels au Japon face à la Modernité occidentale (1862-1900) à l¡Çécoute d¡ÇHenri Focillon - Quelques remarques préliminaires » 150 ans des échanges artistiques entre la France et le Japon, Maison Franco-Japonaise, ¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥àÆüÊ©·Ý½Ñ¸òή¤Î150ǯ¡¢ÆüÊ©²ñ´Û¥Û¡¼¥ë¡¢2008ǯ11·î22¡¢23Æü
30¡Ú¼ø¶È¡Û¡Ö¥Õ¥¡¥ó¡¦¥´¥Ã¥Û¤ÈµÜß·¸­¼£¡×¡¢µþÅÔ»ÔΩ·Ëºä¾®³Ø¹» ½ÐÁ°¼ø¶È¡¡6ǯ4ÁÈ¡¢2008ǯ12·î22Æü
31¡Ú¥¤¥ó¥¿¥ô¥å¡¼¡Û¡Ö¹ñºÝÆüËÜʸ²½¸¦µæÀì¹¶¤Ë¤ª¤±¤ëÏÀʸ»ØÆ³¡×¡Öʸ²½²Ê³Ø¸¦µæ²Ê¥¤¥Ë¥·¥¢¥Æ¥£¥ô»ö¶È¡¦Êó¹ð¡×
 

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1Hiroko Ihara, "Protecting the fabric of a culture: Kyoto's traditional crafts create stunning art and continue centuries-old traditions," The Daily Yomiuri, Thursday, May 8, 2008.

 

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1¡ÚÊÔÃø¡Û¡ØÅÁÅý¹©éººÆ¹Í: µþ¤Î¤¦¤Á¤½¤È¡½²áµîȯ·¡¡¦¸½¾õʬÀÏ¡¦¾­ÍèŸ˾
¡ÊTraditional Japanese Arts &Crafts : A Reconsideration from Inside and Outside Kyoto¡Ë¡Ù»×ʸ³Õ½ÐÈÇ¡¡2007ǯ7·î25Æüȯ¹Ô 833¡ÜxxviiÊÇ
¡¦Ž¢¶¦Æ±¸¦µæ²ñ¤Î¼ç»Ý¤ÈÌÜɸ¡¼¤Þ¤¨¤¬¤­¤ËÂ夨¤Æ¡×pp.1-3
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2¡ÚÊÔÃø¡Û¡ØÆüËܤÎÅÁÅý¹©éººÆ¹Í¡½¡½³°¤«¤é¤ß¤¿¹©éº¤Î¾­Íè¤È¤½¤Î²ÄǽÀ­
¡¡(Traditional Japanese Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective) ¡Ù¹ñºÝ¸¦µæ½¸²ñÊó¹ð½ñÂè27½¸ (co-edited with Patricia Fister) ¹ñºÝÆüËÜʸ²½¸¦µæ¥»¥ó¥¿¡¼ International Research Center for Japanese Studies, 2007ǯ9·î3Æüȯ¹Ô 468ÊÇ
¡¡¡¦Preface
¡¡¡¦Introduction pp.1-2
¡¡¡¦Modern Japanese Arts and Crafts around Kyoto: From Asai Chu to Yagi Kazuo, with Special Reference to Their Contact with the West (1900-1954) µþÅÔ¤òÃæ¿´¤È¤·¤¿¶áÂåÆüËܹ©éº¡½¡½Àõ°æÃ餫¤éȬÌÚ°ìÉפء¡À¾²¤¤È¤ÎÀÜ¿¨¤ò¼´¤Ë pp.47-72
 

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1¡ÈIs Art History Globalizable? A Critical Commentary from a Far Eastern Point of View,¡Éed. James Elkins, Is Art History Global? , 2007, New York: Routledge, pp.249-279, 384-390.PDF
2¡ÈTenshin Okakura Kakuzô and Sister Nivedita; on an intellectual Exchange in Modernizing Asia,¡Éed. Agnieszka Kozyra and Iwona Kordzińska-Nawrocka, Beyond Borders: Japanese Studies in the 21st Century: in Memoriam Wieslaw Kotański, Proceedings of International Conference, Warsaw, May 2006(2007), pp.90-95.PDF
3¡Ö1920ǯÂå¤ò¥Ñ¥ê¤Ç²á¤´¤·¤¿ÆüËܿͰÛË®¿Í¤¿¤Á¡§1922ǯ¤Î¹õÅĽÅÂÀϺ¤òÃæ¿´¤Ë¡×¡Ø¥Ñ¥ê¡¦1920ǯÂ塦ƣÅĻ̼£ ¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥àÊó¹ð½ñ¡¡Paris, Les années vingt et Foujita: Actes du Colloque¡Ù ¡Ê2006ǯ6·î10¡¢11Æü¡¡±÷µþÅÔ¹ñΩ¶áÂåÈþ½Ñ´Û¡¢µþÅÔ¤·Á·Ý½ÑÂç³Ø¡Ë 2007ǯ2·î28Æü´©, 15-25ÊÇPDF
4¡ÈLes Traces d¡Çune blessure créatrice: Yagi Kazuo entre la tradition japonaise et l¡Çavant-garde occidentale,¡É Japan Review, No.19, International Research Center for Japanese Studies, 2007, pp.133-159.PDF
5¡Ö·ÐºÑ¡¦¼Ò²ñ¡¦éº½Ñ¤ÎºÆÄêµÁ¡§¡ØÈþ½Ñ¡¦¥Þ¥¤¥Î¥ê¥Æ¥£¡¦¼ÂÁ©¡Ù¤òÆÉ¤à¡×¡Ø¥Õ¥£¡¼¥ë¥É¡¦¥­¥ã¥é¥Ð¥ó·×²è¤Ø¡§ÇòÀî¾»À¸ 2000-2007¡Ù¿åÀ¼¼Ò 2007ǯ7·î30Æü¡¢39¡½53ÊÇPDF
6¡Ö¥¯¡¼¥ë¥Ù¡ÔÀгä¤ê¡Õ¤Îµ°Àס½¡½À¯¼£¤È·Ý½Ñ¡×±Ê°æÎ´Â§ÊÔ ¡Ø¥Õ¥é¥ó¥¹¶áÂåÈþ½Ñ»Ë¤Î¸½ºß¡§¥Ë¥å¡¼¡¦¥¢¡¼¥È¡¦¥Ò¥¹¥È¥ê¡¼°Ê¸å¤Î»ëºÂ¤«¤é¡Ù¡¡»°¸µ¼Ò¡¡2007ǯ8·î24Æü¡¢23¡Ý56ÊÇPDF
7¡ÈModern Japanese Arts and Crafts around Kyoto: from Asai Chû to Yagi Kazuo, with Special Reference to Their Contact with the West,¡ÉTraditional Japanese Arts & Crafts in the 21st Century, ILCJS, Sep.7, 2007, pp.47-74.PDF
8¡Ö¥¤¥ó¥É¤ÈÆüËÜ¡§²¬ÁÒÅ·¿´¤Î¼þÊա׿ÌÚ¹ÀÆó¡¦Æ£»Þ¹¸Íº´Æ½¤¡¢Èøºê¿®°ìϺ¾ÊÔ ¡ØÆüËܶḽÂåÈþ½Ñ»Ë»öŵ¡Ù Åìµþ½ñÀÒ 2007ǯ9·î10Æü¡¢502¡Ý503ÊÇPDF
9¡ÖÀŲº¤Ê¤ë¿åÌÌ¡¡¼Ø¤ÎêÁ¤¯°Ç¡½¡½T. J. ¥¯¥é¡¼¥¯¡Ø»à¤Î¸÷·Ê¡Ù¤òÆÉ¤à¡×¡ØSITE ZERO¡Ù vol. 1¡¢¥á¥Ç¥£¥¢¥Ç¥¶¥¤¥ó¸¦µæ½ê¡¢2007ǯ9·î20Æü¡¢258¡Ý285ÊÇPDF
10¡Ö¹ñºÝ¶¨Ä´¼çµÁ¤È¹ñ¿è¼çµÁ¤È¤Î¤¢¤¤¤À¡§Åçºêƣ¼¤ÎÆîÊÆ¡Ê²¼¡Ë¤Ê¤¼ÆüËܥڥ󥯥é¥Ö½éÂå²ñŤÏ1936ǯ¥Ö¥¨¥Î¥¹¡¦¥¢¥¤¥ì¥¹¹Ö±é¤ÇÀã½®¤òÏÀ¤¸¤¿¤Î¤«¡×¡Ø¤¢¤¤¤À¡Ù 142¹æ, 2007ǯ11·î20Æü¡¢16-23ÊÇPDF¡¡»²¹Í»ñÎÁ
11¡Ö°Å¹õ¤ÈóÕÌÀ¡§¥Ë¥³¥é¡¦¥×¥Ã¥µ¥ó¡Ô¼Ø¤Ë»¦¤µ¤ì¤¿ÃˤΤ¤¤ëÉ÷·Ê¡Õ¤ò¤á¤°¤ëÃǾϡ½¡½T.J.¥¯¥é¡¼¥¯¡Ø»à¤Î¸÷·Ê¡§¥¢¡¼¥È¡¦¥é¥¤¥Æ¥£¥ó¥°¤Î¤Ò¤È¤Ä¤Î¼Â¸³¡Ù¤Î;Çò¤Ë¡×¡Ø¤¢¤¤¤À¡Ù 143¹æ, 2007ǯ12·î20Æü, 24-29ÊÇPDF
12«La blessure créatrice entre poterie et sculpture, ou Yagi Kazuo entre la tradition japonaise et l¡Çavant-garde occidentale»¡¡images re-vues, N.4 (EHESS, CNRS, INHA, GAHOM, CEHTA, LAS), Déc.01, 2007, http://www.christophe-gilbert.net/ISIDORE/ARTICLES/32/pdf/N04ART011TEXTE.pdfPDF
13[Response] ¡ÈA Commentary of Ayako Kano¡Çs Review of the Feminist Art History Debates,¡É Review of Japanese Culture and Society, vol.XIX, Josai University, December, 2007, pp.175-180.PDF
 

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1¡ÖÅìÍÎŪ¥ª¥ê¥¨¥ó¥¿¥ê¥º¥à¡§Ã¦¿¢Ì±ÃϼçµÁ¤«¤é¤ß¤¿¡ØÌ±éº¡ÙÈãȽ¡§À¾ÍζáÂå¤Î¹½ÃۤȤ·¤Æ¤ÎÍýǰŪ¡ØÅìÍΡ٤Ȥ½¤Î¶ËÅìŪŸ³«¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2806¹æ, 2007ǯ1·î20ÆüPDF
2¡Ö¥á¥í¥ó¡¦¥ì¥¯¥Á¥ã¡¼Ê͸«¡¡¥µ¥¤¥â¥ó¡¦¥·¥ã¡¼¥Þ¤ÎϢ³¹Ö±é¤«¤é¡×¡Ø¤¢¤¤¤À¡Ù 134¹æ, 2007ǯ2·î20Æü, 17-23ÊÇPDF
3¡Ú½ñɾ¡Û¡ÖYuko Kikuchi, Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism, London: Routledge Curzon, 2004¡×¡Ø¥¸¥ã¥Ý¥Ë¥¹¥à¸¦µæ¡Ù Âè26¹æ, 2007ǯ2·î, pp.81-83PDF
4¡ÖÀøÎ¶¤ÎÆþº²µ·Îé¡¡¼¼À¸»³¾å¸ø±à·Ý½Ñ¤Î¿¹³«²ñ¼°¡§¥À¥Ë¡¿¥ä¥¨¥ëŽ¥¥«¥é¥ô¥¡¥óÉã̼¤ÎÆüËܹԵӤ«¤é¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2811¹æ, 2007ǯ2·î21ÆüPDF
5¡ÖDawn/Aufleuchten/Éveil naissant °Õ¼±¤Î³ÐÀäˤĤ¤¤Æ¡§¡Ø»à¤Î¸÷·Ê¡Ù¤ÎÇØ¸å¤ËÍϰŤ¹¤ë¥í¥é¥ó¡¦¥Ð¥ë¥ÈÌܳФá¤Î±ÇÁü¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2814¹æ, 2007ǯ3·î17ÆüPDF
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9ޢޢ´ñ¿ÍŽ£¤È¤·¤Æ¤Î¶­³¦ÅªÃμ±¿Í¡§ÃΤؤγé˾¤Ï¡¢Ãμ±¿Í¤ÎÌȺáÉä¤È¤Ê¤ë¤«¡½¡½È¯´©¸å30ǯ¤òÁ°¤Ë¤·¤Æ¡Ø¥ª¥ê¥¨¥ó¥¿¥ê¥º¥à¡ÙÏÀÁè¤òºÆË¬¤¹¤ëŽ£¡Ø¿Þ½ñ¿·Ê¹¡Ù 2821¹æ¡¢2007ǯ5·î19ÆüPDF
10¡Ö¹ñ¶­¤ò¸Ù¤°¸ò¾Ä¤Èµ¬ÈÏ¤Î³ëÆ£¤È¡§Å쥢¥¸¥¢¶áÂåÈþ½Ñ¸¦µæ¤Î¾­Íè¤Ë¤à¤±¤Æ ­¶¡½¡½AAS¥¢¥¸¥¢¸¦µæ³Ø²ñ¥Ü¥¹¥È¥óǯ¼¡Âç²ñ¡¦Êó¹ð¡×¡Ø¤¢¤¤¤À¡Ù 137¹æ¡¢2007ǯ5·î20Æü¡¢27-32ÊÇPDF
11¡Ú½ñɾ¡Û ¡ÖÍΤÎÅìÀ¾¤ò¼«ºß¤Ë¾ÄÎĤ·¤¿¡¢ËÄÂç¤Ë¤·¤ÆÁ¡ºÙ¤Ê¤ëÃΤÎÂʱߵ°Æ»¤Î½¸ÂçÀ®¡½Sukehiro Hirakawa, Japan¡Çs Love-Hate Relationship with the West, London : Global Oriental, 2004, 557pp. ¡×¡ØÆüËܸ¦µæ¡Ù Âè35½¸¡¡2007ǯ5·î21Æü¡¢127-133ÊÇPDF
12¡Ö¥¹¥È¥é¥¹¥Ö¡¼¥ëÂç³Ø¡¦¹ñºÝ³Ø²ñ¡ØÆüËܤȲ¤½£¤Î½Ð²ñ¤¤¡Ù¤«¤é¡×¡ØÆüʸ¸¦¡Ù38¹æ¡¢2007ǯ5·î21Æü¡¢118¡Ý132ÊÇPDF
13¡Ö¶ð¾ì¶µ¼¼¤Ë¤ª¤±¤ë°¤ÉôÎÉͺ¤ÎÉ÷ËÆ¡§»äŪÄÉÁÛ¡½¡ÖÈþ½Ñ»Ë²È¡¢Èþ½ÑɾÏÀ²È¤È¤·¤Æ¤Î°¤ÉôÎÉͺ¡×¤òÏÀ¤º¤ë¤¿¤á¤Î½ø¡×¡Ø¿åÀ¼ÄÌ¿®¡Ù18¹æ¡¢¿åÀ¼¼Ò¡¢2007ǯ6·î15Æü¡¢70¡Ý77ÊÇPDF
14¡Ö¹ñ¶­¤ò¸Ù¤°¸ò¾Ä¤Èµ¬ÈÏ¤Î³ëÆ£¤È¡§Å쥢¥¸¥¢¶áÂåÈþ½Ñ¸¦µæ¤Î¾­Íè¤Ë¤à¤±¤Æ ­·¡½AAS¥¢¥¸¥¢¸¦µæ³Ø²ñ¥Ü¥¹¥È¥óǯ¼¡Âç²ñ¡¦Êó¹ð¡×¡Ø¤¢¤¤¤À¡Ù 138¹æ¡¢2007ǯ6·î20Æü¡¢21-24ÊÇPDF
15¡ÖÇîʪ´Û¤ÎÌë¤Ë¥ß¥Í¥ë¥ô¥¡¤ÎÛæ¤Ï¤É¤³¤òÌܻؤ·¤ÆÈô¤Ö¤Î¤«¡©¡§¿¢Ì±ÃϼçµÁ¤Î¿ÞÁü³Ø¤ò¡¤Îò»Ë¤ÎÊë¤ìÊý¤«¤é¿¶¤êÊ֤롽¡¡¥¢¥á¥ê¥«¼«Á³»ËÇîʪ´Û¥ë¡¼¥º¥ô¥§¥ë¥È¡¦¥Û¡¼¥ë¤ÎÊɲè¤ò¤á¤°¤ëÁ§º÷¼ã´³¡×¡Ø¤¢¤¤¤À¡Ù 139¹æ¡¢2007ǯ7·î20Æü¡¢28-44ÊÇPDF
16Ž¢ÉáÊ׸À¸ì¤Î´õ˾¤ËÌ´¤òÂ÷¤·¤¿¡¢¤¢¤ëÆü·Ï¥Ö¥é¥¸¥ë¿Í¤Î»×º÷¡§¹á»³Ï»Ïº¡¡¥È¥¥¥Ô=ÆüËܸ춦Ä̸츻À⸸ÁۤοÍÎà»ËŪ¤Ê²ÁÃÍŽ£¡Ø¿Þ½ñ¿·Ê¹¡Ù2830¹æ 2007ǯ7·î21ÆüPDF
17¡Ö¹ñºÝ¶¨Ä´¼çµÁ¤È¹ñ¿è¼çµÁ¤È¤Î¤¢¤¤¤À¡§Åçºêƣ¼¤ÎÆîÊÆ¡Ê¾å¡Ë¤Ê¤¼ÆüËܥڥ󥯥é¥Ö½éÂå²ñŤÏ1936ǯ¥Ö¥¨¥Î¥¹¡¦¥¢¥¤¥ì¥¹¹Ö±é¤ÇÀã½®¤òÏÀ¤¸¤¿¤Î¤«¡×¡Ø¤¢¤¤¤À¡Ù 140¹æ¡¢2007ǯ9·î20Æü¡¢14-18ÊÇPDF »²¹Í»ñÎÁ
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19¡Ö°Ü̱¤Ø¤Î¤Þ¤Ê¤¶¤·¡§¥µ¥ó¥Ñ¥¦¥í¤Îƣ¼´øÝÝèßÍÕ²ÎÈê¤òˬ¤Í¤Æ¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2840¹æ, 2007ǯ10·î6ÆüPDF
20Ž¢ÂçÅçÀ¶¼¡¡¦°¤ÉôÎÉͺ¸µÍý»öŤòÅé¤à¡Ø¥¸¥ã¥Ý¥Ë¥¹¥à¸¦µæ¡Ù27¹æ¡¡2007ǯ11·î30Æü¡¢15¡Ý17ÊÇPDF
21Ž¢ÉÔÆ°¤«¤éÉ÷Åڤء½¡½¥¤¥ó¥É¤«¤é¤ß¤¿²¬Áҳл°¡§¥ë¥¹¥È¥à¡¦¥Ð¥ë¡¼¥Á¥ã¤Î¶áÃø¤Ë¿¨¤ì¤ÆŽ£¡Ø¿Þ½ñ¿·Ê¹¡Ù 2850¹æ, 2007ǯ12·î15ÆüPDF
 

2007ǯ¡Ô¼Ò²ñ³èư¡Ê¹Ö±é¤Ê¤É¡Ë¡Õ

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1¡Ú¹Ö±é¡Û¡Ö2001-2ǯ Îò»Ë¶µ²Ê½ñÏÀÁè¤òÁí³ç¤¹¤ëŽ£¡Ø¶áÂåÆüËܤμҲñ¤Èʸ²½¡Ù¥¢¥ë¥¶¥¹¡¦¥è¡¼¥í¥Ã¥Ñ³Ø¸¦µæ½ê¡¢2007ǯ3·î4Æü
2¡Ú»Ê²ñ¡¦¹Ö±é¡Û ¡ÈA Short Commentary on Yamaji no Tsuyu: A Story included in the Set of Genji Monogatari in the Library of Congress.¡ÉModerator, A Symposium and Special Exhibit on Japanese Cultural Treasures at the Library of Congress. Asian Division Friends Society, Library of Congress Presents. Washington¡¡D.C., March 27, 2007.PDF
3¡Ú¹Ö±é¡Û¡ÈJapanese Encounters with Latin America and Iberian Catholicism: Some Proposals for Possible Directions of Research in Comparative Literature,¡É Respondent, ¡ÆInternational Forum - Beyond the Border: Trends in Comparative Literature outside the US¡Ç,¡¡ACLA, Puebla, Mexico, April 21, 2007.PDF
4¡Ú¹Ö±é¡Û¡ÈConstructing an Asian Aesthetics: Tenshin Okakura Kakuzô and Sister Nivedita or an Intellectual Indian-Japanese Exchange in Modernizing Asia,¡ÉGraham Lecture Hall, Smith College, Northampton, USA, May 1, 2007.PPT
5¡Ú¹Ö±é¡Û¡ÈConstructing an Asian Aesthetics: Tenshin Okakura Kakuzô and Sister Nivedita or an Intellectual Indian-Japanese Exchange in Modernizing Asia,¡É¡¡Kent Hall, Columbia University, New York, USA, May 4, 2007.PPT
6¡Ú¹Ö±é¡Û Commentary to Panel 3, ¡ÈObjects and Images: Exploring Visual and Material Culture in Japan: A Symposium Honoring the Work of Henry Smith,¡É¡¡Kent Hall, Donald Keen Center of Japanese Culture, Columbia University, New York, May 5, 2007.
7¡ÚÊÔ½¸»²Í¿¡Û°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裱´¬ ¡ØÊª¸ìήÄ̵¡¹½ÏÀ¤Î¹½ÁÛ¡Ù³Þ´Ö½ñ±¡¡¡2007ǯ7·î10Æü, 289ÊÇ
8¡Ú¹Ö±é¡Û¡ÈModern Japanese Arts and Crafts in Kyoto: From Asai Chu to Yagi Kazuo,¡É Library of Congress, Washington, D.C., USA, June 7, 2007.
9¡Ú¹Ö±é¡Û¡ÈBeneath the Global Theoretical Hegemony: Local Resistances against the Globalizing Will to Power¡É Stone Summer Theory Institute 2007, Chicago, USA, July 20, 2007.
10¡ÚÊÔ½¸»²Í¿¡Û°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裲´¬ ¡ØÁ°´üʪ¸ì¤ÎÀ®Î©¤ÈÊÑËÆ¡Ù
11¡ÚÊÔ½¸»²Í¿¡Û¡¡°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裳´¬¡Ø¸»»áʪ¸ì¡Ù¤È¤½¤Îµý¼õ»ñÎÁ¡Ù³Þ´Ö½ñ±¡¡¢2007ǯ7·î30Æü¡¢447ÊÇ
12¡Ú¹Ö±é¡Û¡ÈBetween Asian Nationalism and Western Internationalism: Shimazaki Tôson¡Çs Participation in the International P.E.N. Club in Buenos Aires in 1936,¡ÉICLA, Rio de Janeiro, Brazil, August 4, 2007.
13¡Ú¹Ö±é¡Û¡ÈBeyond Political Abuse of History Textbook; Visual Literacy Issue in the History Textbook Controversy of 2000-2001¡É NAJAKS, Copenhagen, Denmark, August 24, 2007.PDF
14¡Ú¹Ö±é¡Û¡ÈIs Art History Globalizable?¡É Duke University, North Carolina, USA, September 7, 2007.
15¡Ú¹Ö±é¡Û¡ÈIs Art History Globalizable? A Critical Commentary from an East-Asian Viewpoint.¡É Maryland University, Maryland, USA, September 14, 2007.
16¡Ú¹Ö±é¡Û¡ÈAre the Arts of Asia Globalizable? The Case of Japan,¡É Multicultural Center Theater, UCSB, Oct.5, 2007.
17¡Ú¹Ö±é¡Û¡ÈModern Arts and Crafts in Kyoto: from Asai Chu to Yagi Kazuo, 1900-1954,¡É Hacienda Room, Faculty Center, UCLA, Oct.8, 2007. http://international.ucla.edu/institute/article/80040
18¡Ú¹Ö±é¡Û¡Ö¤ª·Î¸Å¤´¤È¤Î³¤³°Ê¸²½¸òή¡§Éð½Ñ¤Î¾ì¹ç¤òÃæ¿´¤Ë¡×Ê¡²¬¥æ¥Í¥¹¥³¶¨²ñ¡¡ÁÏΩϻ½½¼þǯµ­Ç°¹ñºÝʸ²½¥»¥ß¥Ê¡¼ ¡ØÆüËܤÎʸ²½¤È¿´¡Ù Ê¡²¬Å·¿À¥Ó¥ë, 2007ǯ10·î12Æü
19¡Ú¹Ö±é¡Û¡ÈArts and Crafts in Modern Kyoto, 1900-1954,¡É International Symposium: Craft Heritage in Modern Japan, British Museum, London, October 19-20, 2007.PPT
20¡ÚÊÔ½¸»²Í¿¡Û°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裴´¬¡Ø¸å´üʪ¸ì¤Ø¤Î¿ºÌ¤Ê»ëÅÀ¡Ù³Þ´Ö½ñ±¡¡¡Ê¿À®19ǯ10·î25Æü¡¢359ÊÇ
21¡ÚÊÔ½¸»²Í¿¡Û°ð²ì·ÉÆó ¥³¥ì¥¯¥·¥ç¥ó Â裵´¬¡Ø²¦Ä«²Î¿Í¤È¤½¤ÎºîÉÊÀ¤³¦¡Ù³Þ´Ö½ñ±¡¡¡Ê¿À®19ǯ11·î30Æü¡¢463ÊÇ
22¡Ú¹Ö±é¡Û¡ÈArts and Crafts in Modern Kyoto; around Kawai Kanjirô, Kondô Yuzô and Yagi Kazuo, ¡É Kyoto University Yoshida Campus j-Pod Building in Kyoto Consortium for Japanese Studies, December 3, 2007.
23¡Ú¹Ö±é¡Û¡ÖÆüËÜÈþ³Ø¤ÎÈãȽŪ¸¡Æ¤¤Î¤¿¤á¤Ë¡×¥¸¥ã¥Ý¥Ë¥¹¥à³Ø²ñ ¡Ø¥¸¥ã¥Ý¥Ë¥¹¥à¤Î²áµî¡¦¸½ºß¡¦Ì¤Íè¡ÙÈ«»³²ñ´Û¡¢2007ǯ 12·î 8Æü
 

 

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1¡ØÉ½¾Ý¤È¤·¤Æ¤ÎÆüËܡ١ʶ¦Ãø¡ËÊüÁ÷Âç³Ø¡¡Âè3ºþ²ÃÉ®ÄûÀµÈÇ,¡¢2006ǯ3·î¡¢295ÊÇ
2¡Ø·ËºäÍØ¶ÊÃ̵Á¡Ù¡ÊÊÔ½¸»²Í¿¡ËÆüʸ¸¦Áѽñ37¹æ¡¢2006ǯ3·î1Æü¡¢149ÊÇ
 

2006ǯ¡ÔÏÀʸ¡Õ

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1¡ÈImages changeantes de l¡Çart japonais : Dupuis la vue impressionniste du Japon à la controverse de l¡Çesthétique orientale (1860-1940) ,¡ÉJTLA (Journal of the Faculty of Letters, the University of Tokyo) Vol.29/30(2004/5) 2006, pp.73 -93.PDF
2¡ÈUse and Abuse of Images in Japanese History Textbooks and the History Textbook Controversy of 2000-2001,¡ÉHistorical Consciousness, Historiography, and Modern Japanese Values, International Symposium in North America (2002), International Research Center for Japanese Studies, 2006, November 30, pp.19-38PDF
 

2006ǯ¡Ô¤½¤Î¾¤Î¼¹É®³èư¡Õ

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1¡Ö²¬ÁÒÅ·¿´¤È¥¤¥ó¥É¡×¡ÈOkakura Tenshin¡Çs Encounter with India,¡ÉNichibunken Newsletter, No.61, January, 2006, p.2.PDF
2¡Ö¥Õ¥é¥ó¥¹¤ÈÆüËܤΤ¢¤¤¤À¡§¡ÖÈþ½Ñ»Ë¤Ë¤ª¤±¤ë¥Õ¥é¥ó¥¹¤ÈÆüËܡססؤ¢¤¤¤À¡Ù 121¹æ, 2006ǯ1·î20Æü, 29-35ÊÇPDF
3¡Ö¥¢¥ë¥¶¥¹¤ÎÆüËܸ¦µæ¡§ºÇ¶á¤Î¸¦µæ½¸²ñ¡ÖÆüËܤȲ¤½£¤Î½Ð²ñ¤¤¡×¤«¤é¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2759¹æ¡¢2006ǯ1·î28ÆüPDF
4¡Ö¡Ø¤á¤é¤ó¤³¤ê¤¢¡Ù¤È¡Ø¥è¡¼¥«¥¤¡Ù¡§Í«½¥¤ÎÉÂÍý¤È¤ª²½¤±²°Éߤβø°Û¤Ë¸Ù¤ëÁÛÁü³¦¤Îưʪ»ï¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2763¹æ¡¢2006ǯ2·î25ÆüPDF
5¡Ö¥Ñ¥ó¥É¥é¤Î´õ˾¡§Èï¼ÌÂÎŽ¥ÊìÂÛ¤½¤·¤ÆÂʱߡ½£Ç¡¦¥Ý¥í¥Ã¥¯½éÍèÆü¹Ö±é¤Ë´ó¤»¤Æ¡×¡Ø¤¢¤¤¤À¡Ù 122¹æ, 2006ǯ2·î20Æü, 11-18ÊÇPDF
6¡Öɽ¾Ý¤Ë¤è¤ëÁþ°­¤òÃǤÁÀڤ뤿¤á¤Ë¡½¹ñºÝ½¸²ñ¡ØÀïÁè¤Èɽ¾Ý¡¿Èþ½Ñ¡¡20À¤µª°Ê¹ß¡Ù¤è¤ê¡Ê¾å¡Ë¡×¡Ø¤¢¤¤¤À¡Ù 123¹æ, 2006ǯ3·î20Æü, 37-42ÊÇPDF
7¡Ö¥Þ¥ë¥»¥ë¡¦¥°¥ê¥ª¡¼¥ë¤È¥¢¥Þ¥É¥¥¡¦¥Ï¥à¥Ñ¥Æ¡¦¥Ð¤È¤Î¤¢¤¤¤À¡§²Ä»ë¤ÎÃ챤ÈÉԲĻë¤ÎÃηäȡסØARGO XVII Invisible¡ÙÅìµþÂç³Ø¶µÍܳØÉô¥Õ¥é¥ó¥¹Ê¬²Ê¥¢¥ë¥´ÊÔ½¸°Ñ°÷²ñ, 2006ǯ4·î1Æü, 257-263ÊÇPDF
8¡Ö¡ÖŪ³Î¤Ê¸íÆÉ¡×¤È¡ÖÁÛÄê³°¤Î¸íÆÉ¡×¤È¤Î¤¢¤¤¤À¡§¥Æ¥ì¥Ó¹­¹ð¤Î¼Ò²ñ»Ë¤Ë¤à¤±¤Æ¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2769¹æ, 2006ǯ4·î8ÆüPDF
9¡Öɽ¾Ý¤Ë¤è¤ëÁþ°­¤òÃǤÁÀڤ뤿¤á¤Ë¡Ê²¼¡Ë¡×¡Ø¤¢¤¤¤À¡Ù 124¹æ, 2006ǯ4·î20Æü, 15-22ÊÇPDF
10¡Öʸ²½°ä»º¤È¤·¤Æ¤Î£Ã£ÍÊݸ¤È¸ø³«¤ò¹Í¤¨¤ë¡§´Ú¹ñ¤Ç¤Î¼è¤êÁȤߤȤÎÂÐÈæ¤«¤é¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2773¹æ, 2006ǯ5·î6ÆüPDF
11¡Ú½ñɾ¡Û¡ÈSukehiro Hirakawa, Japan's Love-Hate Relationship with the West ¡É(Global Oriental, 2005¡Ë¡Ø±ó¶á¡Ù11¹æ¡¢2006ǯ6·î1ÆüPDF
12¡Ú½ñɾ¡Û ¡Ö³¨ÍÕ½ñ¤Îé¤ë¿ô´ñ¤Ê±¿Ì¿¡½°ä¤µ¤ì¤¿º¯ÀפËõ¤ëɴǯÁ°¤ÎÈë¤á¤é¤ì¤¿À¤Áê¡ÊºÙÇϹ¨ÄÌÃø¡Ø³¨¤Ï¤¬¤­¤Î»þÂå¡Ù¡×¡ØµþÅÔ¿·Ê¹¡Ù¡¢¶¦Æ±ÄÌ¿®ÇÛ¿®, 2006ǯ6·î25Æü·ÇºÜPDF
13¡Ö°ÛÁõ¡¦¶¸µ¤¡¦Æ¢¿Ô¡§éº½Ñ¤È¤¤¤¦Ì¾¤Î¥Ý¥È¥é¥Ã¥Á¡×¡Ø¤¢¤¤¤À¡Ù 126¹æ, 2006ǯ6·î20Æü, 25-29ÊÇPDF
14¡Ö¥¤¥á¡¼¥¸²ò¼á³Ø¤Î±£ÊäËÀ¾²¤20À¤µªÊ¸²½»Ë¤ÎÈȺá¤òŦȯ¤¹¤ë¡×¡Ø¤¢¤¤¤À¡Ù 128¹æ, 2006ǯ8·î20Æü, 22-26ÊÇPDF
15¡Ú½ñɾ¡Û¡Ö¥¤¥á¡¼¥¸¤Ï¤¤¤«¤Ë¤·¤ÆÀ¸¤Þ¤ì¡¢ÅÁÇŤ·¡¢Â賤µ¤ì¤ë¤Î¤«¡§20À¤µª¤ÎÃÎŪÀº¿À»Ë¤ÎÀ¸ÂÖ¤ò¹üÂÀ¤ÊÎØ³Ô¤Ç½Ä²£¤ËÉÁ¤¯: ¥¸¥ç¥ë¥¸¥å¡¦¥Ç¥£¥Ç¥£=¥æ¡¼¥Ù¥ë¥Þ¥óÃø¡Ø»Ä¸¤¹¤ë¥¤¥á¡¼¥¸¡§¥¢¥Ó¡¦¥ô¥¡¡¼¥ë¥Ö¥ë¥°¤Ë¤è¤ëÈþ½Ñ»Ë¤ÈÍ©Î¤Á¤Î»þ´Ö¡Ù¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2789¹æ, 2006ǯ9·î9ÆüPDF
16¡ÖÍŲø¤ÎÊÑÍÆ¡§¹¾¸Í¤«¤éÌÀ¼£¤Î¿´À­¤Ï¤¤¤«¤Ëɽ¾Ý¤µ¤ì¤¿¤«¡×¡×¡Ø¿Þ½ñ¿·Ê¹¡Ù 2802¹æ, 2006ǯ12·î16ÆüPDF
17¡Ö¥¸¥ç¥ë¥¸¥å¡¦¥Ç¥£¥Ç¥£¡á¥æ¥Ù¥ë¥Þ¥óÃø¡Ø»Ä¸¤¹¤ë¥¤¥á¡¼¥¸¡¡¥¢¥Ó¡¦¥ô¥¡¡¼¥ë¥Ö¥ë¥¯¤Ë¤è¤ëÈþ½Ñ»Ë¤ÈÍ©Î¤Á¤Î»þ´Ö¡Ù¤òÆÉ¤à¡×¡Ø¤¢¤¤¤À¡Ù 132¹æ, 2006ǯ12·î20Æü, 8-27ÊÇPDF
 

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1¡Ú¹ÖµÁ¡Û¡Ö¶áÂ夷Á»ËÏÀ¡¦Èþ½Ñ»ËÆÃ¼ì¹ÖµÁ¡¦Çîʪ´Û³ØC¡×¿À¸ÍÂç³ØÊ¸³ØÉô¡¢2006ǯ4·î19Æü¡¼7·î11Æü¤Þ¤Ç¡¡Á´10²ó
2¡Ú¹Ö±é¡Û¡ÈFeng Zikai's Treaties on the ¡ÆTriumph of Chinese Fine Arts in the World¡Ç and the Reception of Western Ideas through Japanese translation,¡ÉInternational Symposium, Culture and Translation, Academia Sinica, Taipei, Taiwan, May 2, 2006.
3¡Ú¹Ö±é¡Û¡ÈModern Japanese Arts and Crafts around Kyoto,¡ÉSchool of Asian Studies, London University, UK, May 16, 2006.
4¡Ú¹Ö±é¡Û¡ÈOkakura Tenshin and India, ¡ÉChelsea School of Art, London, UK, May 16, 2006.
5¡Ú¹Ö±é¡Û¡ÈIs Art History Globalizable? ¡ÉCenter for World Art Studies, East Anglia University, Norwich, UK, May 17, 2006.
6¡Ú¹Ö±é¡Û¡ÈOkakura Tenshin and Asian Modernity,¡ÉJapanese Studies in the 21st Century, Warsaw University, Poland, May 21, 2006.PDF PDF
7¡Ú¹Ö±é¡Û¡Ö²¬ÁÒÅ·¿´¤È¥¤¥ó¥É¡×¡Ö¥Õ¥¡¥óŽ¥¥´¥Ã¥Û¤ÈÆüËÜ¡×ʼ¸Ë¸©ºå¿À¥·¥Ë¥¢¥«¥ì¥Ã¥¸¡¡¡Êºâ¡Ëʼ¸Ë¸©¹âÎð¼ÔÀ¸¤­¤¬¤¤ÁϤ¶¨²ñ¡¢Æôºê»ÔÃæ¾®´ë¶È¥»¥ó¥¿¡¼¡¢2006ǯ5·î23Æü
8¡Ú¹Ö±é¡Û¡Ø°Ûʸ²½¤È¤Î½Ð²ñ¤¤¡Ù¡Ö¥Õ¥¡¥óŽ¥¥´¥Ã¥Û¤ÈÆüËÜ¡×ʼ¸Ë¹ÖºÂ¡¢Ê¼¸Ë¸©Ž¥Ê¼¸Ë¸©Æâ4ǯÀ©Âç³ØÏ¢·È´ë²è¡¢Ê¼¸Ë¸©Î©¿À¸Í³Ø½¬¥×¥é¥¶¡¢2006ǯ5·î25Æü
9¡Ú»Ê²ñ¡ÛWhat is African about African Art? (moderator) International Symposium, Mori Art Museum, Africa Remix, May 28, 2006.
10¡Ú¹Ö±é¡Û¡Ö²¬ÁÒÅ·¿´¤È¥¤¥ó¥É¡×ʼ¸Ë¹ÖºÂ¡¢Ê¼¸Ë¸©Ž¥Ê¼¸Ë¸©Æâ4ǯÀ©Âç³ØÏ¢·È´ë²è¡¢Ê¼¸Ë¸©Î©¿À¸Í³Ø½¬¥×¥é¥¶¡¢2006ǯ6·î8Æü
11¡Ú¹Ö±é¡Û ¡ÈÉtrangers à Paris dans les années 1920s,¡ÉInternational Symposium, Paris, 1920s, Foujita Tsuguharu, The National Museum of Modern Art in Kyoto, June 10, 2006.
 

 

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1¡Ú³¤³°¾·ÂÔÊÔ½¸¼Ô¤È¤·¤ÆÀÕǤÊÔ½¸¡Û¡ØÈþ½Ñ»ËÏÀÃÅ¡ÙÆÃ½¸¹æ¡ÖÌäÂêȯ¸«¤Î¤¿¤á¤Î»ë³Ðʸ²½¸¦µæ¤òÌܻؤ·¤Æ¡½ÆüËܤˤª¤±¤ëÈþ½Ñ»Ë¸¦µæ¤È¤½¤ÎÎÙÀÜÎΰè; Depiction and Description : Morphology of Modern Visuality and Market Place in Transition : Methodological Reflections¡×¡Ê´Ú¹ñ¡ËÂè20´¬¡¢2005ǯ 663ÊÇ
 

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7¡ÈFreedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdie's Satanic Verses-Hitoshi Igarashi in Memoriam,¡ÉLiterature and Religion (The Korean Society for Literature and Religion), Vol. 10, no. 2, pp.229-251; vol. 2 Special Issue, Freedom of Suffering, pp.133-152, June 30, 2005.PDF
 

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3¡ÈFreedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdie's Satanic Verses,¡É First International Conference on Literature and Religion, Chungnam National University, Daejeon, June 30, 2005, pp.79-87
4¡Ú¹Ö±é¡Û¡Ö¥Õ¥¡¥óŽ¥¥´¥Ã¥Û¡¢¾Ýħ¼çµÁ¡¢¥Æ¥ª¥É¡¼¥ë¡¦¥Ç¥å¥ì¡§¹õÅĽÅÂÀϺ¤ÎÂÚ²¤Â賤Èʸɮ³èư¤òÃæ¿´¤Ë¡×¼¢²ì¸©Î©¶áÂåÈþ½Ñ´ÛÆÃÊֱ̹é²ñ¡¢2005ǯ9·î10Æü
5¡ÈIs Art History Global? A Critical Commentary from a Far Eastern Point of View¡É paper presentation for the international symposium: Is Art History Global? University College Cork, Ireland.
6¡Ú¹Ö±é¡Û¡Ö¥ª¥ê¥¨¥ó¥ÈÂθ³¤È¥µ¥í¥ó³¨²è¡§¥¢¥ó¥°¥ë¡Ô¥È¥ë¥³É÷Ϥ¡Õ¤Î¼þÊÕ¡×µþÅÔ»ÔΩÈþ½Ñ´Û¡¢¥ë¡¼¥Ö¥ëÈþ½Ñ´ÛŸµ­Ç°¹Ö±é²ñ¡¢2005ǯ9·î24Æü
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8¡Ú¹Ö±é¡Û¡ÊOral presentation¡Ë¡ÈCritical Assessment of the Activities of Transcultura, ¡ÉInternational Symposium, Cultures of Knowledge, International House, Goa, India, Oct. 18, 2005.
9¡Ú¹Ö±é¡Û (Public lecture)¡ÈPhilosophia, ethica et aesthetica in the Far-Eastern Cultural Sphere: Receptions of the Western Ideas and Reactions to Western Cultural Hegemony, ¡ÉInternational Symposium, Cultures of Knowledge, Institut français d'Extrême -Orient, Pondichery, India, Oct. 21, 2005.PDF
10¡Ú¹Ö±é¡Û (Oral intervention) ¡ÈMediator in Cultural Conflicts, ¡É in the Panel Discussion ¡ÈCultures of knowledge, ¡ÉInternational Symposium, Cultures of Knowledge, J. Nehru University, Oct. 24, 2005
11¡Ú¹Ö±é¡Û (Convener and organizer), Traditional Japanese Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective, 27th International Symposium, International Research Center for Japanese Studies, Nov. 8-12, 2005.
12¡Ú¹Ö±é¡Û«Yagi Kazuo entre la tradition japonaise et l'avant-garde occidentale: ou la fissure entre poterie et sculpture», Colloque international, Les Rencontres du Japon et de l'Europe, Strasbourg, l'Universtité Marc Bloch /Colmar, CEEJA (Centre des études japonaises d¡ÇAlsace), 8-10, déc, 2005.PDF
13¡Ú¥³¥á¥ó¥Æ¡¼¥¿¡¼¡ÛÕúÁê¿Î¡Ö<Æüή>¤Î¿åÌ®¡§¤Ê¤¼´Ú¹ñ¤Î¼ã¼Ô¤ÏÆüËܤθ½Âå¾®Àâ¤Ë¼æ¤«¤ì¤ë¤Î¤«¡×¡ØÆüʸ¸¦¥Õ¥©¡¼¥é¥à¡Ù¡¢2005ǯ12·î20Æü
14¡ÈFreedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdie¡Çs Satanic Verses-Hitoshi Igarashi in Memoriam,¡ÉLiterature and Religion (The Korean Society for Literature and Religion), Vol. 10, no. 2, pp.229-251; vol. 2 Special Issue, Freedom of Suffering, pp.133-152, June 30, 2005.PDF
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2¡ÈSister Nivedita and her Kali The Mother, The Web of Indian Life, and Art Criticism: New Insights into Okakura Kakuzo's Indian Writings and the Function of Art in the Shaping of Nationality,¡ÉJapan Review , No.16, 2004, pp129-159.PDF
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