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1997-2003 Nichibunken IRCJS/Associate Professor ɮֱꥹ

2003ǯ 2002ǯ 2001ǯ 2000ǯ 1999ǯ 1998ǯ 1997ǯ

 

2003ǯ

No
1ۡؤ褾¤ǭʸٻ 2003ǯ714845
2ۡؤΤ̴Τ⤫۽ٻ 2003ǯ714591
 

2003ǯʸ

No
1The Making of Hokusai's Reputation in the Context of Japonisme,Japan Review, No.15, pp.73-96.PDF
2ʸˤߤ벻ڤʸؤήޡ顼̣ˡסزڶء 2003ǯ 332桢9-21PDF
3֥ޥ֤͡ȡװɡǶΥɥ롦ޥ͸ؤȽŪŸ˾סѥե21 7桢2003ǯ180-86PDF
4ѻ˳ؤؤĩȰæ뤤ϳؽѻԽԤȤƤΥԥ롦֥ǥ塼׵綬аϺԡʸθϡȿ֥ͤǥ塼١ƣŹ2003ǯ130189-213PDF
5ַݽѼҲؼԤȤƤΥԥ롦֥ǥ塼סشġ 122003ǯߡƣŹ2003ǯ130367-374PDF
6׳ƶݤȽᤰäơ׻ľԡ¤Υʥߥ١Ǽҡ2003ǯ22093-119PDF
7ʸͲνȺʸͲνȺƳ --ٲǯʸͲ衦ιɾáٲŴǯʸͲ衦ιɾסؤ86掤2003ǯ22034-37PDF
8ָĤ˽ɤơϹȻͺرƤθݳء ϹȻͺԡءָĿ͡פõ᡽ʸΤʤǡ١NHKǶɡ2003ǯ225297-328PDF
9񡦾ƤˤˤȤΩĤޤס輷̶彣ӥʡ̶彣ΩѴۡ2003ǯ3316-12PDF
10Either Useful or Useless: Reviving Inventiveness7th Kitakyushu Biennale, Kitakyushu Municipal Museum of Art, March 31, 2003, pp.13-19.PDF
11ֿͤȤƤƣĻ̼סؤ 89掤2003ǯ52031-35PDF
12ֲŷȥܥȥѴŸ׺ǻҡԡˡŸ񥫥γڤ ؽDz2003ǯ61153-59PDF
13ֻϲǿ?DZī٤ȤѢ¯ҤΡ̱ϳɲΤˡסؤ 90掤2003ǯ6207-10PDF
14֡Τζͭ⻺Ÿ񥫥θߡɾޤǡӤʹƤζ򴶡סؤ 91掤2003ǯ72023-28PDF
15βͥΩȤطʡ˭Ѻ߸ݽѾŪ׺ɡ´ʸزʸزʶԡ ؿʸشطβܤŸ˾١ǡ2003ǯ811123-138PDF
16ְ̣:᡼ȥƥȤΤɤ߲򤯤ǡݡ롦ԥᥤ롦ǡϡξդȤơסؤ 92掤2003ǯ82026-30PDF
17֤ȸȰո15۵Ⱥˬ䵭סؤ95掤2003ǯ112028-31PDF
1821ƻιסؤ96掤2003ǯ122029-33PDF
 

2003ǯԤ¾μɮư

No
1ֹĻλࡽ²ƤƱνγͤءס絤ƻ 44桢2003ǯ36-40PDF
2ֹݸή⡡ɸܸ2003ǯ19
3֥ڥˤܸ춵γȽܸδøǤΤˡסؿ޽ʹ 2616桢2003ǯ21PDF
4ڽɾ ŷι ݽѡ١ˡؤ 87掤2003ǯ32019-21PDF
5֥ޥܸסʸ 29桢2003ǯ33143-54PDF
6ڽɾŷι ݽѡ١סʸ)ؤ 88掤2003ǯ42029-32ǡPDF
7ڽɾ֤ۡˡҥ饫󥹡ӤȤĤ߷إ󥮥ɰʹߤιݡ١סɽ͡ 2488桢2003ǯ523PDF
8ʸݥȥ˥ˤǺȷҤ̣դסؿ޽ʹ 2632桢2003ǯ67PDF
9ʹϤ̵ˡŪΤˡסؿ޽ʹ 2639桢2003ǯ726PDF
10ֽܤε᡽ФȤλ塦ʹסؿ޽ʹ 2647桢2003ǯ927PDF
11Ȥ֢ؤζӡ饯դղƤؤסؤ 93掤2003ǯ92024-27PDF
 

2003ǯԼҲưʹֱʤɡˡ

No
1ڹֱۡΤʤʸơѢDZỳǷҤΡ״ڹʸزѴء2003ǯ118
2ڹֱۡʸػˤߤ벻ڤʸؤήޡ顼̣ˡ״Ĵֱ ڶز342003ǯ1118
3ڹֱ֥ۡե󡦥åۤܤ׸رء2003ǯ1211
 

 

2002ǯʸ

No
1In der Haut des Anderen. Iwaaki Hitoshis Comic-Roman >Parasitentiere< (Kiseijû) als Herausforderung an das unteilbare >Individuum<Christoph Geissmar-Brandi et al. Geschichte der Haut, Stroemfeld Verlag, 2002, pp.129-146.PDF
2"Cognitive Gaps in the Recognition of Masters and Masterpieces in the Formative Years of Japanese Art History, 1880-1900, Historiography in Conflict," Michael Marra(ed.) Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, University of Hawaii Press, Honolulu, 2002, pp.115-126, pp.228-229.PDF
3Un Destin de Pensée: Limpact dOkakura Kakuzô (Tenshin) sur le développement de l'histoire de l'art en Inde et au Japon au début du XXe siècle,Livia Monnet (ed.), Approches critiques de la pensée japonaise du XXe siècle, Critical Readings in Twentieth Century Japanese Tbought, Les Presses de lUniversité de Montréal, 2002, pp.329-348, pp.553-555PDF
4ֱ۶ؽѡ20Ⱦ쥢ΰ¸Ūѻ˳ءۻ˳ء͸ųءסѥե21 62002ǯ63040-46PDF
5ְʸȤɽݤƤꥨ󥿥ꥹफץߥƥءŸ񥫥 إͤ饻̤ءɤȤλ ĸΩѴ̸ۡΩѴۡ2002ǯ58-60PDF
6Use and Abuse of images in Japanese History textbooks and the History Textbook Controversy of 2000-2001,Historical Consciousness, Historiography, and Modern Japanese Values, Oct.30-Nov.3, 2002, Banff Centre, Banff, Alberta.PDF
7Tahiti et la migration des signes, Représentation du paradi terrestre chez Paul Gauguin et quête de la créolité dans le langage plastique au tournant des XIXe et XXe siècles, (éd.)Association internationale de littérature comparée, Multiculturalisme et identité en littérature et en art, Paris, L'Harmatan, 2002, pp.11-24.PDF
8ֲŷȥɡ۶̱ռƥǥεץ˥ฦԡˡإ˥α۶١ʸ񱡡2002ǯ22076-102PDF
9麽Ѥסؤ 75掤2002ǯ32020-21PDF
10ֵ§ȽϤΥࡽ麽Ѥνޤˡסؤ 76掤2002ǯ42034-35PDF
11ֲǽȤƤΥեסؤ 77掤2002ǯ52032-33PDF
12֥ɤƵۤήȡԶβȤܤסؤ78掤2002ǯ62015-17PDF
13ֲŷΤ⤦ҤȤΡ֤줵ס˥ǥΤȤɤסؤ 79掤2002ǯ72023-25PDF
14֥ޥؤ꡽2002ǯʸԤθȲסؤ 83掤2002ǯ112033-35PDF
 

2002ǯԤ¾μɮư

No
1֥ɥ롦ޥͤ˵ҡסʩѳز 21桢2002ǯ43-45
2ΥǤסإ󥿡̵ܸ̿楻󥿡74PDF
3ֽ3ǤȤץԥ롦֥ǥ塼äȤȡŪ򴹤ΥΥߡ2002ǯ2201993ǯ 1ƣŹPDF
4ִ֡˾פȤ̾Ū񡧽ɾѡԾ졢ϰ̲ߤᤰäơ١סؤ 74掤2002ǯ22014-16PDF
5ֹܼɮ饷ǥɥɡɡVSʥݡסإ顼༭ŵ١ȽŹ2002ǯ220PDF
6How the Japanese Read Maurice Denis: Some Aspects of the Reception of Symbolism and Classical Art Theory in Modern Japan (1913-1928),ɱʰδ§1930-40ǯܤˤ륻̤μơCézanne in Japan 1922-1947ʸʳؾʸ׸渦2002ǯ376-86PDF
7ڽɾۡʸˤơɾ̡ܽˡ١סصԿʹ١2002ǯ33PDF
8ڤʤΡȥ٤ȡַåȥפȤδ֡뤤ǧ߿סؿ޽ʹ 2574桢2002ǯ316PDF
9ˤθľˤऱơŴ޽ۻ͸סؿ޽ʹ١2579桢2002ǯ427PDF
10̵סʸز񡡴 91 2002ǯ5PDF
11֡ActesٻΤȤʤɡԥ롦֥ǥ塼סص126桢2002ǯ515PDF
12ڳշʿŪϤȤο̱Ūطʺƹ͡סؿ޽ʹ2585桢2002ǯ615PDF
13ΤʤΡظʪ١Źʸظγ˹ʸŵαסؿ޽ʹ 2589桢2002ǯ713PDF
14ְ²ռ˲ظʪˤȵˤ ŵҡ2002ǯ82494PDF
15ǰʤֹʸήפæΤˡסؤ 80掤2002ǯ82033-35PDF
16ֵεսɾˡ澰ԡصεս١סط١2002ǯ9桢118PDF
17֥򤢤Ȥˡ֤פ򴶤եɷ۵ԡסؤ 81桢2002ǯ92033-36PDF
18٤ޤ˻˴ޤ줿ɼԤ˺Ͽҡ׻ˡʸλءIIˡ١ȽŹ(ȸʸˡ2002ǯ1016283-290PDF
19ֺǸμ桡ῥͤءסؤ 82掤2002ǯ102011-13PDF
20ֿάϺפ顢ֳȯȼåפˡֵΧȺפءֿ̱϶פȤᤰäơؿ޽ʹ 2603桢2002ǯ1026PDF
21åῥסImage and Gender 3 2002ǯ1126PDF
22־ʲʸԻԤȳ׿ޥؤꤽ2סؤ 84掤2002ǯ122021-24PDF
23ֹⱨλࡼ²ˡƤƱνγͤˡع絤ƻԡ絤ƻ43桡2002ǯpp.37-40PDF
 

2002ǯԼҲưʹֱʤɡˡ

No
1Okakura Tenshin and Sister NiveditaWatarium Museum2002ǯ521
 

 

2001ǯ

No
1Crossing Cultural Borders, Toward the Ethics of Intercultural Communication: Beyond Reciprocal Anthropology,(ed.) International Research Center for Japanese Studies, 2001, 330p.
 

2001ǯʸ

No
1Claude Monet BetweenImpressionism and Japonism,ǡMonet and Japan, National Gallery of Australia, Sydney, 9 March - 11 June, 2001, pp.64-76PDF
2How to Do Things with a Parasite, Kiseiju by Iwaaki Hitoshi, or A Vision of the Divided Self in a Contemprary Japanese Comic-Book, The Imagination of the Body and the History of Bodily Experience, International Research Center for Japanese Studies,2001, pp.232-247.PDF
3Between Revelation and Violation: The Ethics of Intervention, in Crossing Cultural Borders, Toward the Ethics of Intercultural Communication: Beyond Reciprocal Anthropology, International Research Center for Japanese studies, 2001, pp.125-138.PDF
4֥饷ǥܡˤ򤤤˸뤫סʿ12ǯ١ع Ʋʸ񸦽Ͽ̾ŲԶ饻󥿡ȯ 2001ǯ315 6-9PDF
5̾ȵ𾢤ǧΤᤰǧסإȥե214桡2001ǯ63022-27PDF
6ʬ䤵줶ָĿ͡׸ۤؤĩѡشá٤洶С/The Fallic Arm:Kiseijû by IWAAKI Hitoshi or a Vision of the Dividable Self in Contemporary Japanese Comics, ϡ١ݥݥ񡡹ΩѴ 2001ǯ 78-85PDF
7ְʸˤऱơסؿŪκƹۡ١ɻԡۼ 20019PDF
8Mediators, Sacrifice and Forgiveness: Laurens van der Posts Vision of Japan in the P.O.W. CampJapan Review, No. 13, 2001, pp.129-143.PDF
9Okakura Kakuzôs Nostalgic Journey to India and the Invention of Asia, in Susan Fisher (ed.), Nostalgic Journeys: Literary Pilgrimages between Japan and the West, CJR Japan Research Series, 2001, pp.119-132PDF
10"Reinterpretation of the Western Linear Perspective in Eighteenth- and Ninteenth-Century Japan: A Case of Cultural Translation," W.F. Vande Walle(ed.), Dodonaeus in Japan, Euven University Press, 2001, pp.149-165.PDF
11֡ȥݥȡ˥ɤμաʿɧԡ縦桧20󥮥ɽĬήɽʸθ塧󤫤۶ءʿ1012ǯٲʳظʴ׸(A)(1) ֹ10301024) 2001ǯ2289-11PDF
12ֶιȥ쥯̱֥쥯ηץ쥯ε صظ 21桢2001ǯ32075-101PDF
13סشġ62001ǯ5194-212PDF
14Additional Recommendations for a Dialog between the Civilizations,International Conference on the Dialogue of Civilizations, Tokyo, United Nations University, 31 July - 3 August, 2001.PDF
15Between 'Nostalgie' and Sehnsucht'Kinoshita Mokutaro's Europe,Return to Japan from Pilgrimage to the West, ed. by Yoichi Nagashima, Aarhus University Press,2001, pp.125-133.PDF
 

2001ǯԤ¾μɮư

No
1֥ɥʸ͸׵¤ݽءԡˡ¤١2001ǯ52999-101PDF
2ֽԤޤޤĹΡͭīˡסؿ޽ʹ 2522掤 2001ǯ217PDF
3֡ܡפĺɤ̱Ծۤ뤿ˡסؿ޽ʹ 2525桢2001ǯ310PDF
4ڽɾ 澰ůȤƤΥƥΥ١صظ 21桢2001ǯ320211-214PDF
5֥ϥǥ٥륰θܲסʸ25桢2001ǯ33025-31PDF
6֡ζҡפȡηáפȤΤסؿ޽ʹ 2535桢2001ǯ62PDF
7ֽ˴̿ԤȤΡ椭β2001ǯ122ARGO16PDF
8ڽɾ ֵ¼ʸκۤפ򤳤ơ ȺȽɲλߡסʸظ 78PDF
9ֵθǽƻסإݥ˥ฦ١21桢2001ǯ93038-41PDF
10աסظʸء١ʿʸظ17桢2001ǯ93010-17PDF
11ǯοդȽǹۤΰáסظʸء١ʿʸظ17桢2001ǯ93083-89PDF
12֥ޡåƥ󥰡˥ࡧݽѤˤ20˥ࡦѥΩȤξŪطʡסؿ޽ʹ 2555桢2001ǯ1027PDF
13ֽɾ¼ءʸκۤפ򤳤ơȺȽɲλߡ١ع絤ƻԡ絤ƻ42桡2001ǯpp.32-38PDF
 

2001ǯԼҲư(ֱʤɡˡ

No
1ڹֱۡMigration des signes iconiques: Paul Gauguin's Primitivism Reconsidered,Vortrag, Kunsthistorisches Institut, Ostasiatische Abteilung, Heidelberg, 8 January, 2001.
2ڹֱۡEdouard Manet and the Genesis of Modernism in Question,Vortrag, Kunsthistorisches Institut, Ostasiatische Abteilung, Heidelberg, 8 January, 2001.
3ڹֱۡVan Gogh, Gauguin et la migration des signes,Öffentlicher Vortrag, Moderne Galerie, Saarland Museum, 30 Januar, 2001.
4ڹֱ̺ۡؤե󡦥åۤޤǡ̵ܸ楻󥿡ֺܳ¡2001ǯ1115
5ڹְֱۡŪǮͿ̵ܼʸͿʸꡢ2001ǯ1121
6ڹֱ֥ۡɥ롦ޥͤ˵ҡ ݥEcrire histoiresʣλáʩۡ2001ǯ1222
 

 

2000ǯʸ

No
1֢¾ԢȤƤΡѡפȡѡפ΢¾ԢȤƤΡܡסݡѡפʸ໤ޱò첰ԡˡѻˤ¾ԡ١ν˼2000ǯ153-192PDF
2̺ؤȥݥ˥סإȡե21١22000ǯ122-129PDF
3֥ɾزŷȥܥȥѴۡŸסʸظ76桢2000ǯ140-144PDF
4֥ޥ롦ݥˡΤȤʤɡסذϺθŵǰʸ2000ǯ192-195.PDF
5ǰȤƤΥŷѻˤιۡſʾˡסԢʸܡ١458桢7桢2000ǯ11-19.PDF
6ǰȤƤΥŷѻˤιۡſʲˡסԢʸܡ١4510桢8桢2000ǯ114-119.PDF
7־ħᤰʩդȤθġĽϺΤߤ⡼ꥹɥˡסإʥɤܡ١㸩ΩѴۡ2000ǯ12-22ǡ224-233PDF
8֥祻ե󡦥ޥ饦ɤȥ˥ǥʿʹ ذ۹ؤƴݤĹؤβ󵢡١񱡡2000ǯ67-101.PDF
9The Myth of Viecent Van Gogh in Modern Japan and China,in Meng Hua and Hirakawa Sukehiro(eds.), Images of Westerners in Chinese and Japanese Literature, Amsterdam:Rodopi, 2000, pp.199-211.PDF
10̺ؤΰդƮ׶ԡطݽѳؤɴǯ١2000ǯ620120-140PDF
 

2000ǯԤ¾μɮư

No
1Ͳݸ潸Nichibunken Newsletter Nr.37, pp.3-4PDF
2ֺ߳סʸ20桢2000ǯ22947-51PDF
3֥ץĴסֲŷȥɡ۶̱ռƥǥεס215桢2000ǯ4277-9ǡ13-14PDF
4ϡζ¼Ÿ ʸ2000ǯ
5ʺȩ򻯤եꥫޥιסʸ24桢2000ǯ92922-28.PDF
6ְĤܤȤդĤηݽѡ23ʸǥ 2000 36.PDF
7֥ޡ顼ϤβΡ٤νв񤤡ײ񤤡 ؿ޽ʹ 2469桢2000ǯ115PDF
8ʸ໤θᡧήɴǯǰή˸åפסؿ޽ʹ 2473桢2000ǯ212PDF
9ںʲ֥ۡ她١ȤΥȥꥨסγ2000ǯ525ʹҡ116PDF
10ںʲ֥ۡǥ󡦥ɥ󡡥åȡإޥξסγ2000ǯ525ʹҡ28PDF
11ʸα۶ԲĿν˿뤳ȡסؿ޽ʹ 2475桢2000ǯ226PDF
12֡س̿ȡ٥ηݸޤ줿ʹͼ2000ǯ31PDF
13ֹͻϹͻ夫סؿ޽ʹ 2480桢2000ǯ41PDF
14ֺβθۡϺ;ˡסؿ޽ʹ 2484桢2000ǯ429PDF
15֡إ٤ι줿֤äܼҲߤƻסؿ޽ʹ 2486桢2000ǯ520PDF
16֥٤ʲ衧ή鳤ءסػ١2000ǯ621PDF
17֥˥Ϥǹͤȡסؿ޽ʹ 2498掤2000ǯ819PDF
18ή²פεǰꡢơȬɰ챧פʿŪѡסؿ޽ʹ 2503桢2000ǯ930PDF
19ڽɾ֤ۡȤФˤʤʤ©˼򷹤뤳 ɾ صʪ١סؿ޽ʹ 2509桢2000ǯ1111PDF
20ڽɾָۡդи뤤ĤȤ ɾ Ρ̾Ȥϲ١סؿ޽ʹ 2509桢2000ǯ1111PDF
21֤¤ˤޤСζȯ-εդǤ롢Ȥ˾ռסؿ޽ʹ 2514桢2000ǯ1216PDF
22֥饷ǥܡˤ򤤤˸뤫סسƲʸ񸦽Ͽʿǯ̾ŲԶ饻󥿡 2000ǯPDF
23ֳɽαͺסǡLa Carricature 10꡼եåȡܤͧҡ2000ǯPDF
 

2000ǯԼҲư(ֱʤɡˡ

No
1ȯɽۡA Vision of the Dividable Self in Contemporary Japanese Comics,The Imagination of the Body and the History of Bodily Experience, IRCJS, Jan.18-222000
2ڹֱۡ19ե󥹡ֶ峨 ޥ͡פҲסѴ۹ֺ¡Ҳѡ2ٵܾ븩Ѵۡȥۡ롡2000ǯ34PDF
3ڹֱۡThe Making of Museums and Collections in Modern Japan,Interpreting Asian Cultures in Museums, Dispays, Activities, Strategies, International Workshop, 15-17 March, 2000, The British Museum.
4ȯɽۡMediators, Sacrifice and Forgiveness: Laurens van der Post and Japan,International Comparative Literature Association Pretoria Congress, 9-13 August, 2000.PDF
 

 

1999ǯ

No
1سݥꥨ󥿥ꥺफ饸ݥ˥ء̾ŲؽDz 1999ǯ1030
 

1999ǯʸ

No
1Miyazaki Hayao's Epic Comic Series: Nausicaäin the Valley of the Wind: An Attempt at Interpretation, Japan Review, No. 11, pp.113-128.PDF
2Reconsidering the Mingei Undô as a Colonial Discourse:The Politics of Visualizing Asian 'Folk Craft,'Asiatische Studien, Zeitschrift der Schweizerischen Asiengesellschaft,Vol.LIII, Nr.2, 1999, SS. 219-230.PDF
3Reconsidering The Mingei Undo as a Colonial Discourse:The Politics of Visualizing Asian "Popular Art,"Associations of Asian Studies.PDF
4The Making of Hokusai's Reputation in the Context of Japonisme,Proceedings of the Third International Hokusai Conference in Obuse, Obuse, Nagano, 1999, pp.57-62.PDF
5֥ݡ롦硼ȥեꥫѡסػ١ԹΩѴۡ385桢5-7ǡ1999ǯ101PDF
6The Painter who disappeared in the Novel: images of an Oriental Artist in European Literature,Martin Heusser,Michèle Hannoch, Charlotte Scholle-Glass and David Scott(eds.), Text and Visuality, Amsterdam, Rodopi, 1999, pp.117-127.PDF
7Reconsidering Okakura Tenshin as the Inventor of Oriental Art HistoryAssociation for Asian Studies, Boston, Mar. 11-15, 1999; Annual Meeting Program, p135.PDF
8ɽݤþþɽݡݽե󥹳򸫤סƣ޹ͺëԡˡطݽθ-˥फ쿮Ʋ1999ǯ4218-235PDF
9ֹ֡ݡפͤס߷ڲĹ٥롦ꥨԡˡѤΤ椯ѻˤθߡ١1999ǯ8317-329PDF
10Between Revelation and Violation: Ethics of Intervention,Shigemi Inaga and Kenneth L. Richard eds., Crossing Cultural Borders: toward an Ethics of Inter-cultural Communication Beyond Reciprocal Anthropology, International Research Center for Japanese Studies, Nov.10-13, 1999, pp.125-138.PDF
11Confession and Exposure: Nagasawa Mitsuo's Adult Video Actresses and Japan's Male Intellectual Consciousness,Proceedings of the Midwest Association for Japanese Literary Studies, Vol.5, 1999, pp.19-45.PDF
 

1999ǯԤ¾μɮư

No
1֥ڥϡθܲסʸ21桢1999ǯ18-26PDF
2ֶιϩܤȡΡפԤιϩסʸظ75PDF
3׻鿳IJΰ̶ססػ50ǯˡPDF
4֥ɡեå󡧲Ÿסؿ޽ʹ 2422桢1999ǯ123PDF
5̸ͤءإѥ110Ρ֥ȡƥףҸơסإѥ 112桢1999ǯ2桢170-173PDF
6ַäλڡסؿ޽ʹ 2426桢1999ǯ220PDF
7ֲزȤɤޤεסū30桢1999ǯ3PDF
8֥ɤ鸫ŷסؿ޽ʹ 3430掤1999ǯ320PDF
9ּνȤƤΡأֽͥ١סؿ޽ʹ 2439桡1999ǯ529PDF
10ڽɾȷ¾ԡؿʿʹ֤ȯٴȹֺ ʸء̱¯ظ641 1999ǯ6 114-116PDF
11ڽɾۺƣƻȤȶѡ١ѴĶ¬Τθ̩夷ѡ׷˸桡ؿ޽ʹ2441桡1999ǯ612PDF
12ֵ³ˤĤƤΡȥꥪǤۡסؿ޽ʹ2444桢1999ǯ73PDF
13ֹ͸ųŪΤι͸ųؤˤऱơסؿ޽ʹ 2449桢1999ǯ82PDF
14־ΰ֤Ȼ³ؤ˾ȡסؿ޽ʹ 2453 1999ǯ911PDF
15ܿͤϤʤ줬Ǥʤסؿ޽ʹ 2458 1999ǯ1023PDF
16ʿΤ硹ˤ¿ʸβǽסؿ޽ʹ 2462 1999ǯ1120PDF
17֤ޤʤ۶ʸסصԿʹ١1999ǯ1216PDF
18ֱˡܤǥ󥸡סοʹ١1999ǯ1220PDF
 

1999ǯԼҲư(ֱʤɡˡ

No
1ڹֱۡOkakura Tenshin's Disciples and Their Contemporaries in India: with Special Reference to the Paradigm Change in the Approach to Asian Art,Workshop on Okakura Tenshin, The University of California in Los Angeles, Jan.22, 1999.
2ڹֱۡThe Construction ofJapanese' andOriental' Art History in Meiji Japan,The Donald Keene Center for Japanese Culture, Columbia University, Feb. 11, 1999.
3ڹֱۡÉdouard Manet's Posthumous Struggle for Glory,The Donald Keene Center for Japanese Culture, Department of Art History, Columbia University, Feb. 24, 1999.
4ڹֱۡDisclosing Double Mirror: Nagasawa Mitsuo's Adult Video Actress in the light of Judith Herman's Traum and Recovery,Vision, Revisions, Incorporations: Theorizing Gender, the Body and the Visual in Contemporary Japanese Popular and Mass Culture, L'Université de Montréal, March 26-28, 1999.
5ڹֱۡʬ䤵줶Ŀ͸ۤؤĩѡشá٤С Herausforderung an die Vorstellung vom unteilbaren Individuum.Hautwahrnehmung in Hitoshi Iwaakis'Parasitentiere,' The Face of Skin / / Die Gesichter der Haut, ΩѴۡ1999ǯ716-18
6ڹֱۡTahiti et la migration des signes: La représentation du Paradis terrestre chez Paul Gauguin comme une quête de la créolite dans la langage plastique au tournant du siècle dernier et au dèbut du XX siècle,Multiculturalisme et identités en littérature et en art, Colloque international, Université de la Polynésie française,26-28 août, 1999.
 

 

1998ǯ

No
1 ɤλ١ʶ22vol.23368-372PDF
 

1998ǯʸ

No
1֡㺣ܤѻ˳ؤդ꤫ʹơסؤ Extra 25桢1998ǯ1202-15PDF
2ּ㷬ߤɤꡡλˤѻˤᤰפθˤĤơΡ֡غѻ˳ؤդ꤫٤ʹơפɤǡסؤ Extra 29桢1998ǯ52-8PDF
3Théodore Duret, Kuroda Jotaro et Feng Zikai: biographie de Van Gogh et sa repercussion en Asie de l'Est, Japan Review, No. 10, pp.93-107.PDF
4Impressionnisme et Japonisme:histoire d'un malentendu créateur, Nouvelles de l'estampes, No.159, 1998, pp.7-22.PDF
5֥ꡦ̡ȥƥɡ롦ǥ졧ߥ塼󡢥ιԡѽסض١7桢1998ǯ42-58PDF
6Théodore Duret et Henri Cernuschi, journalisme politique, voyage en Asie et collection japonaise, Ebisu, Nr. hors serie, hiver 1998, pp.79-94.PDF
7ֲŷ١ϥסѴѤᤰäơסʸء̴ڹʸز1998ǯ125-145.ʽС쥢ʸسؽ̱񥽥ԡ̱ء1997ǯ621ȯɽơ
 

1998ǯԤ¾μɮư

No
1֥ɤΥꥨ󥿥ꥺξҲȽסإ١1998ǯ265-73PDF
2Reconsidering The Mingei Undo as a Colonial Discourse:The Politics of Visualizing Asian "Popular Art," Associations of Asian Studies, 1998, p.175.PDF
3֥Υݥ˥ॹȥ֥åǥס쳤Ƹʸظ١1998ǯ14-15
4ֲӤȤƤʸסؿ޽ʹ 2374桢1998ǯ124PDF
5ּҲʳؤȤƤζܡסؿ޽ʹ 2378桢1998ǯ221PDF
6ڽɾۡVera Linhartova, Sur un fond blanc,Gallimard, Paris, 1996סʸ19桢1998ǯ21840-41PDF
7In Search of New Ethics in Inter-cultural relationsNichibunken Newsletters, March, 1998.PDF
8ִѻˡ٤סؿ޽ʹ 2381桢1998ǯ314PDF
9˻ȤƤδݻˡסؿ޽ʹ 2385桢1998ǯ411PDF
10Τ˸줿Τε𾢡ʸήνϩȤƤβ趸͡ʹ1998ǯ57PDF
11軰̺ز in ۻܡסؿ޽ʹ 2390桢1998ǯ523PDF
12ʸ麤Υơסؿ޽ʹ 2393桢1998ǯ613PDF
13餻ܡ뤤ꧤۡסؤ Extra 30桢1998ǯ6205-10PDF
14־äʩξä줿ʪסؿ޽ʹ 2398桢1998ǯ718PDF
15ܶѸˤ컰ǯסؿ޽ʹ 2402桢1998ǯ815PDF
16βƵ٤ߡסؿ޽ʹ 2405桢1998ǯ912PDF
17ȯ˽äؤΡʥԥʤ̡˥Υ뤤˸줿Τܤεסؤ Extra 33桢1998ǯ9209-10PDF
18ڽɾ۱ ظ͡١̱̿١82桢1998ǯ102629-33PDF
19ּưؤϼףϣӤؤŪ񹳤Ȥʤꤦ뤫סؿ޽ʹ 2409桢1998ǯ1010PDF
20ֶʸؤΡ٤ȤƤΤؤǤ̳ɸ줿鵻ȤƤܲ󵢡סؿ޽ʹ 2411掤1998ǯ1024PDF
21ƹʸ̵ʸؤˤסؿ޽ʹ 2417桢1998ǯ1212PDF
 

1998ǯԼҲưʹֱʤɡˡ

No
1ڹֱۡܤΤܿ͡ݳΤޤʤʸե 101 1998ǯ331
2ڹֱۡPortrait of a European Artist in Modern Japan and China,Modernism in China in the 1920s, Prague, Charle University, 1998.
3ڹֱۡThe Making of Hokusai's Reputation in the Context of Japonisme,The Third International Hokusai Conference in Obse, April 19-22, 1998PDF(ʸ) PDF(ʸ)
4ڹֱۡThe Origin of Modernism as an Oblivion of Political Struggle: The Case of Édouard Manet and his Marketing Strategy of the Auction XIVth International Conference of Aesthetics, Ljblijana, Sep.1-5, 1998.
5ڹֱۡBetween Nostalgie and Sehnsucht: Kinoshita Mokutaro's Europe, Return to Japans of Nostalgia from Pilgrimage to Fantisized Wests, Copenhagen University, Sep.6-7, 1998.
6ڹֱۡ Édouard Manet,Théodore Duret and Japan: Representation of Japanese Aesthetics in the late 19th Century Europe, Japan Forum, The Edwin Reischauer Institute of Japanese Studies, Oct. 2, 1998.PDF
7ڹֱۡReinterpretation of the Western Linear Perspective in the 1819th Century Japan: A case of Cultural Translation, Translation of Culture and Culture of Translation, Louvain Catholic University, Oct13. 1998.
8ڹֱۡLa Réputation de Hokusai dans le context du JaposimeܤʸȼҲ񡧿ȯȿᡢCentre culturel du Japan, Paris, 16-17, oct., 1998.
9ڹֱۡReconsidering the Mingei Undô as a Colonial Discourse: The Politics of Visualizing Asian Folk Craft, Rethinking the Urban Mass-Culture in 1920's and 30's in Japan, Zürich, Universität Zürich, Oct.18-20, 1998.
10ڹֱۡLa Réception et la transformation de Vincent Van Gogh au Japan et Chine, L'Université de Génève, 22 oct. 1998
11ڹֱۡConfession and Exposure: Nagasawa Mitsuo's Adult Video Actress and Japan's Male Intellectual Consciousness, 7th Middlewest Association of Japanese Literary Studies, Purdue University, Nov.6-7, 1998.
12ڹֱۡCognition Gaps in the Recognition of Masters and Masterpieces in the Formative Years of Japanese Art History and Historiography(18801900), Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, University of California in Los Angeles, Dec. 13-15, 1998.
 

 

1997ǯ(41ʹ)ʸ

No
1Retour de la Conférence: un tableau perdu de Gustave Courbet et sa position manquée dans l'histoire de l'art, Bulletin des amis de Gustave Courbet, N94/95, pp.30-43.PDF
 

1997ǯ(41ʹ)Ԥ¾μɮư

No
1ش:פȤϲäΤ ؿ޽ʹ2340桢1997ǯ53PDF
2֥ܥʡ ֤ѡ׵Կʹ 1997ǯ521PDF
3Ϥä:֥ˬ ؿ޽ʹ2345桢1997ǯ614PDF
4ֺζסж5桢1997ǯ7PDF
5īٲȤα̿:þפ;ˎ ؿ޽ʹ2348桢1997ǯ75PDF
6׻鿳IJΰ̶ססػ50ǯ˥˥塼쥿١1997ǯ714PDF
7ڽɾʿʹ إꥨ󥿥̴ʸظ 70桢1997ǯ8128-134PDF
8֡سβɥ롦ޥ׸Ʈʩۡʩ̿85桢1997ǯ83-4PDF
9ҳ顿ڽ;:ʸϩüԤ؎ ؿ޽ʹ2353桢1997ǯ89PDF
10쥢ʸήˤβǽ:桹ΡֹʸءפξQ餹äݤȴήμꎣ ؿ޽ʹ2359桢1997ǯ927PDF
11ڽɾ޼إݥ˥ࡧۤܡٲظ--ʥ륷ƥåͥȤΤʤǡؿ޽ʹ1997ǯ1011PDF
12ָݤμ˲ץסؿ޽ʹ 2363桢1997ǯ1025PDF
13褫峨ءݡع٤θѥšݡסʥ584桢1997ǯ1130-33PDF
14Ÿɾ ФءݡذʸؤΤޤʤŸסػ崿ʹ١1997ǯ1126PDF
15VSʥݡβΩסؿ޽ʹ 2368桢1997ǯ126PDF
16ְʸؤΤޤʤסؿ޽ʹ 2371桢1997ǯ1227PDF
17֥ʥΰ֤ع絤ƻԡ絤ƻ38桡1997ǯpp.52-53PDF
 

1997ǯ(41ʹ)ԼҲưʹֱʤ)

No
1ڹֱۡإɥ롦ޥͤȥ˥εƹ͡ŪƮ˺ѤŪʩѳزåס 1997ǯ1012