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Research Activities

Research Exchange Symposia

Past Research Exchange Symposia:

  Date Place Co-organizer Title, etc.
1st Nov.20, 2006 The Academy of Korean Studies
Korea (Seongnam)
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Nov.21, 2006 Institute for Japanese Studies, Seoul National University
Korea (Seoul)
- Nihon Senmonka Syohei Seminar
Nov.22, 2006 The Japan Center, Dongseo University
Korea (Busan)
- Gakujyutsu Kenkyu Koryukai Program I
2nd Mar.8-10, 2007 Centre Européen d'Etudes Japonaises d'Alsace(CEEJA)
France(Colmar)
Centre Européen d'Etudes Japonaises d'Alsace(CEEJA) Société et culture du Japon moderne
3rd Dec.12-13, 2007 School of Foreign Languages, East China Normal University
China (Shanghai)
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Nichibunken Session "Nichibunken ni okeru Kenkyu Jyokyo"
Chinese Session "Cyugoku cyunanseibu ni okeru Nihon Kenkyu no Genjyo"

4th Mar.1-2, 2008 Centre Européen d'Etudes Japonaises d'Alsace (CEEJA)
France(Colmar)
Centre Européen d'Etudes Japonaises d'Alsace(CEEJA) Esthétique et pensée du Japon moderne
5th Sep.26-27, 2008 Far Eastern National University, Institute of Oriental Studies
Russia (Vladivostok)
Far Eastern National University, Institute of Oriental Studies Rosia Kyokuto Bunka no Naka no Nippon
6th Jun.2-3, 2009 International Research Center for Japanese Studies Centre Européen d'Etudes Japonaises d'Alsace(CEEJA) Devenir l'Autre. Experinece et recit du changement de culture entre Orient et Occident
7th Mar.19-20, 2010 International Research Center for Japanese Studies - The Deshima Archives and Their Significance for the Study of Tokugawa Japan
8th Feb.25-27, 2011 International Research Center for Japanese Studies - Cultural Translation: Research on Japanese Literature in Northern Europe
9th Feb.22-23,
2012
Hotel Armada, Petaling Jaya (Kuala Lumpur, Malaysia) - Nichibunken JSA-ASEAN Workshop[Research:My Personal Approach]

 

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This symbol represents flowing water. Water implies a source of life with the ensuing benefits. By using this symbol, the image of water is likened to the roots of culture in general. Furthermore,  flowing water evokes images of fluidity and life force. These images are indicative of Nichibunken's learning style, pursuing dynamic studies of Japanese culture. The three lines of the symbol, the centerline connecting the other lines, denote the interdisciplinary and international exchange sought by Nichibunken.