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2004-2009 Nichibunken IRCJS/Professor ɮֱꥹ

2009ǯ 2008ǯ 2007ǯ 2006ǯ 2005ǯ 2004ǯ

 

2009ǯʸ

No
1ȯȼ إ̼ȸƤФȤؤ黿ٲѴۤۤסؤ156桢2009ǯ1201320PDF
2ָżӤӤӤ«δ֡եե󥹤鸫ܡܤءƯפҡ٥ߥꥨ롦ǥåᤰĤ()סؤ157桢2009ǯ2201320PDF
3ָżӤӤӤ«δ֡եե󥹤鸫ܡʤΣˡܤءƯפҡ٥ߥꥨ롦ǥåᤰĤסؤ159桢2009ǯ4201322PDF
4ֱȤȤƤμθߤǽסѥե19桡˼2009ǯ530 115119PDF
5ǥߥե󥹸ˬ纬ΩѴۡ10ǯǰإե󥹳19٤˴󤻤ơʣˡؤ160桢2009ǯ5203643PDF
6ǥߥե󥹸ˬ纬ΩѴۡ10ǯǰإե󥹳19٤˴󤻤ơʣˡؤ161桢2009ǯ62031-43PDF
7ʴڹˡְʸˤऱơס다문화와 평화31, 성결대학교 다문화평화연구소, 2009ǯ, pp.115-146.ְʸˤऱơס¿ʸʿ¡裳桢ع¿ʸʿ¸ꡢ2009ǯ6115-146PDF
8ˡְ̾µǧŪǧŪ׳Ҳԡ¿Ū:ʸعݳؽѸƤEsthétique du Divers̵ʸسؽš̵ؽǼҡ2009ǯ6114-123
9֥ե󥹳19Ÿ֥ إե󥹳19٤˴󤻤ơŸ֥(ǡƷ)
10ָˤơ֥ǥåפȤϡֵˡפʤΤǤʤʤ顢֥ǥåפˤϡʤǽΤסؤ162桢2009ǯ7203339PDF
11֥ߡ롦񡧽饹ȤμҲŪǧƮˤޤĤ˺Ͽסؤ164桡2009ǯ9202228PDF
12The Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945) : Rabindranath Tagore, Arai Kanpô and Nandalal Bose,Japan Review, No. 21, International Research Center for Japanese Studies, 2009, pp.149-181.PDF
13˭Ѻ߸ݽѾ御ͿʺܼۻŪ޲ѡסʲʿˡʿ()찡Ϳʸɡ⫻ ŵǰ ʸ2009ǯ10pp.342354PDF
14ƬϥϲʡʸħȤɽݡŸϿض쥢᡼˭ĻѴۡ(Ÿ2009ǯ1012009ǯ1227)pp.1014PDF
15麽ѤȤ̾ΡȤߡפ䤤ľݾRahmenlosigkeit ƹ͡סؤ165Ϣ702009ǯ1020pp.3440PDF
16Kegon / Huayan ڸ View and Contemporary East Asian Art: A Methodological Proposal, (ϥ󥰥)滰ǯǰ홍선표 편 동아시아 미술의 근대와 근대성/쥢ѤΥȥ˥ƥ/ 찡Ū¶p.221-250.PDF
17«La Naissance de la Médiance à létat Embryonnaire ou lorigine de lécoumène entre utérus et fœtus:À la marge dun ouvrage de Miki Shigeo», Ebisu Études japonais, No.4041, Maison franco-japonaise, Automne 2008-Éte 2009, pp.189-204.PDF
18֥֥Υ쥹㽮ѥξ֡ƣ¼ιݥڥ󥯥ֻäȡֺǤŪʤΡס1936ˤᤰֱμաEdited by James C. Baxter, Hosokawa Shuhei and Junko Ota, Cultural Exchange between Brazil and Japan ܡ֥饸ʸή˹ʸ楻󥿡2009ǯ1130pp.111-126PDF
 

2009ǯԤ¾μɮư

No
1ϥ֥饸Ϳ»Ͽΰǡ졡֥饸ϼҲͤ١ؿ޽ʹ2907桢2009ǯ228http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2907&syosekino=1429PDF
2̴Ƚäײ׼㷬ߤɤåإ᡼9桢2009ǯ341PDF
3ڽɾƣϯإꥨ󥿥ꥹȤͫݵ̱ϼΥեγؼԤȥ󥳡פι͸ųء١ؽѡ̱Ϲʩ͸ųػˤȥեγؤκȯ ؿ޽ʹ2910桢2009ǯ321PDF
4ѻˤϲǽʬɾϺסʸؽѥե١縦ر ʸʳظʡ2009ǯ32085104132PDF
5ڽɾ֤ۡιԾ̤򸡾ڡ¼嵪Ϻء֥Х󡦥ĥޡפȸƤФ줿ˡƣŹסпʹī2009ǯ45PDF
6ּͺ۽Ѥؤȴʤ͡ʰ͡ˡ¼پؼѻˤᤰäơ١סصԿʹī2009ǯ423PDF
7ڽɾۡ̾ǦϿޡդԲʤ볨򤭡ؽζ塽ľǦϿޡ٤ɤ٤ɤ ؿ޽ʹ2923桢2009ǯ627http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2923&syosekino=1785PDF
8ڽɾضܴ㡽ֻդȤΤϻμס١ʥߥͥ˼2007ǯˡʸظ93桢2009ǯ615133-138PDF
9ֹܸ׹ԡʸʳظʤμΰˤ븦οʤ˴ؤĴ縦ر ʸʳظʡ2009ǯ62067120PDF
10ڽɾۡ70ǯ塢ԤĵεϿ׻ĸɧغзα١ܷкѿʹ١2009ǯ628PDF
11ڽɾֹۡͤ·롧оʬĻŪ֤Τסؿʸظԡ⾼ǤԽɽݤȤƤܡưȱ۶ʸء١ؽɽ͡١2009ǯ710PDF
12κ˸ơŪԸθ³ȡŪİؤͶǤΤϤޤǡסػФθ졧͵þӡVol.2˼2009ǯ8213537PDF
13֤äΥסػع絤ƻOBNo112009ǯ5184-7PDF
14ּޤΤȤС132000ǯ١˰סؿʹ֤ȤƤ뤳ȡůϺʸ20ǯǰɱϩʸشۡ2009ǯ91126-127PDF
15ֱä줿տޤȤβꥪܡˡŪ᡼٤˽ɤŪǽסؿ޽ʹ2932桢2009ǯ95http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2932&syosekino=1987PDF
16ֱä줿տޤȤβꥪܡˡŪ᡼٤˽ɤŪǽסؿ޽ʹ2933桢2009ǯ912http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2933&syosekino=2009PDF
17ֲԾ˺Ͽ2008ǯƵ꽩ˤסʸ43桡ʸ2009ǯ9303752PDF
18Endorsement (wrapper text), Jason Kuo ed., Stones from other Mountains: Chinese Painting Studies in Postwar America, New Academia Publishing, LLC, 2009.PDF
19֡ܰɤΤޤʤ볨衢󥻡ʥȯסľϺڲʲϡΤˤͤʤΤסؿ޽ʹ١Ϣ1092944桡2009ǯ125PDF
20ָƫ¹١زᤰߡػԾΤλѴۡ١ڲĹ뤿26ϡ١ס09ǯȾɽ񥢥󥱡ȡסؿ޽ʹ2951桡2009ǯ1226PDF
 

2009ǯԼҲưʹֱʤɡˡ

Noʸ
1ڹֱ « Un Moment qui prend de la patine : autour de louvrage de Murielle Hladik », Colloque Esthétique Japonaise, Le Temps à Lœuvre- Traces et fragments, 2009ǯ214ѥʸۡMaison de la culture du Japan à Paris, 14 février 2009.PPT
2ڹֱ֥ۡɥ롦ޥ͡ԥդ˹ֺ¡̾˱줿ס֥¥ȥѴۡ2009ǯ228WMV
3ڹֱִۡѡشá٤ɤ桦ʵرϡ2009ǯ34
4ȯɽֲۡڸФȸ߾ȼͤλߡסŪ׹ݸƤ̡污踦濴 Center for Asia-Pacific Area Studies, RCHSS, Academia Sinica, 2009ǯ356PDF
5ʸѥϲ̡ɤȡˡפȤƤβŷнϺ澡ϺرʸĶʳ칶ʸʸ漼2009ǯ311
6ڻʲۡݥåסȤϩʸءʸͤͥå֥ɤʸءʸסΩ̿ذޥѥ2009ǯ31415
7ȯɽۡϢ(1925ˤĵ2600ǯǰ찡(1940)ޤǡ--붵ԤΥ饤աҥȥ꡼˱äơ¼̱ϺʸΥȤ夨ơסءءפȺԡ١ʸ楻󥿡2009ǯ321
8ȯɽۡʸظϲǽEХåϤΡʸؤʸءפȯˤơʸΰ踦ʸδóǰˡ١2009ǯ44ʸ楻󥿡
9ڥȡ֤ۡΤ뤤Ĥޤ路ޤӡϭ˭ŻΤȯɽ;ˡؤΥȤȯȤơץγءв͸񡡡裲󥢡ʬʲƱݡȥ쥯㡼꡼IIӵ ĵǰۡ2009ǯ418PDFPDF
10ڥȡۡResistance to Western Modernity and Temptation of Oriental Absorption: Commentaries on the papers by Gauri Viswanathan and Hent de Vries,ɹݥݥصԳɤȡֶĶסThe Kyoto School and Overcoming Modernity: Modernity, Empire and Universality,ʸ楻󥿡2009ǯ52324
11ڥȡۡHow one feel «Je est un autre» ? –concluding remarks, Devenir lautre: Expérience et récit du changement de culture entre Orient et Occident, ޡ롦ݥࡡʸ楻󥿡2009ǯ623
12ڻʲ񡦥ݥĹ֤ۡҤȤĤεԳءѡݡۡԻԡסԹΩѴۡ2009ǯ620
13ȯɽַۡ狼ߤ븽쥢ѡץγءв͸2009ǯ٥γءв͸裲󸦵񡢵¤ݽءʹִۣ 4092009ǯ621PDF
14ڼšʲۡؤȻJapanese Aesthetics and the Visuality in Questionʸ楻󥿡2009ǯ76-7
15ڻʲۡݥݥΤ줶ѸΥݥ˥סšݥ˥ز񡢥ɥݽءȥ󥹡ʥʥ롦ȸTrAINˡʸءʸեå󸦵浡ʸعݲļ2009ǯ11
16ڹֱۡ쥢ʸؤΤ餿Ÿ˾ˤλ顽ζҹ̱ع幻Ĺ­פ˾Ȥ餷ơױسرʸꡢ2009ǯ86
17ʡۡICLAʸزUniversité Libre de Bruxelles August 24-25, 2009.
18ȯɽICLA ʸز񡡡Distance Reading-Migration of Meaning and Metempsychosis throughTranslation, Old Margins and New Centers/Anciennes frontières et nouveau centres: The Legacy of European Literatures in a Global Age/Lhéritage littéraire européen dans une ère de globalisation, Université Libre de Bruxelles August 26, 2009.
19ʸ٤ޤɤƼϺŹҡ׻ͤȺ١ʸ楻󥿡2009ǯ92
20ںĹ֥ۡ=ɡ졼٥󥷥ƥ󶵼ǰݥࡧե󥹶ḽѻ˸βǽסԹؾꥭѥ2009ǯ95PDF
21ȯɽۡƬϥϲʡʸħȤɽݡ׹ݸƤ̥ʸˤκƹۡ(ϥԥ)ԡζء2009ǯ913
22ڸֱۡϢ񤫤ĵϻǯǰ찡Ĥޤǡ̵̾ܿͶԤΥ饤աҥȥ꡼˱äơ(ϥԥ)ԡζء2009ǯ913
23ڼ̿Ǻܡۡɽ̿ơˡɸ˻ԡζ翿¢סؤ163桢2009ǯ820
24ڽֵʼ˶ءʸ׽ֵʼ˶奵ƥ饤ȶ2009ǯ924
25ȯɽۡ־ڲϺȥȥʥJapanese Studies in Southeast Asia : The Past, Present and Future: Second International Conference of the Japanese Studies Association in Southeast Asia, 22-23, October 2009, Vietnam Academy of Social Science, Hanoi, Vietnam. http://www.jsa-asean.info/PPT
26ȯɽۡThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945) : Rabindranath Tagore, Arai Kanpô, and Nandalal Bose,ɡ֥ӥɥʡȡ롢Ӱ洲Υɥ롦ܡ20ȾΥ٥󥬥ܤȤѸήΰ𤫤ʸ16󳤳ݥ إˤɡSAARCˤܸθɬJawaharlal Nehru University, New Delhi, India, November 3-4, 2009.
27ȯɽ֥ۡ롢ܡӰ洲ȥ˥ץء˥Santiniketan2009ǯ116
28ȯɽۡ동아시아 미술의 근대와 근대성/쥢ѤΥȥ˥ƥ/ 찡Ū¶(زͽƽ)2009ǯ117pp.219250
29ȯɽۡ֡شٶȤμաī²ΰŪطʡļƬ궭١ʰ廰Ȭ˺ƹ͡׿ʹʸʻȡʿ21ǯٹݥݥ쥢ˤŪƥθסء̱²ȡ̱²פ˴ؤǰʤη塦ˡ񡦹滳ء2009ǯ112527
30ȯɽ֥ۡץߥƥƹ͡113ʩѳز20Υץߥƥٵʸ󳬡ϻֵ2009ǯ1212PDF
 

 

2008ǯ

No
1ؽ꤭ʤֶȬڰפȥ֥ơ١˭Ϻȶ ؽǡ2008ǯ410285
2Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 1, Hiroshige (1921), Hiroshige and Japanese Landscapes (1934), Korin (1922), Utamaro (1925), Hokusai (1925), Edition Synapse, 2008, ca.296 pp.
3Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 2, Harunobu (1927), Kiyonaga (1932), Shiraku (1932), Eidition Synapse, 2008, ca. 318.pp.
4Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Volume 3, The Ukiyoe Primitives (1933), Emperor Shoumu and the Shosoin (1941), Edition Synapse, ca.420.pp.
 

2008ǯʸ

No
1˥θȤȤμա1900 1933ǯ¼̱Ϻ ش˥١ʸսǡ2008ǯ131286-335
2֥ȥݥ֤Τʤ21ѻˡѻ˳زκǿư͸1˥ܥˤ32ʸڤäơƣϤꡦ̡פסؤ145桢2008ǯ22018-24PDF
3ȥݥ֤Τʤ21ѻˡѻ˳زκǿư͸2˥ܥˤ32ʸڤäơƣϤꡦ̡פסؤ146桢2008ǯ32024-30PDF
4« Yagi Kazuo entre tradition japonaise et avant-garde occidentale : ou la fissure entre poterie et sculpture », La Rencontre du Japon et de lEurope, Image dune découverte, Actes du troisième colloque détudes japonaises de lUniversité Marc Bloch, Publications Orientalistes de France, (le 18 avril, 2007), 2008, pp.134 -146.PDF
5Between Asian Nationalism and Western Internationalism : Shimazaki Tôsons Participation in the International PEN Club in Buenos Aires in 1936, Kamigaito, Ken'ichi ed, The Proceedings of the East Asian-South American Comparative Literature Workshop 2007: 18th Congress of the International Comparative Association, Institute for International Understanding, Tezukayama Gakuin University, March, 2008, p.57-71.PDF ͻ
6ƱѻˤֵȬڰסס˭Ϻ ؽ꤭ʤֶȬڰפȥ֥ơؽǡ2008ǯ41069118.PDF
7ȥݥ֤Τʤ21ѻˡѻ˳زκǿư͸3ˡܥˤ32ʸڤäơƣϤꡦ̡פ顢ؤ 147, 2008ǯ420 24-31PDF
8Japanese Encounters with Latin America and Iberian Catholicism (1549-1973): Some Thoughts on Language, Imperialism, Identity Formation, and Comparative Research,The Comparatist, May, 2008, pp.27-35.PDF
9֡ܤءסδפȲǽȡסػۡ5桢ȽŹ2008ǯ5529-62PDF
10ȥݥ֤Τʤ21ѻˡѻ˳زκǿư͸4 ܥˤ32ʸڤäơƣϤꡦ̡פ顢ؤ١148桢2008ǯ52027-32PDF
11ֲڸФȸѡ߾ȼͤλߡʤΣ2ݲڸġʥե󥹡٥Сȯɽʸסؤ152桢2008ǯ92021-27PDF
12ֹ麤Ѥ򫤮礤Ȥ߱ƶǤξȤӤ򼴤ˡסֹݡץݥ൭ϿԽѰԡѻˤ;ˡݡ륹ѡ١ؽ 2008ǯ93078-100PDF
13ֲڸФȸ ߾ȼͤλߡʤ2Ϲˡ2ݲڸġʥե󥹡٥Сȯɽʸסؤ153桢2008ǯ102025-35PDF
14ֲڸФȸ ߾ȼͤλߡʤ3̿ή2ݲڸġʥե󥹡٥Сȯɽʸסؤ154桢2008ǯ112012-19PDF
15֤ޡʸءϲǽ岽Τʤ21ʸؤθߤ䤦סʸܸ92104-121ǡp.7-9, 2008ǯ1130PDF
16ֵ¢ˤϤɤˤΤ32ʸ¸ڤӽ˴ؤݸ潸񡡡֡ȥꥸʥɤιʸ⥢ۤΤˡ׻סؤ155桢2008ǯ12202129PDF
17إ͡ΥɾˤĤơ١͡Υʸ 裲 、ǡɾ̺ܸ⡡2008ǯǥ󥷥ʥץ26PDF
18Sesshû em Buenos Aires, Bashô em São Paulo: A Partiscipação de Shimazaki Tôson no Pen Clube Internacional e a Conferência Sobre O Mais Típico do Japão,ɡ Etudos Japoneses, N. 28, Centro de Estudos Japoneses da Universidade de São Paulo, 2008, p.149-168.PDF
 

2008ǯԤ¾μɮư

No
1ֿΰվˤߤܼ̣סشĶġ2008ǯչ桢2008ǯ354-7PDF
2֡ʩʸ Revue fransaise du Japon ǡͺƲ2008ǯ311
3κ򰡡ߡعȡٱΤ˺ϿŪؿ޽ʹ 2866桢2008ǯ419PDF
4ǥȥǥȤˤĤ digitalˤdigitus δ¥ʤȤ̷˴ؤФ񡢡ؿ޽ʹ 2871, 2008ǯ531PDF
5ůŪ줿ޤסؿʹֲġ 2008ǯƹ桢 2008ǯ6569PDF
6ڽɾۡðǰʻȯŪιŪӡסλƣĻ̼ ʤҤ餯(̾ŲؽDzˡܷкѿʹ 615PDF
7֤ϤɤޤѤ뤫סؤ149桢2008ǯ62024 -25PDF
8ƻξΤˡݡĤæѤ˶Ūͤõסؿ޽ʹ 2875桢2008ǯ628PDF
9ŪϤϳŪϤءľιֱϿ޺Ūϡפİơסؿ޽ʹ 2879桢2008ǯ26PDF
10֡ӤϤˤƷ뤫̿ε麲βءʡ̵̿ʪΤ٤ȥ롦ɥ롼Ρ٤Ȥ̤ܿõסؿ޽ʹ١2886桢2008ǯ920PDF
11֤θŤȤγʸήѤξ濴ˡסFUKUOKA UNESCO 44桢Ω60ǯǰʸߥʡýܤʸȿסʡͥ2008ǯ935-57PDF
12Ϥ롦ܤĤƵۤ򻡤롦Ƶۤͤסع絤ƻOB񡡲10桢4 -5PDF
13غס԰꡽ϡ40ǯܤɽ麽Ѥεǰ򡢸ƸƤ롦厣ؿ޽ʹ2895桢2008ǯ1122http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2895&syosekino=1175PDF
14غס԰꡽ϡ40ǯܤɽ麽Ѥεǰ򡢸ƸƤ롦ؿ޽ʹ2896桢2008ǯ1126http://toshoshimbun.jp/books_newspaper/week_description.php?shinbunno=2896&syosekino=1196PDF
15ĤѻˤΥơޤˤޤĤȷϿŪͳϢۤҎ ѲѾޤ20ǯٸ׿ѲѾ⡢2008ǯ121028PDF
16ڽɾ̩ۡõʿʹإ꡼ָʪפԡ(ҡˡܿʹ2008ǯ1221PDF
17ؤȽŪƤΤˡץݥ֥ݥ˥βߡ̤𡢡إݥ˥ฦ28桢2008ǯ2224PDF
18å֥ڥޤסإݥ˥ฦ28桢2008ǯ6465PDF
 

2008ǯԼҲưʹֱʤɡˡ

No
1ȯɽۡ쥢ʸˤ䤤ľˤऱơںߵīʸ˥ߥʡʸ楻󥿡2008ǯ124
2ڹֱۡѻˤϲǽʬɾϺʿ19ǯ ʸؽѥեࡢۥƥԡ2008ǯ222-23
3ԽͿ۰ 쥯 裶ʸؤȡҡ٤õ١޴ֽ񱡡ʿ20ǯ229514
4ڹֱێƣ¼Υ֥Υ쥹PENֻ(1936ǯ)㽮ɾιݴĶʸήݥ ضܤȻۡ CEEJA ե󥹡ޡ롢 2008ǯ22932
5ڹֱ The Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901-1945):Rabindronath Tagore, Arai Kanpô, and Nandalal Bose,Rethinking Nandalal: Asian Modernism and Nationalist Discourse, San Diego Museum of Art, April 4-6, 2008.PPT
6ڹֱۡ֡ءפ뼤Ⱦ㳲סԡ؎Ūװԡפ䤦ǧʹȾؤβաʸ楻󥿡Ʊ2008ǯ426
7ڹֱ֥ۡޡ(ʩ)ߥʡ2008ǯ3ˤ򿶤֤äơסʸ˥ߥʡ ʸ楻󥿡2008ǯ522
8ڹֱ ҳлA.K.ޥ饹ߡ١ܥȥˤäѤλ׺Ԥԥܥȥήβ,Ʊּءۡ2008ǯǯ67PPT
9ڥơۥեǥå顼ʥե󥹶رʸ͸ˎ衼åѿͤܽؤΥץߡ롦ܤηȤ214ʸեࡢѥץ饶ԡ2008ǯ611
10ڹֱۡStanding on the border, Narratives of Migration and Diaspora in the Age of Global Capitalism, June 13, 2008 Kyung Hee University, ڹ񡦿帶Global Campus Central Library, June 13, 2008.
11ڹֱۥݥʸءդϲǽХꥼΤʤ21ʸؤθߤ䤦 ʸزΩ60ǯǰ70񡢻ʲʽ ¿๻ˡ2008ǯ621-22
12ڹֱۡ֡Ρκ奤ɤܤηݽŪή:롦Ӱ洲Υɥ뎥ܡסԡ؎Ūװԡפ䤦ǧʹȾؤβ ʸ楻󥿡Ʊ2008ǯ627
13ʸ໤θסصԿʹ2008ǯ72PDF
14ڹֵۡʸ׽ֵʼ˶ء728
15ڹֱInternational Comparative Literature Association (ICLA) Executive Bureau Meeting, August 4-5 2008
16ڹֱۡCrime, Literature and Religious Mysticism: The Case of Japanese Translator of Salman Rushdies Satanic Verses, Further Reflections on Literature and Religion,ICLA International colloquium : From Ritual to Romance, Jacobs University, Bremen, Germany August 6-7, 2008.
17ڹֱۡExamining Modern and Contemporary Art History from Kegon/Huayan View Point,The Second International Huayan Symposium, Paris-Bereba, France, août 7-10, 2008.PPT
18ڹֱۡThe Interaction of Bengali and Japanese Artistic Milieus in the First Half of the 20th Century (1901-1945): Rabindranath Tagore, Arai Kanpô, and Nandalal Bose,Summer School of the Graduate School of Asian Studies, Jyvaskyla University, Finland, August 14-16, 2008.
19ڹֱ«La Naissance de la médiance à létat embryonnaire ou lorigine de lécoumène entre utérus et fœtus », Être vers la vie, Colloque à Cerisy-la-Salle, France, août 23-30, 2008
20ڹֵۡHistory of Modern Japanese Culture: The Visual Culture Development amidst International ConceptsVisiting Professor position to Japanese Language, Literature and Culture, Graduate Studies Program, Universidade de São Paulo (USP), September 1- October 9, 2008.
21ڹֱۡEncontros japoneses com a América Latina e o Catolicismo libérico (1549–1973): Algumas ideas sobre língua, imperialismo, formação de identidade e pesquisa comparada,o Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontífica Universidade Católica de São Paulo (PUC-SP), September 23, 2008.
22Advisory BoardCultura & Social History, The Journal of the Social History Society
23ڹֱۡVan Goghs Japan and Japans Van Gogh,Universidade de São Paulo (USP), Oct. 2, 2008.
24ȯɽۡFrom Japonisme to Medievalism: The Formation of Oriental Aesthetics and the Crisis of Modern Urban Culture,Simpόsio Internacional Brasil-Japão, Modernizacão Urbana e Cultura Contemporânea, Fundação Memorial da América Latina, 10-11 de outubro, 2008.
25ȯɽۡEntre Nacíonalismo Asiático e o Internacionalismo Ocidental : a participação de Tôson Shimazaki no Clube Internacional P.E. N. em Buenos Aires em 1936,Intercâmbio Cultural entre o Brasil e o Japáo, Simposio Internacional Comemorativo ao Centenário da Imigração, Centro de Estudos Japoneses da Unversidade de São Paulo, 14 a 16 de outubro de 2008.
26ȯɽI Encontro Cultural entre Brasil e Japão na UFRJ, Universidade Federal do Rio de Janeiro, Oct. 21, 2008.
27ȯɽۡܥڥ󥯥֤ᤰסܶʸز񽩵ء2008ǯ1025
28ڹֱۡƫΥݥ˥סʩή150ǯǰŸơ׺Ωʪۡ2008ǯ113
29ȯɽ« Arts et métiers traditionnels au Japon face à la Modernité occidentale (1862-1900) à lécoute dHenri Focillon - Quelques remarques préliminaires » 150 ans des échanges artistiques entre la France et le Japon, Maison Franco-Japonaise, ݥݥʩݽѸή150ǯʩۥۡ롢2008ǯ112223
30ڼȡ֥ۡե󡦥åۤȵ߷סԻΩ˺侮ع ȡ6ǯ4ȡ2008ǯ1222
31ڥ󥿥塼ֹۡʸ칶ˤʸƳסʸʳظʥ˥ƥȡ
 

2008ǯԵǺܡ

No
1Hiroko Ihara, "Protecting the fabric of a culture: Kyoto's traditional crafts create stunning art and continue centuries-old traditions," The Daily Yomiuri, Thursday, May 8, 2008.

 

2007ǯ

No
1ۡ麺ƹ: ΤȡȯʬϡŸ˾
Traditional Japanese Arts &Crafts : A Reconsideration from Inside and Outside Kyotoˡٻʸսǡ2007ǯ725ȯ 833xxvii
Ʊμݤɸޤ夨ơpp.1-3
PDF
ʸιռ夨ơpp.4-11
PDF
򻾤ơpp.12
PDF
ϡ麎æۤΤˡ麎ƹͤΩpp.17-32
PDF
Ԥˤ˥ؤ麤19001954pp.264-282
PDF
ϡ麤ξ褢뤤ώΤĤꎣƹ͎pp.814-831
PDF
Ȥpp.832-83
PDF
2ۡܤ麺ƹ͡ߤ麤ξȤβǽ
(Traditional Japanese Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective) ٹݸ潸27 (co-edited with Patricia Fister) ʸ楻󥿡 International Research Center for Japanese Studies, 2007ǯ93ȯ 468
Preface
Introduction pp.1-2
Modern Japanese Arts and Crafts around Kyoto: From Asai Chu to Yagi Kazuo, with Special Reference to Their Contact with the West (1900-1954) Ԥ濴Ȥܹ麡餫ȬڰפءȤܿ򼴤 pp.47-72
 

2007ǯʸ

No
1Is Art History Globalizable? A Critical Commentary from a Far Eastern Point of View,ed. James Elkins, Is Art History Global? , 2007, New York: Routledge, pp.249-279, 384-390.PDF
2Tenshin Okakura Kakuzô and Sister Nivedita; on an intellectual Exchange in Modernizing Asia,ed. Agnieszka Kozyra and Iwona Kordzińska-Nawrocka, Beyond Borders: Japanese Studies in the 21st Century: in Memoriam Wieslaw Kotański, Proceedings of International Conference, Warsaw, May 2006(2007), pp.90-95.PDF
31920ǯѥDzᤴܿͰˮͤ1922ǯιĽϺ濴ˡסإѥꡦ1920ǯ塦ƣĻ̼ ݥݥParis, Les années vingt et Foujita: Actes du Colloque 2006ǯ61011ԹΩѴۡ¤ݽء 2007ǯ228, 15-25PDF
4Les Traces dune blessure créatrice: Yagi Kazuo entre la tradition japonaise et lavant-garde occidentaleJapan Review, No.19, International Research Center for Japanese Studies, 2007, pp.133-159.PDF
5ַкѡҲ麽ѤκѡޥΥƥ٤ɤסإեɡХײء 2000-2007ٿ 2007ǯ7303953PDF
6֥١гդεסȷݽѡױʰδ§ إե󥹶ѻˤθߡ˥塼ȡҥȥ꡼ʸλ¤١ҡ2007ǯ8242356PDF
7Modern Japanese Arts and Crafts around Kyoto: from Asai Chû to Yagi Kazuo, with Special Reference to Their Contact with the West,Traditional Japanese Arts & Crafts in the 21st Century, ILCJS, Sep.7, 2007, pp.47-74.PDF
8֥ɤܡŷμա¿ڹƣ޹ͺƽ꿮Ϻ¾ ܶḽѻ˻ŵ 2007ǯ910502503PDF
9Ųʤ̡ؤǡT. J. 顼ػθʡ٤ɤסSITE ZERO vol. 1ǥǥ󸦵ꡢ2007ǯ920258285PDF
10ֹݶĴȹȤΤƣ¼ơʲˤʤܥڥ󥯥ֽĹ1936ǯ֥Υ쥹ֱ㽮Τסؤ 142, 2007ǯ112016-23PDFͻ
11ְŹ˥顦ץåԼؤ˻줿ˤΤʡդᤰǾϡT.J.顼ػθʡȡ饤ƥ󥰤ΤҤȤĤμ¸٤;ˡסؤ 143, 2007ǯ1220, 24-29PDF
12«La blessure créatrice entre poterie et sculpture, ou Yagi Kazuo entre la tradition japonaise et lavant-garde occidentale»images re-vues, N.4 (EHESS, CNRS, INHA, GAHOM, CEHTA, LAS), Déc.01, 2007, http//www.imagesrevues.orgPDF
13[Response] A Commentary of Ayako Kanos Review of the Feminist Art History Debates, Review of Japanese Culture and Society, vol.XIX, Josai University, December, 2007, pp.175-180.PDF
 

2007ǯԤ¾μɮư

No
1Ūꥨ󥿥ꥺࡧæ̱ϼߤ̱麡ȽζιۤȤƤǰŪΡ٤ȤζŪŸסؿ޽ʹ 2806, 2007ǯ120PDF
2֥󡦥쥯㡼͸󡦥㡼ޤϢ³ֱ餫סؤ 134, 2007ǯ220, 17-23PDF
3ڽɾۡYuko Kikuchi, Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism, London: Routledge Curzon, 2004סإݥ˥ฦ 26, 2007ǯ2, pp.81-83PDF
4ζ顡ݽѤο񼰡ˡ䥨뎥̼ܹԵӤסؿ޽ʹ 2811, 2007ǯ221PDF
5Dawn/Aufleuchten/Éveil naissant ռγäˤĤơػθʡ٤ظϰŤ󡦥ХܳФαסؿ޽ʹ 2814, 2007ǯ317PDF
6֥亮ȥ󤫤ؤסػع絤ƻOB 9PDF
7֥亮ȥι絤ƻס絤ƻʿ19ǯ١48桢絤ƻ絤ƻ48-52PDF
8ֹ񶭤٤ĤȵϤγƣȡ쥢Ѹξˤऱ AASزܥȥǯסؤ 136桢2007ǯ42020-25PDF
9͎ȤƤζŪμ͡Τؤγ˾ϡμͤȺȤʤ뤫ȯ30ǯˤơإꥨ󥿥ꥺˬ뎣ؿ޽ʹ 2821桢2007ǯ519PDF
10ֹ񶭤٤ĤȵϤγƣȡ쥢Ѹξˤऱ AASزܥȥǯסؤ 137桢2007ǯ52027-32PDF
11ڽɾ Τ򼫺ߤ˾Ĥˤ٤ʤΤʱߵƻνSukehiro Hirakawa, Japans Love-Hate Relationship with the West, London : Global Oriental, 2004, 557pp. סܸ 352007ǯ521127-133PDF
12֥ȥ饹֡ءݳزܤȲνв񤤡٤סʸ38桢2007ǯ521118132PDF
13ֶ춵ˤ밤ͺơŪۡѻ˲ȡɾȤȤƤΰͺפ뤿νסؿ̿18桢ҡ2007ǯ6157077PDF
14ֹ񶭤٤ĤȵϤγƣȡ쥢Ѹξˤऱ AASزܥȥǯסؤ 138桢2007ǯ62021-24PDF
15ʪۤ˥ߥͥϤɤܻؤ֤Τ̱ϼοؤˤ鿶֤롽ꥫʪۥ롼ȡۡɲᤰ㴳סؤ 139桢2007ǯ72028-44PDF
16׸δ˾̴ϥ֥饸ͤλ׺ỳϻϺȥ=ܸ춦̸츻⸸ۤοŪʲ͎ؿ޽ʹ2830 2007ǯ721PDF
17ֹݶĴȹȤΤƣ¼ơʾˤʤܥڥ󥯥ֽĹ1936ǯ֥Υ쥹ֱ㽮Τסؤ 140桢2007ǯ92014-18PDF ͻ
18֎꿨ꎣ򷱰餹ס俷ʹī١2007ǯ920PDF
19ְ̱ؤΤޤʤѥƣ¼ղˬͤơסؿ޽ʹ 2840, 2007ǯ106PDF
20ͺĹإݥ˥ฦ27桡2007ǯ11301517PDF
21ưڤءɤߤҳл륹ȥࡦХ롼ζ˿Ǝؿ޽ʹ 2850, 2007ǯ1215PDF
 

2007ǯԼҲưʹֱʤɡˡ

No
1ڹֱۡ2001-2ǯ ˶ʽ礹뎣ضܤμҲʸ٥륶衼åѳظꡢ2007ǯ34
2ڻʲ񡦹ֱ A Short Commentary on Yamaji no Tsuyu: A Story included in the Set of Genji Monogatari in the Library of Congress.Moderator, A Symposium and Special Exhibit on Japanese Cultural Treasures at the Library of Congress. Asian Division Friends Society, Library of Congress Presents. WashingtonD.C., March 27, 2007.
3ڹֱۡJapanese Encounters with Latin America and Iberian Catholicism: Some Proposals for Possible Directions of Research in Comparative Literature, Respondent, International Forum - Beyond the Border: Trends in Comparative Literature outside the US,ACLA, Puebla, Mexico, April 21, 2007.PDF
4ڹֱۡConstructing an Asian Aesthetics: Tenshin Okakura Kakuzô and Sister Nivedita or an Intellectual Indian-Japanese Exchange in Modernizing Asia,Graham Lecture Hall, Smith College, Northampton, USA, May 1, 2007.PPT
5ڹֱۡConstructing an Asian Aesthetics: Tenshin Okakura Kakuzô and Sister Nivedita or an Intellectual Indian-Japanese Exchange in Modernizing Asia,ɡKent Hall, Columbia University, New York, USA, May 4, 2007.PPT
6ڹֱ Commentary to Panel 3, Objects and Images: Exploring Visual and Material Culture in Japan: A Symposium Honoring the Work of Henry Smith,ɡKent Hall, Donald Keen Center of Japanese Culture, Columbia University, New York, May 5, 2007.
7ԽͿ۰ 쥯 裱 ʪή̵ιۡٳ޴ֽ񱡡2007ǯ710, 289
8ڹֱۡModern Japanese Arts and Crafts in Kyoto: From Asai Chu to Yagi Kazuo, Library of Congress, Washington, D.C., USA, June 7, 2007.
9ڹֱۡBeneath the Global Theoretical Hegemony: Local Resistances against the Globalizing Will to PowerStone Summer Theory Institute 2007, Chicago, USA, July 20, 2007.
10ԽͿ۰ 쥯 裲 ʪΩơ
11ԽͿۡ 쥯 裳ظʪ٤Ȥεٳ޴ֽ񱡡2007ǯ730447
12ڹֱۡBetween Asian Nationalism and Western Internationalism: Shimazaki Tôsons Participation in the International P.E..N. Club in Buenos Aires in 1936,ICLA, Rio de Janeiro, Brazil, August 4, 2007.
13ڹֱۡBeyond Political Abuse of History Textbook; Visual Literacy Issue in the History Textbook Controversy of 2000-2001NAJAKS, Copenhagen, Denmark, August 24, 2007.PDF
14ڹֱۡIs Art History Globalizable?Duke University, North Carolina, USA, September 7, 2007.
15ڹֱۡIs Art History Globalizable? A Critical Commentary from an East-Asian Viewpoint.Maryland University, Maryland, USA, September 14, 2007.
16ڹֱۡAre the Arts of Asia Globalizable? The Case of Japan,Multicultural Center Theater, UCSB, Oct.5, 2007.
17ڹֱۡModern Arts and Crafts in Kyoto: from Asai Chu to Yagi Kazuo, 1900-1954,Hacienda Room, Faculty Center, UCLA, Oct.8, 2007.
18ڹֱ֤ۡθŤȤγʸήѤξ濴ˡʡͥΩϻǯǰʸߥʡ ܤʸȿ ʡŷӥ, 2007ǯ1012
19ڹֱۡArts and Crafts in Modern Kyoto, 1900-1954,International Symposium: Craft Heritage in Modern Japan, British Museum, London, October 19-20, 2007.PPT
20ԽͿ۰ 쥯 裴ظʪؤ¿̤ʻٳ޴ֽ񱡡ʿ19ǯ1025359
21ԽͿ۰ 쥯 裵زīοͤȤκٳ޴ֽ񱡡ʿ19ǯ1130463
22ڹֱۡArts and Crafts in Modern Kyoto; around Kawai Kanjirô, Kondô Yuzô and Yagi Kazuo, Kyoto University Yoshida Campus j-Pod Building in Kyoto Consortium for Japanese Studies, December 3, 2007.
23ڹֱۡؤȽŪƤΤˡץݥ˥ز إݥ˥βߡ̤ȫۡ2007ǯ 12 8
 

 

2006ǯ

No
1ɽݤȤƤܡ١ʶء3ɮ,2006ǯ3295
2ط˺ض̵١ԽͿʸѽ37桢2006ǯ31149
 

2006ǯʸ

No
1Images changeantes de lart japonais : Dupuis la vue impressionniste du Japon à la controverse de lesthétique orientale (1860-1940) ,JTLA (Journal of the Faculty of Letters, the University of Tokyo) Vol.29/30(2004/5) 2006, pp.73 -93.PDF
2Use and Abuse of Images in Japanese History Textbooks and the History Textbook Controversy of 2000-2001,Historical Consciousness, Historiography, and Modern Japanese Values, International Symposium in North America (2002), International Research Center for Japanese Studies, 2006, November 30, pp.19-38PDF
 

2006ǯԤ¾μɮư

No
1ֲŷȥɡסOkakura Tenshins Encounter with India,Nichibunken Newsletter, No.61, January, 2006, p.2.PDF
2֥ե󥹤ܤΤѻˤˤե󥹤ܡססؤ 121, 2006ǯ120, 29-35PDF
3֥륶ܸ桧Ƕθ潸ܤȲνв񤤡פסؿ޽ʹ 2759桢2006ǯ128PDF
4֡ؤ󤳤ꤢ٤ȡإ衼١ͫȤߤβۤ˸٤ưʪסؿ޽ʹ 2763桢2006ǯ225PDF
5֥ѥɥδ˾Ύۤʱߡǡݥåֱ˴󤻤ơסؤ 122, 2006ǯ220, 11-18PDF
6ɽݤˤǤڤ뤿ˡݽɽݡѡ20ʹߡ٤ʾˡסؤ 123, 2006ǯ320, 37-42PDF
7֥ޥ륻롦ꥪȥޥɥϥѥơФȤΤĻμԲĻηäȡסARGO XVII Invisibleضܳեʬʥ르ԽѰ, 2006ǯ41, 257-263PDF
8֡ŪΤʸɡפȡ곰θɡפȤΤƥӹμҲˤˤऱơסؿ޽ʹ 2769, 2006ǯ48PDF
9ɽݤˤǤڤ뤿ˡʲˡסؤ 124, 2006ǯ420, 15-22PDF
10ʸ仺ȤƤΣã¸ȸͤ롧ڹǤμȤߤȤ椫סؿ޽ʹ 2773, 2006ǯ56PDF
11ڽɾۡSukehiro Hirakawa, Japan's Love-Hate Relationship with the West (Global Orienal, 2005ˡر11桢2006ǯ61PDF
12ڽɾ ֳսéʱ̿䤵줿פõɴǯ줿ʺϹسϤλ١סصԿʹ١Ʊ̿ۿ, 2006ǯ625ǺPDF
13ְƢԡ麽ѤȤ̾Υݥȥåסؤ 126, 2006ǯ620, 25-29PDF
14֥᡼ؤαä20ʸˤȺŦȯסؤ 128, 2006ǯ820, 22-26PDF
15ڽɾ֥ۡ᡼Ϥˤޤ졢ŤθΤ20Ūˤ֤سԤǽIJ: 른塦ǥǥ=桼٥ޥػ¸륤᡼ӡ֥륰ˤѻˤͩλ֡١סؿ޽ʹ 2789, 2006ǯ99PDF
16ŲơͤοϤɽݤ줿ססؿ޽ʹ 2802, 2006ǯ1216PDF
17֥른塦ǥǥ٥ޥػ¸륤᡼ӡ֥륯ˤѻˤͩλ֡٤ɤסؤ 132, 2006ǯ1220, 8-27PDF
 

2006ǯԼҲưʹֱʤɡˡ

No
1ڹֵֶۡ¤ѻüֵʪ۳C׿ʸ2006ǯ419711ޤǡ10
2ڹֱۡFeng Zikai's Treaties on the Triumph of Chinese Fine Arts in the World and the Reception of Western Ideas through Japanese translation,International Symposium, Culture and Translation, Academia Sinica, Taipei, Taiwan, May 2, 2006.
3ڹֱۡModern Japanese Arts and Crafts around Kyoto,School of Asian Studies, London University, UK, May 16, 2006.
4ڹֱۡOkakura Tenshin and India, Chelsea School of Art, London, UK, May 16, 2006.
5ڹֱۡIs Art History Globalizable? Center for World Art Studies, East Anglia University, Norwich, UK, May 17, 2006.
6ڹֱۡOkakura Tenshin and Asian Modernity,Japanese Studies in the 21st Century, Warsaw University, Poland, May 21, 2006.
7ڹֱֲۡŷȥɡס֥ե󎥥åۤܡʼ˸˥åʺʼ˸¤澮ȥ󥿡2006ǯ523
8ڹֱۡذʸȤνв񤤡١֥ե󎥥åۤܡʼ˹ֺ¡ʼ˸ʼ˸4ǯϢȴ衢ʼ˸Ωͳؽץ饶2006ǯ525
9ڻʲۡWhat is African about African Art? (moderator) International Symposium, Mori Art Museum, Africa Remix, May 28, 2006.
10ڹֱֲۡŷȥɡʼ˹ֺ¡ʼ˸ʼ˸4ǯϢȴ衢ʼ˸Ωͳؽץ饶2006ǯ68
11ڹֱ Étrangers à Paris dans les années 1920s,International Symposium, Paris, 1920s, Foujita Tsuguharu, The National Museum of Modern Art in Kyoto, June 10, 2006.
 

 

2005ǯ

No
1ڳԽԤȤǤԽۡѻšýȯΤλʸܻؤơܤˤѻ˸Ȥΰ; Depiction and Description : Morphology of Modern Visuality and Market Place in Transition : Methodological Reflectionsסʴڹ202005ǯ 663
 

2005ǯʸ

No
1Ѵ۶餫ʸȤءסѶˤشվޡٳؽΥꥭ೫ȯ˴ؤ븦ʿ145ǯٲʳظ⸦225-232PDF
2ַŴ롽ϳ΢ڤ줿Τ׾ҹܲϯԡˡإβǽɽݡʳءΡƣŹ 2005ǯ630174-197ǡPDF
3֡ʤ륫꡼١إηаޡ٤ɾμաŷڥɴؤΤ餿ƶװΧҡϰԡˡɽˤ۶Ⱥ¡ʸѽ36 2005ǯ91235-273PDF
4ֽʸȯΤλʸܻؤơܤˤѻ˸Ȥΰס֥˥ؤεȻԾξڡɥ롦ޥΩƤˤԾάסѻš ʴڹ20桢2005ǯ179-195253-283PDF
5νҾܤλʸơ1730ǯ1830ǯססܸ31 2005ǯ1013-46PDF
6ֹ絤ƻζסʣšåڥ󥷥楿ԡˡʸϢ³Ϣ³ҡ2005ǯ1125297-321PDF
7Freedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdies Satanic Verses-Hitoshi Igarashi in Memoriam,Literature and Religion (The Korean Society for Literature and Religion), Vol. 10, no. 2, pp.229-251; vol. 2 Special Issue, Freedom of Suffering, pp.133-152, June 30, 2005.PDF
 

2005ǯԤ¾μɮư

No
1黿οȤʸؤɺԤءեǥϡ׸ɴǯʾˡʲˡססؿ޽ʹ 2708桢2005ǯ112709桢2005ǯ115PDF
2ָŽ˽ɤ䤭ΤĦȤεȬڰפɤסؤ 109桢2005ǯ12035-41PDF
3ֲŷȴǰȤƤѤϽСץ勵ꥦѴۡԡˡزŷ ١ʸҡ2005ǯ210123-143PDF
4ֱʿ̵ͧΤθζססؿ޽ʹ 2718桢2005ǯ315PDF
5֤ޡ֥פѤ롧ʣ춥Υסص158,2005ǯ315PDF
6ͩӡӡŪʤΡפȤطʡסؤ 111桢2005ǯ32027-30PDF
7˺줿ե󥹺ǽʸؼԡסؿ޽ʹ 2721, 2005ǯ49PDF
8ֲǺǤͭ̾ܿͷݽѲȡ̺ءסܤ 2005ǯ5桡12-15PDF
9ʿ²Τˤγʤα̿ڰΤ׺ʡָοޡ׺ƹ͡ʾˡססؤ 113桢2005ǯ520PDF
10ֹ絤ƻζ塧ؤȷѾס絤ƻ 46桢2005ǯ49-64PDF
11ز󶵳٤μաʾˡʲˡסؿ޽ʹ 2728接2729,2005ǯ64PDF
12ʿ²Τˤγʤα̿ڰΤ׺ʡָοޡ׺ƹ͡ʲˡסؤ 114桢2005ǯ620PDF
13ֽɾʸˤ򿥤ʤء󡦥㡼ޡʤȵ١סؿ޽ʹ 2731,2005ǯ625PDF
14ؤ̴ȸ¡롼ѴŸ˴󤻤ơסοʹ 2005ǯ711PDF
15֡ع麡٤ϤɤޤǹŪ٤νȤĭסؿ޽ʹ 2734桢2005ǯ716PDF
16֥ϡȤƤ硹ۤȤƤγסؤ115桢2005ǯ72027-31PDF
17ήΤʤΥ롦̥סظδΩѴۡ553桢2005ǯ8-96-8PDF
18ɺήʪ֥ꥳ顼ءαĤߤѴۤɤʧסؤ 116桢2005ǯ82032-38PDF
19̷֡ŪƱפȡְ¨פȤ̷ɤסؿ޽ʹ 2740桢2005ǯ93PDF
20Anchio sonpittore! ;ޤȤʤꡧĽϺнʾˡסؤ 118桢2005ǯ102030-33PDF
21־53ǯκסع絤ƻ޽ǯˡ١2005ǯ1113248-249
22Anchio sonpittore! ;ޤȤʤꡧĽϺнˡסؤ 119桢2005ǯ112014-18PDF
23֤ؤιס˥Ρޡ쥹ԥNichibuken Newsletter, No. 60, Nov. 2005, pp6-7PDF
24βα줿ϫԡĽϺɾסؿ޽ʹ 2751桢2005ǯ1126PDF
25Anchio sonpittore! ;ޤȤʤꡧĽϺнʲˡסؤ 120桢2005ǯ122035-39ǡPDF
 

2005ǯԼҲưʹֱʤɡˡ

No
1ȯɽֹۡ麤ѤȤ򫤮ǤξȤӤ򼴤ˡץݥֹ麡ˤȸߡסԸѴۡ2005ǯ226-27
2ڹֱۡ־ʴڡ˽ӻҡ׹и졢2005ǯեνήȡס2005ǯ312
3Freedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdies Satanic Verses, First International Conference on Literature and Religion, Chungnam National University, Daejeon, June 30, 2005, pp.79-87
4ڹֱ֥ۡե󎥥åۡħƥɡ롦ǥ졧ĽϺڲθʸɮư濴ˡ׼츩ΩѴֱ̹2005ǯ910
5Is Art History Global? A Critical Commentary from a Far Eastern Point of View paper presentation for the international symposium: Is Art History Global?, University College Cork, Irelnd.
6ڹֱ֥ۡꥨθȥ󳨲衧󥰥ԥȥ륳Ϥդμա׵ԻΩѴۡ롼֥ѴŸǰֱ2005ǯ924
7ڹֱֲۡŷȥɡ׹ʸ楻󥿡ؽѹֱ2005ǯ928
8ڹֱۡOral presentaionˡCritical Assessment of the Activities of Transcultura, International Symposium, Cultures of Knowledge, International House, Goa, India, Oct. 18, 2005.
9ڹֱ (Public lecture)Philosophia, ethica et aesthetica in the Far-Eastern Cultural Sphere: Receptions of the Western Ideas and Reactions to Western Cultural Hegemony, International Symposium, Cultures of Knowledge, Institut français d'Extrême -Orient, Pondichery, India, Oct. 21, 2005.PDF
10ڹֱ (Oral intervention) Mediator in Cultural Conflicts, in the Panel Discussion Cultures of knowledge, International Symposium, Cultures of Knowledge, J. Nehru University,Oct. 24, 2005
11ڹֱ (Convener and organizer), Traditional Japanese Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective, 27th International Symposium, International Research Center for Japanese Studies, Nov. 8-12, 2005.
12ڹֱ«Yagi Kazuo entre la tradition japonaise et lavant-garde occidentale: ou la fissure entre poterie et sculpture», Colloque international, Les Rencontres du Japon et de l'Europe, Strasbourg, lUniverstité Marc Bloch /Colmar, CEEJA (Centre des études japonaises dAlsace), 8-10, déc, 2005.PDF
13ڥơΡ<ή>ο̮ʤڹμԤܤθ微˼椫Τסʸե١2005ǯ1220
14Freedom in Suffering and Freedom of Suffering: The Case of Japanese Translator of Salman Rushdies Satanic Verses-Hitoshi Igarashi in Memoriam,Literature and Religion (The Korean Society for Literature and Religion), Vol. 10, no. 2, pp.229-251; vol. 2 Special Issue, Freedom of Suffering, pp.133-152, June 30, 2005.PDF
15꡼2006ǯǡΩطкѳʹּҲǸ١ʡذʸˤऱơ٤ϡ֥ʥΰ֤סػʸ˶ؼҡ2005ǯ
16꡼2006ǯǡء١ʡذʸˤऱơ٤ϡ֥ʥΰ֤סػʸ˶ؼҡ2005ǯ
17ؾʸ꽸ʬϽ١ʡذʸˤऱơ٤ϡ֥ʥΰ֤סػʸ˳ؽҡ2005ǯ
 

 

2004ǯ

No
1ڶۡɽݤȤƤܡ١ʻۤȶء2004ǯ320295
2ڶۡر۶ϡ˥α۶ٿʸ񱡡2004ǯ420PDF
3ڶۡColors եåȿ̡ٵʸġ2004ǯ429
 

2004ǯʸ

No
1ֲȤαبĻͺˤ1920ǯեںߤΰסإȡե 21 92004ǯߡ84-89PDF
2Sister Nivedita and her Kali The Mother, The Web of Indian Life, and Art Criticism: New Insights into Okakura Kakuzo's Indian Writings and the Function of Art in the Shaping of Nationality,Japan Review , No.16, 2004, pp129-159.PDF
3֥ե󡦥åۤܤסؿʸإե ׸ر 2桢2004ǯ315105-112PDF
4֥󡦥ХȤ뤤ϡֵפȤƤܡסɽݤȤƤܡ١ʻۤȶء2004ǯ320241-247PDF
519ˤΤܡꥨ󥿥ꥺफ饸ݥ˥ءסɽݤȤƤܡ١ʻۤȶˡء2004ǯ32084-110PDF
6ذݼܴѤޤ(1880-1940))١[ڹ]ѻš18桢ڹѸꡢ171-197PDF
7֥֥른麽Ѥؤĩȥ˥ɾηݽȾΥե󥹤ˡסѥե2110桢2004ǯ710108-115PDF
8ֲŷȥɡ۶̱ռƥǥεסʺƷǺܡˡʸء 24ʸز2004ǯ1113-30PDF
 

2004ǯԤ¾μɮư

No
1ֲλӤܻؤơؿβڡιʡ󡦥ХȤΥǥåŸٴϢݥݥ ֥ХȡФʿפסؤ 97掤2004ǯ12032-35PDF
2ֶŴƻϤɤ餭Τ߷ȥե󡦥åۤҤסؿ޽ʹ 2664桢2004ǯ27PDF
3Ѵ۶餫ʸȤءݥݥִվ޶Ϥˤ٤פסؤ 98桢2004ǯ22019-25PDF
4֥ѡեޥ󥹤ȤƤΥХסؤ 99桢2004ǯ32030-36PDF
5ܽؤˤء¢18581919ˤȲšHe Xiangning 18781972ˡʾˡסϸ̤ʤ餺ɬ٤ꡧ¢18581919ˤȲšHe Xiangning 18781972ˡʲˡסؿ޽ʹ١2670桢2004ǯ3202671桢2004ǯ327PDF PDF
6ڽɾۺǻ<ѥ̿>١ҡ2003ˡʸء46ʸز2004ǯ331110-117PDF
7ڽɾۡݿϡĶ֥ɻָμҲ¾ʸάȤʸɾإ᥹١סؤ 100桢2004ǯ42040-42PDF
8֥ۡɡ١֥ޥ͡θ̡סColors եåȿ̡١ʶ˵ʸġ2004ǯ429212-219PDF
9ָ޷¤εޤơؼԤΰռĴػ˾Ĵײ߷ססؤ 101桢2004ǯ52029-35PDF
10֤ߤӤȲʹFengliuPoongryuFuryu:쥢ŪǰƤˤऱήɤʸˤλߡʾˡ(ˡסؿ޽ʹ 2677桢2004ǯ5826782004ǯ522PDF
1121ƻιʸήΩ줫ס絤ƻ 45桢2004ǯ49-54PDF
12ֵλѡϵǤʸ󾧤ؤסؿ޽ʹ 2681桢2004ǯ61PDF
13̾΢ͻ̱ٽǤſסؤ 102桢2004ǯ62029-32PDF
14ֶſסؤޤۤ 40桢2004ǯ7144-45PDF
15ּ٤ĤɤΤïաοҤ˵ǡסؤ 103桢2004ǯ72034-39PDF
16ܤϰγϤȳؤδ㺹ֹͤΥΤŤ׹ݥݥʾˡʲˡסؿ޽ʹ 2668桢2004ǯ7312669桢2004ǯ87PDF
17ֱΰ°οũܤĤȩɽ̤˷Ϫ롼ƣ⹰ι˼õˬסؤ 104桢2004ǯ82039-43PDF
18ī̿;á12ظ2004ǯ8611ˤסؿ޽ʹ 2693桢2004ǯ911PDF
19ˤʤȤ̿ȯȹեƻ(1926ˤᤰäơסؤ 105桢2004ǯ92029-34PDF
2021ƻιʸήΩ줫ס絤ƻ 45 2004ǯ949-54PDF
21ֹʸ楻󥿡ˤ붦Ʊͤס祸㡼ʥ 6桢2004ǯ101528-33PDF
22īزƹ͡׻۲̱²ռȹʾˡʲˡסؿ޽ʹ 2698桢2004ǯ10232699桢2004ǯ1030PDF
23ڽɾᲬ ʸˡ١صԿʹ2004ǯ1114PDF
24ּĨȳκȽϿݲաꡦޥƥŸסؤ 107桢2004ǯ112023-31PDF
25ٹξʪȢѴۤˬ䤹סؤ 108桢2004ǯ122016-18PDF
26ֻˡʸξ١סʸʸŵٹʸƲ2004ǯ1225248-249PDF
 

2004ǯԼҲưʹֱʤɡˡ

No
1ڹֱֲۡŷȥɡײòʸΡ2004ǯ228
2ڼšֵۡʪʸռ̥ݥࡢԻΩݽء2004ǯ310-11ʼšʸ楻󥿡ϡԻΩݽѥ󥿡̳Ȥšȿ
3ھԹֱۡνҤܤλʸơ1730ǯ夫1830ǯˤơֽع2004ǯ410PDF
4ڸֱۡLa Prise de position critique des arts et métiers traditionnels au Japon aujourd'hui--le cas de tissage de soie chez Koho Tatsumura, Maison de la Culture du Japon, Paris,le 21 mai, 2004PDF
5ڸֱۡQui est le maître de mètre?Conérence internationale:La mesure de la mesure ou le mètre sans maître, Centre national des arts et metiers, Paris, le 28 mai, 2004
6ڹֱֲۡŷȥɱ۶̱ռƥǥε21COE ץ֥󥿡եοʸ ȥ󥹥ʥʥƥץȡ2004ǯ72PDF
7ھԹֱێɤˤ̱ռ:ڹȤӤˤƎڹܳϢ2ݳؽ ܳظȶ2004ǯ710PDF
8ڹֱۡTenshin Okakura and India: On an Intellectual Exchange in Modernizing Asia, ɡInternational Association of Comparative Literature, Hong Kong Congress, 12 Aug. 2004.
9ڹֱۡSocial Reception of Literary Texts and Question of Visual Literacy in Cross-Cultural Translation--A Case Study of Korean-Japanese Translation in the Period of Japanese Occupation of the Korean Peninsula, Nordic Association of Japanese and Korean Studies, Göteborg, Aug.21 2004.
10ڥѥͥꥹȡێƻٸǰݥ DzϹ񶭤ۤ뎣4ԱDz صԤ:ХDz 2004ǯ920
11ȯɽֲۡŷȥɡס֥ʿϰˤ륰Хꥼ󡢥ꥼʸץ󥬥ݡΩء2004ǯ1029
12ڹֱۡܤ˶ʽ䤤ḻ̌ع2004ǯ114